On September 11, 2001, Albert Stark saw the world differently from the way he saw it the day before--and the days and years before that. He asked himself, What would the biblical lesson that vengeance begets vengeance and grudges breed hate mean in the aftermath of 9/11? Reading journals he had kept since 1991, he examined snapshots of events th
The Israeli Forces' operation at Entebbe was one of the most daring counter-terrorist assaults of all time. This book explores this important piece of history with lively narration and accessible illustrations and diagrams. Sidebars and maps round out the learning experience.
Cultural Resistance, 9/11, and the War on Terror: Sensible Interventions offers a fresh account of the enduring cultural legacies of the September 11, 2001 terror attacks and the global war on terror through the critical lens of cultural resistance. It assesses the intersecting ways that popular culture has been deployed as oppositional practice in the post-9/11 context by documenting a collection of media texts, including a political hip hop album, a TV sitcom, a best-selling novel and studio photographs. Deviating from the conventional discursive and representative axis of mourning, nationalism and commemoration, this multimedia assemblage contests and rearticulates the political meanings, affects and visualizations of the war on terror and its global consequences. Drawing on the theoretical work of Jacques Rancière, the book also argues that these cultural artefacts are extending cultural resistance by shifting the scenes and methods of opposition to the realm of the sensible, or sensorial experiences. Never celebratory, the book encapsulates the potential of cultural practices against restricted post-9/11 regimes of visibility and audibility in the public sphere, but it also remains attentive to their blind spots, contradictions and constraints. This book offers a new angle to consider the events of 9/11, the war on terror and their continual effects, one that blurs established visions of patriotism and grief.
This book offers an accessible and timely analysis of the ‘War on Terror’, based on an innovative approach to a broad range of theoretical and empirical research. It uses ‘gendered orientalism’ as a lens through which to read the relationship between the George W. Bush administration, gendered and racialized military intervention, and global politics. Khalid argues that legitimacy, power, and authority in global politics, and the ‘War on Terror’ specifically, are discursively constructed through representations that are gendered and racialized, and often orientalist. Looking at the ways in which ‘official’ US ‘War on Terror’ discourse enabled military intervention into Afghanistan and Iraq, the book takes a postcolonial feminist approach to broaden the scope of critical analyses of the ‘War on Terror’ and reflect on the gendered and racial underpinnings of key relations of power within contemporary global politics. This book is a unique, innovative and significant analysis of the operation of race, orientalism, and gender in global politics, and the ‘War on Terror’ specifically. It will be of great interest to scholars and graduates interested in gender politics, development, humanitarian intervention, international (global) relations, Middle East politics, security, and US foreign policy.
In Insurgent Aesthetics Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities. Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war.
This edited collection aims to respond to dominant perspectives on twenty-first-century war by exploring how the events of 9/11 and the subsequent Wars on Terror are represented and remembered outside of the US framework. Existing critical coverage ignores the meaning of these events for people, nations and cultures apparently peripheral to them but which have - as shown in this collection - been extraordinarily affected by the social, political and cultural changes these wars have wrought. Adopting a literary and cultural history approach, the book asks how these events resonate and continue to show effects in the rest of the world, with a particular focus on Australia and Britain. It argues that such reflections on the impact of the Wars on Terror help us to understand what global conflict means in a contemporary context, as well as what its representative motifs might tell us about how nations like Australia and Britain perceive and construct their remembered identities on the world stage in the twenty-first century. In its close examination of films, novels, memoir, visual artworks, media, and minority communities in the years since 2001, this collection looks at the global impacts of these events, and the ways they have shaped, and continue to shape, Britain and Australia’s relation to the rest of the world.
Too often, existing literature has conflated the discourses that enabled the 'War on Terror', ignoring the contextual specificities of the states that make up the ’Coalition of the Willing’. Australia's 'war on terror' Discourse fills this gap by providing a full and sustained critical analysis of Australian foreign policy discourse along with the theoretical synthesis for a specific model of critical discourse analysis of the subject. The language of then Prime Minister Howard is the primary focus of the book but attention is also paid to the language of key ministers, political opponents and other prominent actors. The voices of those who challenged the dominant discourse are also considered to shed light on the ways in which discourses can be destabilised. Kathleen Gleeson shows how Howard successfully invoked narratives of identity and sovereignty that resonated with his audience and promoted his reworked narrative of Australia whilst facing dissent from many actors who voiced their opposition most successfully when they capitalised on inconsistencies within the discourse.
Following the 9/11 attacks, approximately four million Americans have turned eighteen each year and more than fifty million children have been born. These members of the millennial and post-millennial generation have come of age in a moment marked by increased anxiety about terrorism, two protracted wars, and policies that have raised questions about the United States's role abroad and at home. Young people have not been shielded from the attacks or from the wars and policy debates that followed. Instead, they have been active participants—as potential military recruits and organizers for social justice amid anti-immigration policies, as students in schools learning about the attacks or readers of young adult literature about wars. The War of My Generation is the first essay collection to focus specifically on how the terrorist attacks and their aftermath have shaped these new generations of Americans. Drawing from a variety of disciplines, including anthropology, sociology, cultural studies, and literary studies, the essays cover a wide range of topics, from graphic war images in the classroom to computer games designed to promote military recruitment to emails from parents in the combat zone. The collection considers what cultural factors and products have shaped young people's experience of the 9/11 attacks, the wars that have followed, and their experiences as emerging citizen-subjects in that moment. Revealing how young people understand the War on Terror—and how adults understand the way young people think—The War of My Generation offers groundbreaking research on catastrophic events still fresh in our minds.
"e;In the pre-Covid-19 era, being a digital globetrotter and getting to every country on earth seemed to be all the go, so Ian is certainly on to a trend"e; - Tony Wheeler, co-founder of Lonely PlanetThe Christopher Columbus of the 2000s. - A true and breathtaking story of dedication, perseverance, and innovation in entrepreneurship and alternative living. A testimony of how to push the limits of human curiosity to new boundaries.What could you possibly learn from over twenty years spent circling around the globe, seventeen of them non-stop as a self-made digital entrepreneur? How much could your life change from exploring every single country of the world, a total of 230 countries including every single one of the 195 recognized by the United Nations? This is the account of an incredible journey with twists, turns, and perpetual adventures! Seventeen years living and working from a carry-on backpack, having only the bare essentials to live comfortably, along with a home office to fund travels through the wonder of passive income. The story of how a man destined to a promising engineering career became troubled by the prospect of living the rat race through a nine to five routine, triggering his nomadic instincts to choose a life where he dedicated every single day of his existence to living, breathing and experiencing freedom, adventure and wonder. An inspiring testimony of alternative ways to live life outside the beaten track that we've always known. A reflection on the level of freedom one can enjoy when granting himself the right to do so. A thirst for knowledge guided by a desire to encounter fellow citizens of the world, from tribesmen to royalty, from Afghanistan to Zimbabwe, by means of land, sea and air. A journey motivated by only one desire; discover the unknown and to live every single day as if it was the last.Giving up the security and comfort of western civilization is not the most intuitive thing to do. This is the story of a lifetime wanderlust dreamer who decides to throw away his freshly earned engineering diploma to risk an extraordinary path through life. The concept of online entrepreneurship was still unknown at the time, when this dreamer decided to pioneer a new lifestyle and go "e;all in"e; with a digital nomad set-up to fund his love of traveling. A journey that would slowly but surely guide him to and through every country of the world. A long voyage that invariably brought a catalog of juicy unexpected anecdotes. His habit to always test the territory and socialize in the most diverse situations brought him to infiltrate tribes in Africa, the Middle East and the Pacific Islands, join the ranks of surf communities on the most remote seas, and even share meals with Mongolian Nomads as well as Afghan ministers. His unorthodox style of traveling brought him to navigate the seven seas from cargo ships to yachts, crossing international borders through Jungles on motorbikes, and even boarding intercontinental trains through tens of thousands of kilometers, many times bringing him face to face with the reality of the world such as the horrors of war in Syria, Yemen, and Iraq, while escaping the hands of terrorism on several occasions.This is the story of a restless adventurer with a zest for life.
