Unlike anything Joyce Carol Oates has written before, A Widow’s Story is the universally acclaimed author’s poignant, intimate memoir about the unexpected death of Raymond Smith, her husband of forty-six years, and its wrenching, surprising aftermath. A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.
“One day when she looked at the portrait, she considered how blessed she had been in life. She contemplated her good fortune in finding an upright man like Akbar Ahmad as her life partner and felt grateful for his bounteous legacy, which released her from all financial cares. Akbar Ahmad looked back at her, his face cast in an expression of long suffering. Mona’s eyes welled up with tears.”–from The Story of a Widow After the death of her husband Akbar Ahmad, Mona finds herself settling ambivalently into a new life. But the calm rhythm of her days–gardening, cooking, time with her neighbours and family in Karachi–is upset by the appearance of Salamat Ali, the new tenant in her friend Mrs. Baig’s house. Vivacious, friendly, and at times almost impertinent, Salamat Ali is both a breath of fresh air and a disconcerting new presence in Mona’s life, and their awkward meetings always seem to end in embarrassment or misunderstanding. When Salamat Ali, encouraged by Mrs. Baig, presents Mona with a marriage proposal, she is forced to consider what kind of future she wishes to make for herself–and what her past with Akbar Ahmad really means. The possibility of Mona marrying Salamat Ali shocks her grown daughters Tanya and Amber, and scandalizes her extended family, according to whom Mona’s happiness comes second to what people say about widows who remarry. As Mona negotiates the complex web of tradition-bound in-laws and gossiping, interfering relatives, she finds Salamat Ali waking her to the pleasures of life that thirty years with her dour first husband all but smothered. But if Salamat Ali helps her discover something essential, he also exposes her to new risks, and new dangers. The Story of a Widow is a beautifully observant novel, one that pays careful attention to the delicate movements of the heart in romantic and family life. But it is equally concerned with the mores of a society in which traditional roles both support and constrain men and–particularly–women. Gently humorous and profoundly perceptive, The Story of a Widow is the moving tale of a woman’s discovery of her voice, and herself.
On September 11, I dropped my son off at his second full day of kindergarten. The sky was so blue it looked as if it had been ironed. I crossed the street, ordered coffee, and sat to wait for my husband to meet me. It was our eighth wedding anniversary and Dave and I were about to begin a new chapter in our seventeen years together. Sipping coffee, I watched as a line of thick black smoke crept across the sky from Manhattan, oblivious to the fact that my life was about to change forever. On September 11, 2001, Marian Fontana lost her husband, Dave, a firefighter from the elite Squad 1 in Brooklyn, in the World Trade Center attack. A Widow's Walk begins that fateful morning, when Marian, a playwright and comedienne, became a widow, a single mother, and an unlikely activist. Two weeks after 9/11, the city attempted to close Squad 1, which had suffered the loss of twelve men. Known for her feisty spirit and passionate loyalty, Marian, who was still reeling from her profound loss, began to mobilize the neighborhood to keep the firehouse open. From this unlikely platform the 9/11 Widows and Victims' Families Association grew. Over the next twelve months, Marian struggled with the tragedy's endless ripple effects, from the minute and deeply personal—she wonders who will play Star Wars with her son, Aidan, and carry him on his shoulders; to the collective: she works to get families and widows necessary information about the recovery effort and attends private meetings with Governor Pataki, Mayor Giuliani, Senator Clinton, and Mayor Bloomberg. Through it all, Marian's irrepressible humor is her best armor, as well as evidence of her buoyant strength. Written with great heart and humanity, A Widow's Walk is a timely opportunity for remembrance and a timeless testament to love's loss and the resilience of the human spirit.
“One night when she was four and sleeping in the bottom bunk of her bunk bed, Ruth Cole woke to the sound of lovemaking—it was coming from her parents’ bedroom.” This sentence opens John Irving’s ninth novel, A Widow for One Year, a story of a family marked by tragedy. Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten. Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four. The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason. A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time. Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.
Grief Denied is about healing: it is about coming to terms with the intimate pain and emotional violence that was unleashed by the Vietnam War. It is also a bittersweet love story in which a young girl meets a soldier-boy, a young bride loses her soldier-husband and how, on the 30th anniversary of their marriage, the mature woman is finally able to say good-bye to the man she will always love. Laurent tells her story with clarity and candor and a great deal of caring. There are vivid descriptions of her husband, Howard, who died in combat in Vietnam on May 10, 1968, when she was 22 years old and in the last phase of her first pregnancy. There are also sharp, tender portraits of her daughter Michelle, her parents, her friends and her lovers. The author doesn't seem to have held back anything or to have denied readers a full and complete view of her personality, including her dark side. So there are emotionally wrenching accounts of her depression, her suicidal feelings, her "insanity," as she calls it, as well as her therapy and recovery and rediscovery of prayer and faith. Grief Denied offers deeply moving passages from Howard's letters to Pauline shortly before his death. Laurent describes how Vietnam got to her, though she was thousands of miles away from the heat, the dirt and the mortars. If somehow or other you never did appreciate how Vietnam got to the heart of America, then this book ought to be at the top of your list of books to read.
Unlike anything Joyce Carol Oates has written before, A Widow’s Story is the universally acclaimed author’s poignant, intimate memoir about the unexpected death of Raymond Smith, her husband of forty-six years, and its wrenching, surprising aftermath. A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.
A 25th anniversary edition of the enchanting story of a widow who finds herself in possession of an extraordinary broom after a witch falls into her garden. Some of Minna Shaw's neighbors don't trust her clever broom. "It's dangerous," they say. But Minna appreciates the broom's help. She enjoys its quiet company. But one day two children get taught a well-deserved lesson by the broom. For her neighbors, this is proof of the broom's evil spirit. Minna is obligated to give up her dear companion. Chris Van Allsburg, master of the mysterious, brings this tale to life with moody and memorable pictures that will haunt readers long after the book's covers are closed—now in a new edition to celebrate this beloved book's twenty-fifth anniversary.
“The Widows kept me on the edge of my seat. Montgomery is a masterful storyteller.” —Lee Martin, author of Pulitzer Prize-Finalist The Bright Forever Inspired by the true story of Ohio’s first female sheriff, Jess Montgomery’s powerful, lyrical debut is the story of two women who take on murder and corruption at the heart of their community. Kinship, Ohio, 1924: When Lily Ross learns that her husband, Daniel, the town’s widely respected sheriff, has been killed while transporting a prisoner in an apparent accident, she vows to seek the truth about his death. Hours after his funeral, a stranger appears at her door. Marvena Whitcomb, a coal miner’s widow, is unaware that Daniel has died and begs to speak with him about her missing daughter. From miles away but worlds apart, Lily’s and Marvena’s lives collide as they realize that Daniel was perhaps not the man that either of them believed him to be. *BONUS CONTENT: This edition of The Widows includes a new introduction from the author and a discussion guide "The Widows is a gripping, beautifully written novel about two women avenging the murder of the man they both loved."—Hallie Ephron, New York Times bestselling author of You'll Never Know, Dear "Jess Montgomery's gorgeous writing can be just as dark and terrifying as a subterranean cave when the candle is snuffed out, but her prose can just as easily lead you to the surface for a gasp of air and a glimpse of blinding, beautiful sunlight. This is a powerful novel: a tale of loss, greed, and violence, and the story of two powerful women who refuse to stand down."—Wiley Cash, New York Times bestselling author of The Last Ballad, A Land More Kind than Home, and This Dark Road to Mercy "[A] flinty, heartfelt mystery that sings of hawks and history, of coal mines and the urgent fight for social justice."—Julia Keller, Pulitzer Prize-winning author of Bone on Bone
Melissa Grahek Pierce clearly remembers the morning everything changed for her and her family. It was a snowy Saturday when she discovered her husband dead in their mountainside home. As Melissa began to process her deep grief, she knew that she simply couldn't fall to pieces. She had two sons to take care of, and they needed her support more than ever. In this inspirational memoir, Melissa details the challenges of transitioning to single motherhood. Several years earlier, Melissa and her husband had adopted their two sons and left Portland, Oregon, seeking a quieter life. As Melissa began struggling with her bereavement, the isolation of her remote community made things even more difficult. The couple had planned to raise their family in the country, but that was one future that would never come to pass. Melissa invites you into the toughest time in her life as she struggled to make decisions that would bring her the support she needed and give her sons the stable environment they craved. Her new book, Filled With Gold, was written with the help of Christine Fadden. It will be a welcome read for any parent struggling with bereavement and the challenges of moving forward.
Have you recently lost your husband? Are there days when you feel so terribly alone—and that no one else could possibly understand? Author Gayle Roper understands. As a recent widow herself, Gayle writes: So who am I now that there's only one place at the table...one pillow with a head dent, one damp towel after a shower. There's only one toothbrush in the holder. The seat is never left up anymore. I can still write Mrs. in front of my name, but I'm no longer in a marriage relationship. You need two people for a marriage, and there's only me. Is there only you? Then join Gayle as she draws on her emotions during the loss of her beloved husband, Chuck, and offers you a compassionate devotional to encourage you through your darkest days. Gayle knows a widow's pain is deep. But she also knows God's love is deeper still. And it's in His love you'll find your deepest comfort.
