"I don't know who needs to hear this, but don't buy my child a harmonica." If you've ever had this thought as a parent, can Erin interest you in more extremely relatable content via her hot-mess adulting style? Grab a box of cookies, find the nearest bathroom to hide in, and enjoy my family's hilarious shenanigans in the form of short meme-like anecdotes because all know that alone time as a parent is quick and wildly precious.
This timely, emotionally-resonant story about a teen girl dealing with the aftermath of a tragic shooting is a must-read from an exciting new YA talent. Johanna has had more than enough trauma in her life. She lost her mom in a car accident, and her father went AWOL when Johanna was just a baby. At sixteen, life is steady, boring . . . maybe even stifling, since she's being raised by her grandparents who never talk about their daughter, her mother Mandy. Then he comes back: Robert Newsome, Johanna's father, bringing memories and pictures of Mandy. But that's not all he shares. A tragic car accident didn't kill Mandy--it was Johanna, who at two years old, accidentally shot her own mother with an unsecured gun. Now Johanna has to sort through it all--the return of her absentee father, her grandparents' lies, her part in her mother's death. But no one, neither her loyal best friends nor her sweet new boyfriend, can help her forgive them. Most of all, can she ever find a way to forgive herself? In a searing, ultimately uplifting story, debut author Alex Richards tackles a different side of the important issue that has galvanized teens across our country.
Eleven-year-old Barclay Thorne yearns for the quiet life of a mushroom farmer, but after unwittingly bonding with a beast in the forbidden Woods, he must seek Lore Keepers to break the bond and return home.
"Mom wouldn't be Mom, if she didn't make sure the kingdom village had a proper Christmas celebration. But what will the accidental minecraft family do when the whole night is thrown off by an unexpected visitor while the ninjas are on night patrol?"--Back cover.
A fun, action-packed fantasy adventure about a girl, her dog, and magic gone wrong! Quiet . . . birds . . . nature. . . . That's what Aster expects when her parents move their whole family to the middle of nowhere. It's just her (status: super-bored), her mom and dad (status: busy with science), her brother (status: has other plans), and . . . . . . magic? In her new home, Aster meets a mysterious old woman with a herd of dogs who gives her a canine companion of her own. But when she and her dog Buzz are adventuring in the forest, they run into a trickster spirit who gives Aster three wishes. After wishing for the ability to understand and talk to her dog, she becomes only able to talk in dog language . . . and the trouble she gets into is just starting. Maybe the middle of nowhere will be more interesting than Aster thought. "Crisp, vibrant artwork." -The AV Club
Lily Hill is finally getting used to living in Philadelphia with her mother and older brother, Case. She's made friends with two of the most popular girls in her first grade--LaVon and Daisy--and she's been invited to LaVon's birthday/Halloween sleep-over party! But Lily has a teensy-weensy little bed-wetting problem (Shhhhh!) and she's afraid if she goes to the party, her friends might find out and tell everyone at school. Just when everything seems to be going wrong, Lily discovers that she's not the only kid in her class with this teensy-weensy problem. With some helpful suggestions from her mom and Case, Lily finds a way to go to the sleep-over and keep her little accidents to herself. In her third story starring the spirited Lily Hill, Sally Warner tackles a sensitive subject with understanding, insight, and humor.
Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures. The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.
The CW's hit adaptation of Supergirl is a new take on the classic DC character for a new audience. With diverse female characters, it explores different versions of the female experience. No single character embodies a feminist ideal but together they represent attributes of the contemporary feminist conversation. This collection of new essays uses a similar approach, inviting a diverse group of scholars to address the many questions about gender roles and female agency in the series. Essays analyze how the series engages with feminism, Supergirl's impact on queer audiences, and how families craft the show's feminist narratives. In the ever-growing superhero television genre, Supergirl remains unique as viewers watch a female hero with almost godlike powers face the same struggles as ordinary women in the series.
What does it mean to be bound by love? Sometimes, the bonds of love supply bliss, and sometimes they demand sacrifice. Sometimes, experiencing love saves people, and sometimes it kills them. Being bound by love often engenders moral responsibility; in other cases, it enslaves and imprisons the soul. American mythologies—especially those presented in film and television—perpetuate love as the central narrative of one’s life; the search for a connection forged by love permeates every facet of human existence, from our desire to be accepted, or our longing to be needed, to our fury at being rejected. Sometimes love is the stuff of happiness, fulfilling in every regard. But there are also times when love makes us do things we should not do; sometimes it turns us into people we do not want to become. The commonality between love that satisfies and love that destroys is the bond between people who open themselves to the vulnerability of love. Examination of the theme of familial bonds in film and television explores how the process of forming and maintaining those bonds complicates, revises, and reproduces ideas about love. The chapters in this book explore how the nature of bonds and familial responsibility inform a popular cultural dialogue about the changing nature of the American family over the past sixty years.
The first book in the exciting middle-grade series starring a Muslim boy with a huge imagination—now in paperback! Welcome to the imaginative brain of Omar! Omar and his family have just moved, and he is NOT excited about starting at a new school. What if the work is too hard or the kids are mean or the teacher is a zombie alien?! But when Omar makes a new best friend, things start looking up. That is, until a Big Mean Bully named Daniel makes every day a nightmare! Daniel even tells Omar that all Muslims are going to be kicked out of the country . . . Could that possibly be true? Luckily, Omar's enormous imagination and goofy family help him get through life's ups and downs. Omar's funny, relatable narrative is the perfect answer to the call for both mirrors and windows to fill bookshelves with diverse stories. An NPR Best Book of the Year A Kirkus Best Book of the Year A USBBY Outstanding International Book Selection A Top 10 NYPL Best Book of the year A Middle East Book Award Nominee A Fuse #8 Great Middle Grade Novels of 2020 list A Bluestem Book Award Nominee (Illinois) A Maine Student Book Award Nominee A Sasquatch Award Nominee (Washington)
