Accounts of the Feoffees of the Town Lands of Bury St Edmunds, 1569-1622
Accounts of the Feoffees of the Town Lands of Bury St Edmunds, 1569-1622

Author: Margaret Statham

Publisher: Boydell Press

Published: 2003

Total Pages: 508

ISBN-13: 9780851159218

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In the absence of borough status and after the winding up of the guilds, the townsmen of Bury St Emunds experiment with town government. In 1569, thirty years after its abbey had been dissolved, the large town of Bury St Edmunds remained unincorporated. These accounts show how the feoffees (still essentially the medieval Candlemas guild) experimented with town government. The pre-Reformation landed endowments were increased throughout the period. This enabled the feoffees to address many aspects of town life. In addition to payments for housing and clothing the poor, and the provision of medical care, they also contributed to the cost of providing clergy (whose theology was akin to their own) for the two town churches. To encourage trade, they built the town's first covered Market Cross, while the acquisition of theShire House enabled the assizes and quarter sessions to move into the town. After the turn of the century, the Charitable Uses Act of 1601 was used to recover land which had long ago been alienated. At the same time some of the up and coming men successfully petitioned for a charter of incorporation for Bury St Edmunds, so that in 1606 the town acquired the borough status which had eluded it for centuries. Unless new sources are discovered, these accounts, though inevitably slanted to the feoffees' activities, are the most revealing source for the work of the new corporation in its early years.

Portraits, Painters, and Publics in Provincial England 1540-1640
Portraits, Painters, and Publics in Provincial England 1540-1640

Author: Robert Tittler

Publisher:

Published: 2013-09-05

Total Pages: 218

ISBN-13: 0199685967

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In this, the first comprehensive study of post-Reformation provincial English portraiture, Robert Tittler investigates the growing affinity for secular portraiture in Tudor and early Stuart England, a cultural and social phenomenon which can be said to have produced a 'public' for that genre. He breaks new ground in placing portrait patronage and production in this era in the broad social and cultural context of post-Reformation England, and in distinguishing between native English provincial portraiture, which was often highly vernacular, and foreign-influenced portraiture of the court and metropolis, which tended towards the formal and 'polite'. Tittler describes the burgeoning public for portraiture of this era as more than the familiar court-and-London based presence, but rather as a phenomenon which was surprisingly widespread, both socially and geographically, throughout the realm. He suggests that provincial portraiture differed from the 'mainstream', cosmopolitan portraiture of the day in its workmanship, materials, inspirations, and even vocabulary, showing how its native English roots continued to guide its production. Innovative chapters consider the aims and vocabulary of English provincial portraiture, the relationship of portraiture and heraldry, the painter's occupation in provincial (as opposed to metropolitan) England, and the contrasting availability of materials and training in both provincial and metropolitan areas. The work as a whole contributes to both art history and social history: it speaks to admirers and collectors of painting as well as to curators and academics.

English Historical Documents 1558-1603
English Historical Documents 1558-1603

Author: Ian W. Archer

Publisher: Taylor & Francis

Published: 2024-08-01

Total Pages: 1530

ISBN-13: 1040248586

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Praise for the series:‘Perhaps the most important historical undertaking of our age... one of the most valuable historical works ever produced.’ Times Literary Supplement‘A landmark in the field of historical endeavour... the most admirable collection of sources on English history that exists.’ American Historical Review English Historical Documents is the most ambitious, impressive and comprehensive collection of primary documents on English history ever published. The volumes have each become landmark publications in their own fields. This long awaited volume covers 1558-1603, the reign of Elizabeth I, when government, culture, religion and foreign policy all underwent profound change. This volume includes informative introductory pieces for the parts and sections and editorial comment is directed towards making sources intelligible rather than drawing conclusions from them. Opening with an introductory section which contextualises the accession of Elizabeth to the throne, the volume covers all key aspects of the Elizabethan period, including:InstitutionsSocial and economic structuresThe marriage question and the problem of the successionFamily and householdCultural lifeThe Church and religious affairsElizabethan warsOverseas trade and explorationCrime and disorderThe format of the series has been updated and the documents gathered here encompass the most up to date approaches to the material.

Making Publics in Early Modern Europe
Making Publics in Early Modern Europe

Author: Bronwen Wilson

Publisher: Routledge

Published: 2011-07-21

Total Pages: 297

ISBN-13: 1135168938

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The book looks at how people, things, and new forms of knowledge created "publics" in early modern Europe, and how publics changed the shape of early modern society. The focus is on what the authors call "making publics" — the active creation of new forms of association that allowed people to connect with others in ways not rooted in family, rank or vocation, but rather founded in voluntary groupings built on the shared interests, tastes, commitments, and desires of individuals. By creating new forms of association, cultural producers and consumers challenged dominant ideas about just who could be a public person, greatly expanded the resources of public life for ordinary people in their own time, and developed ideas and practices that have helped create the political culture of modernity. Coming from a number of disciplines including literary and cultural studies, art history, history of religion, history of science, and musicology, the contributors develop analyses of a range of cases of early modern public-making that together demonstrate the rich inventiveness and formative social power of artistic and intellectual publication in this period.

The English People at War in the Age of Henry VIII
The English People at War in the Age of Henry VIII

Author: Steven J. Gunn

Publisher: Oxford University Press

Published: 2018

Total Pages: 314

ISBN-13: 0198802862

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War should be recognised as one of the defining features of life in the England of Henry VIII. Henry fought many wars throughout his reign, and this book explores how this came to dominate English culture and shape attitudes to the king and to national history, with people talking and reading about war, and spending money on weaponry and defence.

The Accommodated Jew
The Accommodated Jew

Author: Kathy Lavezzo

Publisher: Cornell University Press

Published: 2016-10-21

Total Pages: 393

ISBN-13: 1501706705

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England during the Middle Ages was at the forefront of European antisemitism. It was in medieval Norwich that the notorious "blood libel" was first introduced when a resident accused the city's Jewish leaders of abducting and ritually murdering a local boy. England also enforced legislation demanding that Jews wear a badge of infamy, and in 1290, it became the first European nation to expel forcibly all of its Jewish residents. In The Accommodated Jew, Kathy Lavezzo rethinks the complex and contradictory relation between England’s rejection of "the Jew" and the centrality of Jews to classic English literature. Drawing on literary, historical, and cartographic texts, she charts an entangled Jewish imaginative presence in English culture. In a sweeping view that extends from the Anglo-Saxon period to the late seventeenth century, Lavezzo tracks how English writers from Bede to Milton imagine Jews via buildings—tombs, latrines and especially houses—that support fantasies of exile. Epitomizing this trope is the blood libel and its implication that Jews cannot be accommodated in England because of the anti-Christian violence they allegedly perform in their homes. In the Croxton Play of the Sacrament, Marlowe’s The Jew of Malta, and Shakespeare’s The Merchant of Venice, the Jewish house not only serves as a lethal trap but also as the site of an emerging bourgeoisie incompatible with Christian pieties. Lavezzo reveals the central place of "the Jew" in the slow process by which a Christian "nation of shopkeepers" negotiated their relationship to the urban capitalist sensibility they came to embrace and embody. In the book’s epilogue, she advances her inquiry into Victorian England and the relationship between Charles Dickens (whose Fagin is the second most infamous Jew in English literature after Shylock) and the Jewish couple that purchased his London home, Tavistock House, showing how far relations between gentiles and Jews in England had (and had not) evolved.