Known for their intricate textiles, the Q'ero are a traditional Quechua-speaking Peruvian highland people. Their weavings are full of symbolic elements and motifs that encode specific cultural information and their textiles are the repositories for knowledge that has been passed down through generations. Based on ethnographic fieldwork undertaken between 1979 and 1991, A Woven Book of Knowledge examines and compares regional weaving styles and discusses the general texture of highland life. The author's long involvement with members of the Q'ero community has provided unique opportunities for insight into their ideas about weaving, iconography, and spatial and temporal concepts. But A Woven Book of Knowledge is more than an ethnographic study. If the warp of the book is the academic rigor of anthropology and linguistics, the weft is Silverman's love for the textiles themselves and for the Q'ero people. It is a result of a passion that has kept her in Cuzco for years, dedicating her career to the study of the local textile tradition.
The first book to present the beautiful shawls, ponchos, bags and other textile arts of the Q'ero people, exploring the daily life and rituals of their remote Andean community and providing a fascinating insight into a rarely glimpsed world.
“It’s not often that you read a fantasy that feels as epic and original . . . Clever, well-paced, and full of intrigue, it’s a superb read.” —James Dashner, #1 New York Times–bestselling author All his life, Nels has wanted to be a knight of the kingdom of Avërand. Tall and strong, and with a knack for helping those in need, the people of his sleepy little village have even taken to calling him the Knight of Cobblestown. But that was before Nels died, murdered outside his home by a mysterious figure. Now the young hero has awoken as a ghost, invisible to all around him save one person—his only hope for understanding what happened to him—the kingdom’s heir, Princess Tyra. At first the spoiled royal wants nothing to do with Nels, but as the mystery of his death unravels, the two find themselves linked by a secret, and an enemy who could be hiding behind any face. Nels and Tyra have no choice but to abscond from the castle, charting a hidden world of tangled magic and forlorn phantoms. They must seek out an ancient needle with the power to mend what has been torn, and they have to move fast. Because soon Nels will disappear forever. “Woven reads like a lost classic that was somehow just rediscovered. It has the feel of a comfortable, familiar blanket that’s somehow been newly-made of the brightest, most original material possible, and it is pure pleasure to read.” —James A. Owen, bestselling author & illustrator of Dawn of the Dragons “This brisk adventure from first-time authors Jensen and King is a charming quest tale in classic fantasy tradition.” —Publishers Weekly
If you believe there are no coincidences in life and we are on a destined path, then this book will attest to that perception. The story of Luz is where this journey begins. It is a powerful example of strength, of will to push through one’s fears, and of raw determination to survive. The lessons and examples of having the courage not only to survive but to ultimately thrive through some of life’s hardships eventually became the threads of knowledge that were passed on to Marianna. Marianna enters her life’s story only to be abandoned by her mother at the age of three months, her mother who was too young and unwilling to do “what it takes” to care for the children she brought into the world. Whether by “destiny” or by “coincidence,” this child is left with Luz, who had also survived her own tragedy of being left and abandoned after her parents had been killed. Luz would become a grounding force and guiding light in Marianna’s life. Marianna spends a lifetime behind the facade of pretending, showing people she was happy and willing to do most anything to show the world how well-adjusted she was. Marianna’s journey to discover she was accepted and good enough unfolds in a way that she is able to gain insight into life—her life—thus passing along her own threads of knowledge to her children and generations to come for more of the tapestry to be woven.
Experienced sewing instructor and blogger Barbara Emodi shares her sewing wisdom to help readers get started, get started back up, or hone their existing garment-sewing skills. Not a sewing reference book as much as a book of experience, this is a book that will make a novice sewist say, “Oh, so that’s why you do that,” make a practiced sewist think, “Now that’s a neat trick,” and make a very experienced sewist smile and say, “That is sooo true!” Take advantage of her thoughts, tips, and tricks on the benefits of sewing, the importance of fit, basic techniques, available tools, patterns, and materials, and so much more. • Droll, well-informed, readable, interesting, and useful— the how-to book of sewing wisdom you always wanted • Get the inside scoop on sizing and alteration, patternless sewing, what to sew and what to buy, and many other topics, with mini lessons sprinkled throughout • Tips and ideas on choosing and using the best fabric, gear, and sewing machines
A richly illustrated, bilingual book, this guide visits 20 villages in the Chiapas Highlands to showcase their stunning handwoven cloth while also providing an insider’s look into their history, folklore, festivals, traditions, and daily lives. Ritual transvestites, Virgin statues draped with native blouses, tunics designed to look like howler monkey fur, and elaborately floral shawls and ponchos—these are just a few of the unforgettable images captured in the book. Also included are a pull-out map of the Chiapas Highlands and dates of special festivals and local markets.
The Book of Knowledge and Wonder is a memoir about claiming a legacy of wonder from knowledge of a devastating event. In some ways it has the feel of a detective story in which Steven Harvey pieces together the life of his mother, Roberta Reinhardt Harvey, who committed suicide when he was eleven, out of the 406 letters she left behind. Before he read the letters his mother had become little more than her death to him, but while writing her story he discovered a woman who, despite her vulnerability to depression, had a large capacity for wonder and a love of familiar things, legacies that she passed on to him. The book tackles subjects of recent fascination in American culture: corporate life and sexism in the fifties, mental illness and its influence on families, and art and learning as a consolation for life's woes, but in the end it is the perennial theme of abiding love despite the odds that fuels the tale. As the memoir unfolds, his mother changes and grows, darkens and retreats as she gives up her chance at a career in nursing, struggles with her position as a housewife, harbors paranoid delusions of having contracted syphilis at childbirth, succumbs to a mysterious, psychic link with her melancholic father, and fights back against depression with counseling, medicine, art, and learning. Harvey charts the way, after his mother's death, that he blotted out her memory almost completely in his new family where his mother was rarely talked about, a protective process of letting go that he did not resist and in a way welcomed, but the book grows out of a nagging longing that never went away, a sense of being haunted that caused the writer to seek out places alone-dribbling a basketball on a lonely court, going on long solitary bicycle rides, walking away from his family to the edge of a mountain overlook, and working daily at his writing desk-where he might feel her presence. In the end, the loss cannot be repaired. Her death, like a camera flash in the dark, blotted out all but a few lingering memories of her in his mind, but the triumph of the book is in the creative collaboration between the dead mother, speaking to her son in letters, and the writer piecing together the story from photographs, snatches of memory, and her words so that he can, for the first time, know her and miss her, not some made up idea of her. The letters do not bring her back-he knows the loss is irrevocable-but as he shaped them into art, the pain, that had been nothing more than a dull throb, changed in character, becoming more diffuse and ardent, like heartache.
