Etruscan architecture underwent various changes between the later Iron Age and the Archaic period. This book reconsiders these changes by focusing on the building materials and techniques used in the construction of domestic structures.
Proceedings of the 17th Iron Age Research Student Symposium held in Edinburgh, organised to reflect three general themes (migration/interaction, material culture and the built environment)
`This outstanding overview creates an effective framework on which to hang 13 diverse papers. The papers are tightly written and good editing has successfully merged them into a very successful volume.' - American Antiquity
The Etruscans were the creators of one of the most highly developed cultures of the pre-Roman Era. Having, at one time, control over a significant part of the Mediterranean, the Etruscans laid the foundation of the city of Rome. They had their own language, which has never been totally decoded, and their art influenced such artists as Michelangelo. While the Etruscans were eventually conquered by the Romans, they left a rich culture behind. The Historical Dictionary of the Etruscans relates the history of this culture, focusing on aspects of their material culture and art history. A chronology, introductory essay, bibliography, appendix of museums and research institutes, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions provide an entry into a comparative study of the Etruscans.
This volume fills a gap in the study of an important, yet neglected case of state formation, by taking a landscape perspective to Etruria. Simon Stoddart examines the infrastructure, hierarchy/heterarchy and spatial patterns of the Etruscans over time to investigate their political development from a new perspective. The analysis both crosses the divide from prehistory to history and applies a scaled analysis to the whole region between the Tyrrhenian Sea and the Arno and Tiber rivers, with special focus on the neglected region between Populonia on the coast and Perugia and the north Umbrian region adjoining the Apennines. Stoddart uncovers the powerful places that were in dynamic tension not only between themselves, but also with the internal structure constituted by the descent groups that peopled them. He unravels the dynamically changing landscape of changing boundaries and buffer zones which contained robust urbanism, as well as less centralized, polyfocal nucleations.
This volume presents a refreshing and comprehensive study of the history of the Jews living in Rome and in Roman Italy, focusing on a diachronic study of Jewish society and its interaction with its immediate social and cultural surroundings.
Preliminary Material -- Introduction -- Pottery Period 1: Traces of The Earliest Iron age Occupation -- Pottery Period 2: Evidence for a Distinct Historical Period? -- Pottery Period 3: “Filling The Gap”--Material Remains From the House of Omri and the Reign of Jehu -- Conclusions -- Excursus I: A Cistern Deposit Assigned to Pottery Period 1 at Samaria -- Excursus II: Comparative Stratigraphy and Loci: Establishing a Ceramic Control Group -- Appendices -- Bibliography -- General Index.
In Western Ways, for the first time, the "foreign schools" in Rome and Athens, institutions dealing primarily with classical archaeology and art history, are discussed in historical terms as vehicles and figureheads of national scholarship. By emphasising the agency and role of individuals in relation to structures and tradition, the book shows how much may be gained by examining science and politics as two sides of the same coin. It sheds light on the scholarly organisation of foreign schools, and through them, on the organisation of classical archaeology and classical studies around the Mediterranean. With its breadth and depth of archival resources, Western Ways offers new perspectives on funding, national prestige and international collaboration in the world of scholarship, and places the foreign schools in a framework of nineteenth and twentieth century Italian and Greek history.
Ann Vasaly introduces representation theory into the study of Ciceronian persuasion and contends that an understanding of milieu—social, political, topographical—is crucial to understanding Ciceronian oratory. As a genre uniquely dependent on an immediate interaction between author and audience, ancient oratory becomes performance art. Vasaly investigates the way Cicero represented the contemporary physical world—places, topography, and monuments, both those seen and those merely mentioned—to his listeners and demonstrates how he used these representations to persuade. Her exceptionally well-written study deftly recaptures the immediacy of Cicero's oratory and makes a trenchant contribution to an important new area of inquiry in Classical Studies. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993. Ann Vasaly introduces representation theory into the study of Ciceronian persuasion and contends that an understanding of milieu—social, political, topographical—is crucial to understanding Ciceronian oratory. As a genre uniquely dependent on an immediate