This work is a personal statement of Jonathan Holstein's development as a pioneer quilting connoisseur, a guide to the quilts of the Whitney exhibition, and a study of the effects of the consequent explosion of attention to this art form.
This work is a personal statement of Jonathan Holstein's development as a pioneer quilting connoisseur, a guide to the quilts of the Whitney exhibition, and a study of the effects of the consequent explosion of attention to this art form.
Companion to an International Quilt Museum (University of Nebraska-Lincoln) exhibition series, this catalog reexamines the half-century impact of the Whitney Museum of American Art's 1971 exhibition, Abstract Design in American Quilts, on the realms of fine art, craft, and the study of quilts and other forms of material culture.
By thoroughly examining all of these aspects, Amish Quilts is an essential resource for anyone interested in the history of these beautiful works.--Roderick Kiracofe, author of The American Quilt: A History of Cloth and Comfort, 1750-1950 "Journal of Amish and Plain Anabaptist Studies"
"As a blanket, a commemorative covering, and a work of art, the quilt is a nearly universal cultural artifact. In recent years it has been recognized as one of our most compelling symbols of cultural diversity and the power of women. In this collection, Cheryl B. Torsney and Judy Elsley bring together eleven provocative essays on the quilt as metaphor--in literature, history, politics, and philosophy. This interdisciplinary approach makes Quilt Culture an extraordinarily rich exploration of a cultural artifact whose meaning is far more complex than that of a simple bed covering."--Publishers website.
This photographed book covers the historical panorama of quiltmaking in the United States, from the quintessential patterns to their cultural significance.--[Book jacket.].
My Soul Has Grown Deep considers the art-historical significance of contemporary Black artists and quilters working throughout the southeastern United States and Alabama in particular. Their paintings, drawings, mixed-media compositions, sculptures, and textiles include pieces ranging from the profoundly moving assemblages of Thornton Dial to the renowned quilts of Gee’s Bend. Nearly sixty remarkable examples—originally collected by the Souls Grown Deep Foundation and donated to The Metropolitan Museum of Art—are illustrated alongside insightful texts that situate them in the history of modernism and the context of the African American experience in the twentieth-century South. This remarkable study simultaneously considers these works on their own merits while making connections to mainstream contemporary art. Art historians Cheryl Finley, Randall R. Griffey, and Amelia Peck illuminate shared artistic practices, including the novel use of found or salvaged materials and the artists’ interest in improvisational approaches across media. Novelist and essayist Darryl Pinckney provides a thoughtful consideration of the cultural and political history of the American South, during and after the Civil Rights era. These diverse works, described and beautifully illustrated, tell the compelling stories of artists who overcame enormous obstacles to create distinctive and culturally resonant art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
This is a book for grownup quilters. It's a book for the many accomplished quilters who are not looking for yet another project book with pages of detailed elementary instructions on how to make someone else's quilt. Rather, it's intended for quilters who are seeking ideas and inspiration for their own work. In my quilt related travels, I've had the pleasure of meeting many such veteran quilters. This book was also developed to help celebrate the 25th anniversary of my Beaver Island Quilt Retreats (BIQR). Quilters who come to these retreats come with the expectation that they will be provided with an abundance of ideas which will help them design their own original work. The new works in this book were made specifically to provide ideas and inspiration to support the 2008 BIQR theme of making abstract quilts in solids.