Abandoned Gods tells the story of Nira, a young woman trekking the dark interiors of Sarawak with a sick child on her back to get to Kuching General Hospital, a hundred kilometres away. On the way, she meets a whole host of demons, spirits, ghouls and ghosts, and gets a little help from above, in the form of magical feathers from the seven omen birds of legend. Nira and her son, Aji, get caught up in the middle of an epic war aeons in the making, between the bunsu antu animal spirits, antu utai tumboh plant spirits and antu gerasi huntsman ghosts, along with the antu menoa river spirits and the antu pantang tattoo ghosts, which threatens to rip apart the very fabric of reality. Abandoned Gods is a dark tale of blood and tears, horror and hope, loyalty and enduring love.
A San Francisco Chronicle and Southwest Review Best Book of the Year and A World Literature Today Notable Translation of the Year “A dreamscape of a book. I adored this compelling, wise, and utterly unique coming-of-age tale.” —Tara Conklin For seven-year-old M, the world is guided by a firm set of principles, based on her father D’s life as a traveling salesman. Enchanted by her father’s trade, M convinces him to take her along on his routes, selling hardware supplies against the backdrop of Pinochet-era Chile. As father and daughter trek from town to town in their old Renault, M’s memories and thoughts become tied to a language of rural commerce, philosophy, the cosmos, hardware products, and ghosts. M, in her innocence, barely notices the rising tensions and precarious nature of their work until she and her father connect with an enigmatic photographer, E, whose presence threatens to upend the unusual life they’ve created. María José Ferrada expertly captures a vanishing way of life and a father-daughter relationship on the brink of irreversible change. At once nostalgic, dangerous, sharply funny, and full of delight and wonder, How to Order the Universe is a richly imaginative debut and a rare work of magic and originality.
In 1993, Andrew Brunson was asked to travel to Turkey, the largest unevangelized country in the world, to serve as a missionary. Though hesitant because of the daunting and dangerous task that lay ahead, Andrew and his wife, Norine, believed this was God's plan for them. What followed was a string of threats and attacks, but also successes in starting new churches in a place where many people had never met a Christian. As their work with refugees from Syria, including Kurds, gained attention and suspicion, Andrew and Norine acknowledged the threat but accepted the risk, determining to stay unless God told them to leave. In 2016, they were arrested. Though the State eventually released Norine, who remained in Turkey, Andrew was imprisoned. Accused of being a spy and being among the plotters of the attempted coup, he became a political pawn whose story soon became known around the world. God's Hostage is the incredible true story of his imprisonment, his brokenness, and his eventual freedom. Anyone with a heart for missions, especially to the Muslim world, will love this tension-laden and faith-laced book.
Atheists are frequently demonized as arrogant intellectuals, antagonistic to religion, devoid of moral sentiments, advocates of an "anything goes" lifestyle. Now, in this revealing volume, nineteen leading philosophers open a window on the inner life of atheism, shattering these common stereotypes as they reveal how they came to turn away from religious belief. These highly engaging personal essays capture the marvelous diversity to be found among atheists, providing a portrait that will surprise most readers. Many of the authors, for example, express great affection for particular religious traditions, even as they explain why they cannot, in good conscience, embrace them. None of the contributors dismiss religious belief as stupid or primitive, and several even express regret that they cannot, or can no longer, believe. Perhaps more important, in these reflective pieces, they offer fresh insight into some of the oldest and most difficult problems facing the human mind and spirit. For instance, if God is dead, is everything permitted? Philosophers without Gods demonstrates convincingly, with arguments that date back to Plato, that morality is independent of the existence of God. Indeed, every writer in this volume adamantly affirms the objectivity of right and wrong. Moreover, they contend that secular life can provide rewards as great and as rich as religious life. A naturalistic understanding of the human condition presents a set of challenges--to pursue our goals without illusions, to act morally without hope of reward--challenges that can impart a lasting value to finite and fragile human lives. 'This Atheists R Us compilation differs markedly in tone from Hitchens and Dawkins. Excellent fare for Christian small groups whose members are genuinely interested in the arguments raised by atheists.'-- Christianity Today 'Rather than the foolishness of Dawkins or Hitchens, these [essays] are compelling and sophisticated arguments that religious people ought to confront....'-- Tikkun 'Taken as a group, these readable, personal, and provocative essays make it clear that there are many kinds of non-believers, and even many different elements that make up a single skeptical outlook. Contrary to the popular image, atheism isn't all rebellious trumpets and defiant drums. That part of the orchestra is essential, but here we have all the varieties of unreligious experience, a full symphony of unbelief.' -- Free Inquiry 'This collection strikes me as an excellent example of how comprehensible philosophical writing can be at its best. By and large, the essays are written in a clear and direct style, free of philosophical jargon. Many who read it will find themselves also engaged at a level that is not merely academic.'--George I. Mavrodes, Notre Dame Philosophical Reviews
Shadow is a man with a past. But now he wants nothing more than to live a quiet life with his wife and stay out of trouble. Until he learns that she's been killed in a terrible accident. Flying home for the funeral, as a violent storm rocks the plane, a strange man in the seat next to him introduces himself. The man calls himself Mr. Wednesday, and he knows more about Shadow than is possible. He warns Shadow that a far bigger storm is coming. And from that moment on, nothing will ever he the same...
Presents the first and second Chronicles as a theological reflection on the story of Israel's faith, using the narrative of Samuel and Kings, reaffirming Israel's position as the chosen people of God, and tracing the role of worship in Israel's history as a nation. Original.
LONGLISTED FOR THE PEN/OPEN BOOK AWARD “Compellingly complex…Expands the future of the immigrant novel even as it holds us in uneasy thrall to the past.” – Gish Jen, New York Times Book Review Combining the emotional resonance of Home Fire with the ambition and innovation of Asymmetry, a lyrical and thought-provoking debut novel that explores the complex web of grief, memory, time, physics, history, and selfhood in the immigrant experience, and the complicated bond between daughters and mothers. On the night of June Fourth, a woman gives birth in a Beijing hospital alone. Thus begins the unraveling of Su Lan, a brilliant physicist who until this moment has successfully erased her past, fighting what she calls the mind’s arrow of time. When Su Lan dies unexpectedly seventeen years later, it is her daughter Liya who inherits the silences and contradictions of her life. Liya, who grew up in America, takes her mother’s ashes to China—to her, an unknown country. In a territory inhabited by the ghosts of the living and the dead, Liya’s memories are joined by those of two others: Zhu Wen, the woman last to know Su Lan before she left China, and Yongzong, the father Liya has never known. In this way a portrait of Su Lan emerges: an ambitious scientist, an ambivalent mother, and a woman whose relationship to her own past shapes and ultimately unmakes Liya’s own sense of displacement. A story of migrations literal and emotional, spanning time, space and class, Little Gods is a sharp yet expansive exploration of the aftermath of unfulfilled dreams, an immigrant story in negative that grapples with our tenuous connections to memory, history, and self.
These study guides, part of a set from noted Bible scholar John MacArthur, take readers on a journey through biblical texts to discover what lies beneath the surface, focusing on meaning and context, and then reflecting on the explored passage or concept. With probing questions that guide the reader toward application, as well as ample space for journaling, The MacArthur New Testament Commentary Series are invaluable tools for Bible students of all ages. This work on Matthew 16-23 is part of a New Testament commentary series which has as its objective explaining and applying Scripture, focusing on the major doctrines and how they relate to the whole of the Bible. This New Testament commentary series reflects the objective of explaining and applying Scripture, focusing on the major doctrines and how they relate to the whole of Scripture. This volume is a study of chapters 16-23 of the book of Matthew.
Complete poems are bulky and too heavy to carry around. Collected poems pretend to be complete, but usually are not. Selected poems are altogether unpretentious and reader-friendly. But they can be problematic. Who decides what poems are important for inclusion in a volume of selected poems? When the selection occurs during the author’s lifetime, may one assume that the author was involved? What motivates the choice of one poem over another? How do readers’ preferences influence this choice? How do new readers and familiar readers of a poet negotiate the poems that are left out of the selection? The essays in this volume address these questions in a variety of ways, and also provide an overview of poetic writing from modernist poets to the present day, using selections from the 1940s until now. They offer new insight into the uses, both pedagogical and critical, of selection. Because Selected Poems usually address a large general public, these essays have also been written for all those who wish to know more about how these slimmer, more attractive volumes are produced.
