(Banjo). Tenor and plectrum banjos are key ingredients of Dixieland jazz music. The bright percussive chord strums and flashy tremolo picking glissandos help define the genre. In the 1920s, when Dixieland jazz was at its zenith, the four-string banjo was the fretted instrument of choice because it could easily be heard above the simultaneous improv of the band's clarinet, cornet, saxophone, and trombone frontline. (Electric guitars were not invented until a decade later.) The chord voicings in these expertly crafted arrangements were selected so that the melody notes were always within reach to enable the user to play chord/melody style if desired. The lead sheets consist of lyrics and two sets of chord diagrams tenor and plectrum positioned throughout the arrangements. This collection of 45 songs includes: Ain't Misbehavin' * Alexander's Ragtime Band * Basin Street Blues * Bill Bailey, Won't You Please Come Home * Honeysuckle Rose * I Got Rhythm * Lazy River * St. Louis Blues * Sweet Georgia Brown * 'Way down Yonder in New Orleans * and more.
The Banjo Encyclopedia is a comprehensive, in-depth banjo instructional tool that covers the many intricacies of bluegrass banjo playing, including numerous topics that may have been overlooked in banjo instruction to date. The Banjo Encyclopedia can take a student from the beginning, to intermediate, and right through to more advanced styles of banjo playing. Ross Nickerson uses his many years of experience helping hundreds of aspiring banjo pickers by offering the banjo student an opportunity to learn in a practical, straightforward manner. This wide-ranging banjo instructional book will focus on many techniques that will help every aspect of a banjo player's musicianship while simplifying many subjects in the learning process. The downloadable audio with 99-track recording will enable the student to learn easily by hearing author Ross Nickerson demonstrate each song, and perform many of the banjo licks and phrases included in the book slow, and up to tempo. The audio download available online includes anadvanced song section with a full bluegrass band accompanying Ross along with additional intermediate songs for the student to learn. The Banjo Encyclopedia is undoubtedly one of the most complete five-string banjo books on the market today and a must for every banjo player's collection. Includes access to onlineaudio
This is an encyclopedic, large-format book containing hundreds of illustrations. While not geared toward making conventional instruments, Musical Instrument Design provides all the information that anyone (amateur or professional) should ever need to construct an amazingly wide variety of percussion, string, and wind instruments. Includes many designs along with parts lists and detailed construction instructions.
Fowler's Concise Dictionary of Modern English Usage is an invaluable quick-reference work, providing clear, practical and up-to-date guidance on questions of grammar, spelling, style, and word choice. Jeremy Butterfield has judiciously revised the text to reflect the English usage practices and concerns of the 21st century.
The Irish Bouzouki GDAD Chord Bible, with its 2,520 chords offers a complete solution for both beginner and experienced professional musician alike. The layout is uncomplicated and follows a logical musical progression from standard major chords up to the more esoteric thirteenths used by many jazz players. To accompany the 2,520 chords, a further 576 possible moveable chord configurations are included, together with a useful range of major and minor slash chords, reflecting the popularity of this type of chord in many of today's artist and compilation topline songbooks. To fully exploit the ringing quality of the Irish bouzouki, a selection of open and drone string chords has also been included. This highly comprehensive guide provides the musician with no fewer than 60 different types of chord in all twelve keys, making it the definitive publication for the Irish bouzouki. Whether you play folk, rock, pop, jazz or any other type of popular music, The Irish Bouzouki GDAD Chord Bible makes the ideal reference source for all occasions. Standard Chords covered in The Irish Bouzouki GDAD Chord Bible (using the key of C as an example): C, Cm, C-5, Cdim, C4, C5, Csus2, Csus4, Csus4add9, C+, C6, Cadd9, Cm6, Cmadd9, Cm6add9, Cdim7, C7, C7sus2, C7sus4, C7-5, C7+5, C7-9, C7+9, C7-5-9, C7+5-9, C7+5+9, C7add11, C7+11, Cm7, Cm7-5, Cm7-5-9, Cm7-9, Cm7add11, Cm(maj7), Cmaj7, Cmaj7-5, Cmaj7+5, Cmaj7+11, C9, C9-5, C9+5, C9+11, Cm9, Cm9-5, Cm(maj9), Cmaj9, Cmaj9+5, Cmaj9+11, C11, C11-9, Cm11, Cmaj11, C13, C13-5-9, C13-9, C13+9, C13+11, Cm13, Cmaj13. Slash Chords covered in The Irish Bouzouki GDAD Chord Bible (using the key of C as an example): C/C, C/Db, C/D, C/Eb, C/E, C/F, C/F#, C/G, C/Ab, C/A, C/Bb, C/B, Cm/C, Cm/Db, Cm/D, Cm/Eb, Cm/E, Cm/F, Cm/F#, Cm/G, Cm/Ab, Cm/A, Cm/Bb, Cm/B. Beside the many pages of chord boxes or windows, the book features useful sections on tuning, chord construction, fingerboard layout, FAQs, alternative chord naming, fingering, slash chords, harmonic intervals, chord window blanks for transcribing your own favorite chord sequences etc. The aim of this guide is to provide the musician with the flexibility only really offered to guitar and keyboard players in the past. Now, with the help of The Irish Bouzouki GDAD Chord Bible, musicians will be able to pick up any songbook and instantly have access to even the most complex and advanced chords.
A collection of articles and music transcribed for solo classical guitar gathered from ten years of the popular series in the journal Soundboard. Each of the music scores is accompanied by an article describing the process of transcription for the guitar, the history of the music and composer, and performance suggestions. All pieces are fully fingered and suitable for intermediate to advanced players.
The Tenor Banjo Chord Book contains all the Tenor Banjo chords you'll ever need. Suitable for beginner to intermediate players, to either begin learning or, once learned, for later reference and exploration, this book includes all of the essential chords in all 12 keys for the Tenor Banjo in C-G-D-A tuning.
Following on from James Tyler's The Early Guitar: A History and Handbook(OUP 1980) tthis collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era. Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers and scholars alike. Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history—notably c.1759-c.1800—which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central to music-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-string instrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
