Accidental Poetess covers topics from covid and politics to relationships and community. It is an urbane, intentional exploration between poetry & life as we know. It is entertaining, engaging and speaks to a diverse set of circumstances that are highly relatable to a broad spectrum of people, young or old. Accidental Poetess takes you for a walk down memory lane, provides insight and hope during the global pandemic crisis and raises awareness about the dire need for both emotional & spiritual wellness. The poems within are funny, riveting, reflective and sobering, a must read!
This book offers a multifaceted perspective on social writing in a volatile, uncertain and complex world. It meets the need to enable women’s capacity, especially in academic settings, to structure their own writing practice and that of others in the community. It expands current research on social writing beyond its core context in English-speaking countries to multilingual contexts from Portugal to Finland, identifying fruitful areas for interdisciplinary research, nexuses of social practice, and strategies for situated social learning through a feminist lens, bringing women from the margins to the centre. As the average woman academic with children is losing an hour of research and writing time every day in the aftermath of the Covid-19 pandemic, the impact of which will be felt for decades, the book purposefully entwines these polyphonic voices to tell the story of a writing retreat as a space for leadership and empowerment.
The craft of writing offers countless potential problems: The story is too long; the story's too short; revising presents a huge hurdle; writer's block is rearing its ugly head. In Help! For Writers, Roy Peter Clark presents an "owner's manual" for writers, outlining the seven steps of the writing process, and addressing the 21 most urgent problems that writers face. In his trademark engaging and entertaining style, Clark offers ten short solutions to each problem. Out of ideas? Read posters, billboards, and graffiti. Can't bear to edit yourself? Watch the deleted scenes feature of a DVD, and ask yourself why those scenes were left on the cutting-room floor. Help! For Writers offers 210 strategies to guide writers to success.
In this comprehensive study, Bryan Giemza retrieves a missing chapter of Irish Catholic heritage by canvassing the literature of American Irish writers from the U.S. South. Beginning with the first Irish American novel, published in Winchester, Virginia, in 1817, Giemza investigates nineteenth-century writers contending with the turbulence of their time -- writers influenced by both American and Irish revolutions, dramatists and propagandists of the Civil War, and memoirists of the Lost Cause. Some familiar names arise in an Irish context, including Joel Chandler Harris and Kate (O'Flaherty) Chopin. Giemza then turns to the works of twentieth-century writers, such as Margaret Mitchell, John Kennedy Toole, and Pat Conroy. For each author, Giemza traces the impact of Catholicism on their ethnic identity and their work. Giemza draws on many never-before-seen documents, including the correspondence of Cormac McCarthy, interviews with members of the Irish community in Flannery O'Connor's native Savannah, Georgia, and Giemza's own correspondence with writers such as Valerie Sayers and Anne Rice. This lively history prompts a new understanding of how the Catholic Irish in the South helped invent a regional myth, an enduring literature, and a national image.
Catherine Clay's persuasively argued and rigorously documented study examines women's friendships during the period between the two world wars. Building on extensive new archival research, the book's organizing principle is a series of literary-historical case-studies that explore the practices, meanings and effects of friendship within a network of British women writers, who were all loosely connected to the feminist weekly periodical Time and Tide. Clay considers the letters and diaries, as well as fiction, poetry, autobiographies and journalistic writings, of authors such as Vera Brittain, Winifred Holtby, Storm Jameson, Naomi Mitchison, and Stella Benson, to examine women's friendships in relation to two key contexts: the rise of the professional woman writer under the shadow of literary modernism and historic shifts in the cultural recognition of lesbianism crystallized by The Well of Loneliness trial in 1928. While Clay's study presents substantial evidence to support the crucial role close and enduring friendships played in women's professional achievements, it also boldly addresses the limitations and denials of these relationships. Producing 'biographies of friendship' untold in existing author studies, her book also challenges dominant accounts of women's friendships and advances new ways for thinking about women's friendship in contemporary debates.
In this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In the nineteenth-century United States, both liberalism and lyric sought self-definition by practicing techniques of exclusion. Liberalism was a political philosophy whose supposed universals were limited to white men and created by omitting women, the enslaved, and Native peoples. The conventions of poetic reception only redoubled the sense that liberal selfhood defined its boundaries by refusing raced and gendered others. Yet Zellinger argues that it is precisely the poetics of the excluded that offer insights into the dynamic processes that came to form the modern liberal and lyric subjects. She examines poets—Frances Sargent Osgood, Elizabeth Oakes Smith, Frances Ellen Watkins Harper, Edna St. Vincent Millay, and E. Pauline Johnson—whose work uses lyric practices to contest the very assumptions about selfhood responsible for denying them the political and social freedoms enjoyed by full liberal subjects. In its consideration of politics and poetics, this project offers a new approach to genre and gender that will help shape the field of nineteenth-century American literary studies.
How To Write Anything: The Format Of What You Write May Change But The Process Of Writing Anything Remains The Same This book is called How To Write Anything, and I confess there is some ego involved in the title. But then I've been a professional writer for over 40 years. As one of Canada's most successful writers and authors, I have written hard news articles, soft news and feature articles, advertising and promotional copy, media releases, reports and proposals, case studies, research papers, email messages, website content, tweets, blog posts, and other online content. I have also written over 20 books on business, promotional and online writing and other topics, such as writing articles, memoir writing and living with Multiple Sclerosis, a disease that I have, but one that has not prevented me from writing or training. I've also written a collection of short stories, poetry, and a couple of plays. So while I haven't written everything, I've written many things. The fact is that you can't read this book and go forth and write anything if you are not familiar with the format or structure of the document that you want to write--be it non-fiction or fiction. For instance, if you want to write a report, you do so using the methods in this book. However, you have to know how to structure reports. The same is applicable to email, social media content, articles, promotional content, case studies, reports, white papers, PowerPoint presentations, speeches, website content, short stories or novels. So some of you reading this book might still have some learning to do. However, I suspect most of you know the structure of the documents you want to produce and you will be able to immediately apply the methods outlined in the book to writing any document that you need to write.
All theology is doxology. Anglican theologian J. I. Packer was one of the most widely respected Christian writers of the twentieth century. Author of over forty books and named one of the most influential evangelicals by Time magazine and the readers of Christianity Today, Packer's impact is immense. He was known for profound theological writing that was always lively and worshipful. Pointing to the Pasturelands recovers several decades of Packer's contributions to the pages of Christianity Today. This includes his editorial columns, longer articles, and brief answers to readers' theology questions. The book concludes with a profile of Packer from Mark A. Noll. Enjoy timeless insights from a man whose life was devoted to knowing God and making him known.
For each person, the meaning of happiness differs. For some people, happiness is achieving something. For some people, bringing happiness to other people's faces, that's their reason. Every person has a different meaning of their happiness. In this book, 31 writers shared their meaning of happiness with you. Some people don't know their reason for happiness, so that's why we collect a bunch of writers to help you to find your reason for happiness. I hope you will find your reason for happiness and live this life with a great smile.
