Since the first edition was published seventeen years ago social and technical changes have altered the world of acoustic communication. This book draws upon many traditional disciplines that deal with specific aspects of sound, and presents material within an interdisciplinary framework. It establishes a model for understanding all acoustic and aural experiences both in their traditional forms and as they have been radically altered in the 20th century, Digital technology has completely redefined the listening and consumption patterns of sound. We are now able to benefit from the march of technology via a companion CD-ROM, which accompanies this volume for the first time.
In order to communicate, animals send and receive signals that are subject to their particular anatomical, psychological, and environmental constraints. This SHAR volume discusses both the production and perception of acoustic signals. Chapters address the information that animals communicate, how the communication is developed and learned, and how communication systems have adapted and evolved within species. The book will give examples from a variety of species.
The last decades have brought a significant increase in research on acoustic communi cation in animals. Publication of scientific papers on both empirical and theoretical aspects of this topic has greatly increased, and a new journal, Bioacoustics, is entirely devoted to such articles. Coupled with this proliferation of work is a recognition that many of the current issues are best approached with an interdisciplinary perspective, requiring technical and theoretical contributions from a number of areas of inquiry that have traditionally been separated. With the notable exception of a collection edited by Lewis (1983), there have been fewvolumes predominatelyfocused on technical issues in comparative bioacoustics to follow up the earlyworks edited by Lanyon and Tavolga (1960) and Busnel (1963). It was the tremendous growth of expertise c:()ncerning this topic in particular that provided the initial impetus to organize this volume, which attempts to present fundamental information from both theoretical and applied aspects of current bioacoustics research. While a completely comprehensive review would be impractical, this volume offers a basic treatment of a wide variety of topics aimed at providing a conceptual framework within which researchers can address their own questions. Each presentation is designed to be useful to the broadest possible spectrum of researchers, including both those currently working in any of the many and diverse disciplines of bioacoustics, and others that may be new to such studies.
Walk near woods or water on any spring or summer night and you will hear a bewildering (and sometimes deafening) chorus of frog, toad, and insect calls. How are these calls produced? What messages are encoded within the sounds, and how do their intended recipients receive and decode these signals? How does acoustic communication affect and reflect behavioral and evolutionary factors such as sexual selection and predator avoidance? H. Carl Gerhardt and Franz Huber address these questions among many others, drawing on research from bioacoustics, behavior, neurobiology, and evolutionary biology to present the first integrated approach to the study of acoustic communication in insects and anurans. They highlight both the common solutions that these very different groups have evolved to shared challenges, such as small size, ectothermy (cold-bloodedness), and noisy environments, as well as the divergences that reflect the many differences in evolutionary history between the groups. Throughout the book Gerhardt and Huber also provide helpful suggestions for future research.
Digital Underwater Acoustic Communications focuses on describing the differences between underwater acoustic communication channels and radio channels, discusses loss of transmitted sound in underwater acoustic channels, describes digital underwater acoustic communication signal processing, and provides a comprehensive reference to digital underwater acoustic communication equipment. This book is designed to serve as a reference for postgraduate students and practicing engineers involved in the design and analysis of underwater acoustic communications systems as well as for engineers involved in underwater acoustic engineering. - Introduces the basics of underwater acoustics, along with the advanced functionalities needed to achieve reliable communications in underwater environment - Identifies challenges in underwater acoustic channels relative to radio channels, underwater acoustic propagation, and solutions - Shows how multi-path structures can be thought of as time diversity signals - Presents a new, robust signal processing system, and an advanced FH-SS system for multimedia underwater acoustic communications with moderate communication ranges (above 20km) and rates (above 600bps) - Describes the APNFM system for underwater acoustic communication equipment (including both civil and military applications), to be employed in active sonar to improve its performance
Acoustic Communication in Birds, Volume 1: Production, Perception, and Design Features of Sounds presents the scientific study of bird vocalizations. This book discusses the relations between the physical structure of bird vocalization and their quality as perceived by the recipient. Organized into nine chapters, this volume begins with an overview of the first sound recording of bird sound. This text then outlines some of the complex processes and events between sound production and behavior response to sound. Other chapters consider the study of neural control of vocalizations in birds. This book discusses as well the acoustic information transmitted through the wide range of habitats plays a crucial role in different avian behaviors, including individual and species recognition, territorial defense, mate selection, and song learning. The final chapter deals with a more detailed functional interpretation of a particular sound. This book is a valuable resource for ornithologists, ethologists, and research workers.
Information is a core concept in animal communication: individuals routinely produce, acquire, process and store information, which provides the basis for their social life. This book focuses on how animal acoustic signals code information and how this coding can be shaped by various environmental and social constraints. Taking birds and mammals, including humans, as models, the authors explore such topics as communication strategies for “public” and “private” signaling, static and dynamic signaling, the diversity of coded information and the way information is decoded by the receiver. The book appeals to a wide audience, ranging from bioacousticians, ethologists and ecologists to evolutionary biologists. Intended for students and researchers alike, it promotes the idea that Shannon and Weaver’s Mathematical Theory of Communication still represents a strong framework for understanding all aspects of the communication process, including its dynamic dimensions.
This volume provides a comprehensive selection of recent studies addressing insect hearing and acoustic communication. The variety of signalling behaviours and hearing organs makes insects highly suitable animals for exploring and analysing signal generation and hearing in the context of neural processing, ecology, evolution and genetics. Across a variety of hearing species like moths, crickets, bush-crickets, grasshoppers, cicadas and flies, the leading researchers in the field cover recent scientific progress and address key points in current research, such as: - How can we approach the evolution of hearing in insects and what is the developmental and neural origin of the auditory organs? - How are hearing and sound production embedded in the natural lifestyle of the animals, allowing intraspecific communication but also predator avoidance and even predation? - What are the functional properties of hearing organs and how are they achieved at the molecular, biophysical and neural levels? - What are the neural mechanisms of central auditory processing and signal generation? The book is intended for students and researchers both inside and outside of the fascinating field of bioacoustics and aims to foster understanding of hearing and acoustic communication in insects.
Although the fundamental principles of vocal production are well-understood, and are being increasingly applied by specialists to specific animal taxa, they stem originally from engineering research on the human voice. These origins create a double barrier to entry for biologists interested in understanding acoustic communication in their study species. The proposed volume aims to fill this gap, providing easy-to-understand overviews of the various relevant theories and techniques, and showing how these principles can be implemented in the study of all main vertebrate groups. The volume will have eleven chapters assembled from the world's leading researchers, at a level intelligible to a wide audience of biologists with no background in engineering or human voice science. Some will cover sound production in a particular vertebrate group; others will address a particular issue, such as vocal learning, across vertebrate taxa. The book will highlight what is known and how to implement useful techniques and methodologies, but will also summarize current gaps in the knowledge. It will serve both as a tutorial introduction for newcomers and a springboard for further research for all scientists interested in understanding animal acoustic signals.
In communication acoustics, the communication channel consists of a sound source, a channel (acoustic and/or electric) and finally the receiver: the human auditory system, a complex and intricate system that shapes the way sound is heard. Thus, when developing techniques in communication acoustics, such as in speech, audio and aided hearing, it is important to understand the time–frequency–space resolution of hearing. This book facilitates the reader’s understanding and development of speech and audio techniques based on our knowledge of the auditory perceptual mechanisms by introducing the physical, signal-processing and psychophysical background to communication acoustics. It then provides a detailed explanation of sound technologies where a human listener is involved, including audio and speech techniques, sound quality measurement, hearing aids and audiology. Key features: Explains perceptually-based audio: the authors take a detailed but accessible engineering perspective on sound and hearing with a focus on the human place in the audio communications signal chain, from psychoacoustics and audiology to optimizing digital signal processing for human listening. Presents a wide overview of speech, from the human production of speech sounds and basics of phonetics to major speech technologies, recognition and synthesis of speech and methods for speech quality evaluation. Includes MATLAB examples that serve as an excellent basis for the reader’s own investigations into communication acoustics interaction schemes which intuitively combine touch, vision and voice for lifelike interactions.
