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Abstract Concepts of Drawing

Author: Robert Paterson

Publisher: [Ontario : s.n.], 1981 (Orillia, Ont. : Thomson Seyffer Graphics)

Published: 1981

Total Pages: 164

ISBN-13:

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Niko Draws a Feeling

Author: Bob Raczka

Publisher: Carolrhoda Books ®

Published: 2017-04-01

Total Pages: 40

ISBN-13: 1512432768

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Niko loves to draw his world: the ring-a-ling of the ice cream truck, the warmth of sun on his face. But no one appreciates his art. Until one day, Niko meets Iris . . . This imaginative and tender story explores the creative process, abstract art, friendship, and the universal desire to feel understood. A Junior Library Guild selection, Charlotte Zolotow Honor Book, Children's Book Committee at Bank Street College Best Children's Book of the Year, Chicago Public Library Best of the Best Books, Cooperative Children's Book Center Choice, Midwest Connections Pick, NCTE Notable Children's Book in the Language Arts, and New York Public Library Best Book for Kids

Abstract Art Painting

Author: Debora Stewart

Publisher: Penguin

Published: 2015-05-06

Total Pages: 129

ISBN-13: 1440335842

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Would you love to take your art in a new direction? In Abstract Art Painting, you will enter a realm of tactile, intuitive excitement, combining pastel and acrylic to achieve results as unique as you are. You'll learn how to explore the use of color theory in abstraction and to use underpainting to bring structure and depth to your art. In addition you'll begin to understand how to work in a series and how this can help you develop your own personal style. A sampling of what you'll add to your creative toolbox: • Pastel and acrylic techniques to use to complete your own paintings • The benefits of expressing your ideas abstractly • How to loosen up by using your nondominant hand and drawing to music • Ways to express emotions through mark-making • Using color and symbolism for expression • Working with photos for inspiration • Tips for using color studies Step into your own abstract frame of mind today!

In Memory of My Feelings

Author: Frank O'Hara

Publisher: The Museum of Modern Art

Published: 2005

Total Pages: 228

ISBN-13: 9780870705106

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By Frank O'Hara. Edited by Bill Berkson. Essay by Kynaston McShine.

Understanding Abstract Concepts across Modes in Multimodal Discourse

Author: Elżbieta Górska

Publisher: Routledge

Published: 2019-08-21

Total Pages: 117

ISBN-13: 1000702782

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This volume looks at spatialization of abstract concepts in verbo-pictorial aphorisms at work in the cartoons of a single artist. While extensive work has been done in studying spatialization of abstract concepts in grammar and lexicon within cognitive linguistics, this book is the first of its kind to provide a detailed account of such phenomena in multimodal discourse. The volume integrates a range of approaches from cognitive linguistics, including image schema theory, conceptual theory of metaphor, multimodal metaphor theory, the dynamic approach to metaphor, and a multimodal approach to metonymy, and applies this multi-faceted framework to a selection of cartoons from the work of Polish artist Janusz Kapusta. Taken together, these cartoons form the basis of two comprehensive case studies which explore the abstract concepts of "emotions" and "life," highlighting the ways in which cartoons can illustrate the important relationship between space, situated cognition, and language and in turn, a clear and systematic framework for establishing cohesive ties between the verbal and pictorial modes in multimodal cognitive linguistic research. The volume sheds new light on visual thinking and multimodal rendition of creative abstract thought.

Abstract Painting

Author: Vicky Perry

Publisher: Watson-Guptill

Published: 2005

Total Pages: 0

ISBN-13: 9780823095421

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Build on the techniques of the great abstract artists to create their own innovative new work. Clear, comprehensible sections let artists focus quickly on their specific areas of interest. The first section, on Traditional Painterly Abstraction, using brush and easel, looks at pictorial space, brushwork, paint quality, and college. The second section, on Post-Painterly Modern Abstraction, considers options ranging from the pour-and-spatter techniques of Jackson Pollock to the staining, scraping, and abrading of modern acrylic artists. Step-by-step recipes for key approaches show artists how to get the best aesthetic results.

Perspectives on Abstract Concepts

Author: Marianna Bolognesi

Publisher: John Benjamins Publishing Company

Published: 2019-06-15

Total Pages: 329

ISBN-13: 9027262527

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Human language is the most powerful communication system that evolution has produced. Within this system, we can talk about things we can physically see, such as cats and tables, but also about more abstract entities, such as theories and feelings. But how are these abstract concepts grounded in human cognition and represented in the mind? How are they constructed in language? And how are they used in natural communication settings? This book addresses these questions through a collection of studies that relate to various theoretical frameworks, ranging from Conceptual Metaphor Theory to Words as Social Tools. Contributors investigate how abstract concepts are grounded in the mind, represented in language, and used in verbal discourse. This richness is matched by a range of methods used throughout the volume, from neuroimaging to computational modeling, and from behavioral experiments to corpus analyses.

Drawing as a Way of Knowing in Art and Science

Author: Gemma Anderson-Tempini

Publisher: Intellect Books

Published: 2017-10-01

Total Pages: 296

ISBN-13: 1783208112

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In recent history, the arts and sciences have often been considered opposing fields of study, but a growing trend in drawing research is beginning to bridge this divide. Gemma Anderson’s Drawing as a Way of Knowing in Art and Science introduces tested ways in which drawing as a research practice can enhance morphological insight, specifically within the natural sciences, mathematics and art. Inspired and informed by collaboration with contemporary scientists and Goethe’s studies of morphology, as well as the work of artist Paul Klee, this book presents drawing as a means of developing and disseminating knowledge, and of understanding and engaging with the diversity of natural and theoretical forms, such as animal, vegetable, mineral and four dimensional shapes. Anderson shows that drawing can offer a means of scientific discovery and can be integral to the creation of new knowledge in science as well as in the arts.