A comprehensive survey of relations between Aboriginal peoples and colonizers of Western Canada, with a strong emphasis on the multiplicity of current perspectives on the issues.
Canada and the British Empire traces the evolution of Canada, placing it within the wider context of British imperial history. Beginning with a broad chronological narrative, the volume surveys the country's history from the foundation of the first British bases in Canada in the early seventeenth century, until the patriation of the Canadian constitution in 1982. Historians approach the subject thematically, analysing subjects such as British migration to Canada, the role played by gender in the construction of imperial identities, and the economic relationship between Canada and Britain. Other important chapters examine the history of Newfoundland, the history and legacy of imperial law, and the attitudes of French Canadians and Canada's aboriginal peoples to the imperial relationship. The overall focus of the book is on emphasising the part that Canada played in the British Empire, and on understanding the Canadian response towards imperialism. With contributions from leading scholars in the field, it is essential reading for anyone interested either in the history of Canada or in the history of the British Empire.
The Red River Colony was the Hudson’s Bay Company’s first planned settlement. As a settler-colonial project par excellence, it was designed to undercut Indigenous peoples’ “troublesome” autonomy and curtain the company’s dependency on their labour. In this critical re-evaluation of the history of the Red River Colony, Susan Dianne Brophy upends standard accounts by foregrounding Indigenous producers as a driving force of change. A Legacy of Exploitation challenges the enduring yet misleading fantasy of Canada as a glorious nation of adventurers, showing how autonomy can become distorted as complicity in processes of dispossession.
The buffalo hunter, the medicine man, and the missionary continue to dominate the history of the North American west, even though historians have recognized women’s role as both colonizer and colonized since the 1980s. Kristin Burnett helps to correct this imbalance by investigating the convergence of Aboriginal and settler therapeutic regimes in the Treaty 7 region from the perspective of women. Although the imperial eye focused on medicine men, Aboriginal women played important roles as healers and caregivers, and the knowledge and healing work of both Aboriginal and settler women brought them into contact. But as settlement increased and the colonial regime hardened, informal encounters in domestic spaces gave way to more formal, one-sided interactions in settler-run hospitals and nursing stations. By revealing Aboriginal and settler women’s contributions to the development of health care in southern Alberta, Taking Medicine challenges traditional understandings of colonial medicine and nursing in the contact zone.
In 1875, Icelandic immigrants established a colony on the southwest shore of Lake Winnipeg. The timing and location of New Iceland was not accidental. Across the Prairies, the Canadian government was creating land reserves for Europeans in the hope that the agricultural development of Indigenous lands would support the state’s economic and political ambitions. In this innovative history, Ryan Eyford expands our understanding of the creation of western Canada: his nuanced account traces the connections between Icelandic colonists, the Indigenous people they displaced, and other settler groups while exposing the ideas and practices integral to building a colonial society.
Fragile Settlements compares the processes by which colonial authority was asserted over Indigenous people in south-west Australia and prairie Canada from the 1830s to the early twentieth century. At the start of this period, there was an explosion of settler migration across the British Empire. In a humanitarian response to the unprecedented demand for land, Britain’s Colonial Office moved to protect Indigenous peoples by making them subjects under British law. This book highlights the parallels and divergences between these connected British frontiers by examining how colonial actors and institutions interpreted and applied the principle of law in their interaction with Indigenous peoples on the ground. Fragile Settlements questions the finality of settler colonization and contributes to ongoing debates around jurisdiction, sovereignty, and the prospect of genuine Indigenous-settler reconciliation in Canada and Australia.
The Routledge Handbook of the History of Settler Colonialism examines the global history of settler colonialism as a distinct mode of domination from ancient times to the present day. It explores the ways in which new polities were established in freshly discovered ‘New Worlds’, and covers the history of many countries, including Australia, New Zealand, Israel, Japan, South Africa, Liberia, Algeria, Canada, and the USA. Chronologically as well as geographically wide-reaching, this volume focuses on an extensive array of topics and regions ranging from settler colonialism in the Neo-Assyrian and Roman empires, to relationships between indigenes and newcomers in New Spain and the early Mexican republic, to the settler-dominated polities of Africa during the twentieth century. Its twenty-nine inter-disciplinary chapters focus on single colonies or on regional developments that straddle the borders of present-day states, on successful settlements that would go on to become powerful settler nations, on failed settler colonies, and on the historiographies of these experiences. Taking a fundamentally international approach to the topic, this book analyses the varied experiences of settler colonialism in countries around the world. With a synthesizing yet original introduction, this is a landmark contribution to the emerging field of settler colonial studies and will be a valuable resource for anyone interested in the global history of imperialism and colonialism.
Nations are made and unmade at their borders, and the forty-ninth parallel separating Montana and Alberta in the late nineteenth century was a pivotal Western site for both the United States and Canada. Blackfoot country was a key site of Canadian and American efforts to shape their nations and national identities. The region?s landscape, aboriginal people, newcomers, railroads, and ongoing cross-border ties all challenged the governments? efforts to create, colonize, and nationalize the Alberta-Montana borderlands. The Line Which Separates makes an important and useful comparison between American and Canadian government policies and attitudes regarding race, gender, and homesteading.øFederal visions of the West in general and the borderlands in particular rested on overlapping sets of assumptions about space, race, and gender; those same assumptions would be used to craft the policies that were supposed to turn national visions into local realities. The growth of a white female population in the region, which should have ?whitened? and ?easternized? the region, merely served to complicate emerging categories. Both governments worked hard to enforce the lines that were supposed to separate "good" land from "bad," whites from aboriginals, different groups of newcomers from each other, and women's roles from men's roles. The lines and categories they depended on were used to distinguish each West, and thus each nation, from the other. Drawing on a range of sources, from government maps and reports to oral testimony and personal papers, The Line Which Separates explores the uneven way in which the borderlands were superimposed on Blackfoot country in order to divide a previously cohesive region in the late nineteenth century.
Despite a recent increase in the productivity and popularity of Indigenous playwrights in Canada, most critical and academic attention has been devoted to the work of male dramatists, leaving female writers on the margins. In Indigenous Women’s Theatre in Canada, Sarah MacKenzie addresses this critical gap by focusing on plays by Indigenous women written and produced in the socio-cultural milieux of twentieth and twenty-first century Canada. Closely analyzing dramatic texts by Monique Mojica, Marie Clements, and Yvette Nolan, MacKenzie explores representations of gendered colonialist violence in order to determine the varying ways in which these representations are employed subversively and informatively by Indigenous women. These plays provide an avenue for individual and potential cultural healing by deconstructing some of the harmful ideological work performed by colonial misrepresentations of Indigeneity and demonstrate the strength and persistence of Indigenous women, offering a space in which decolonial futurisms can be envisioned. In this unique work, MacKenzie suggests that colonialist misrepresentations of Indigenous women have served to perpetuate demeaning stereotypes, justifying devaluation of and violence against Indigenous women. Most significantly, however, she argues that resistant representations in Indigenous women’s dramatic writing and production work in direct opposition to such representational and manifest violence.