Kamleshwar&Rsquo;S Kitne Pakistan Enjoys Cult Status As A Novel That Dared To Ask Crucial Questions About The Making And Writing Of History. With India&Rsquo;S Partition In 1947 As Its Reference Point, The Novel Presents A Limitless Canvas Against Which The Most Extraordinary Trial In The History Of Mankind Runs Its Course. Present In A Court That Transcends Space And Time Are Mughal Emperors Babar And Aurangzeb, Spanish Adventurer Hernando Cortez, Lord Mountbatten, Adolf Hitler And Saddam Hussein. Along With Political Leaders, Religious Zealots And Scheming Gods Of Mythology, They Stand Accused Of Creating Countless Fractured Nations, Leaving A Never-Ending Trail Of Hatred And Distrust. The Arbiter For Suffering Humanity Is An Unnamed Adeeb Or LittÉRateur Who Must Sift Through The Testimony Of Casualties From The Killing Fields Of Injustice At Home And Abroad, Ranging From Kurukshetra To Kargil, Hiroshima To Bosnia. As Recorded History Unravels To Reveal The Sinister Realities That Lie Beneath, The Scholar Finds Himself Travelling Back Through The Centuries Over Oceans Of Blood, So That He May Carry Forward For Posterity The Enduring Lessons Of Love, Compassion, Peace And Hope. Translated Into English For The First Time, This Boldly Provocative Saga Is A Triumph Of Poetic Imagination That Relentlessly Probes Our Underlying Assumptions Of History And Truth, Religion And Nationalism. &Nbsp;
First published in 1963, in East Germany, They Divided the Sky tells the story of a young couple, living in the new, socialist, East Germany, whose relationship is tested to the extreme not only because of the political positions they gradually develop but, very concretely, by the Berlin Wall, which went up on August 13, 1961. The story is set in 1960 and 1961, a moment of high political cold war tension between the East Bloc and the West, a time when many thousands of people were leaving the young German Democratic Republic (the GDR) every day in order to seek better lives in West Germany, or escape the political ideology of the new country that promoted the "farmer and peasant" state over a state run by intellectuals or capitalists. The construction of the Wall put an end to this hemorrhaging of human capital, but separated families, friends, and lovers, for thirty years. The conflicts of the time permeate the relations between characters in the book at every level, and strongly affect the relationships that Rita, the protagonist, has not only with colleagues at work and at the teacher's college she attends, but also with her partner Manfred (an intellectual and academic) and his family. They also lead to an accident/attempted suicide that send her to hospital in a coma, and that provide the backdrop for the flashbacks that make up the narrative. Wolf's first full-length novel, published when she was thirty-five years old, was both a great literary success and a political scandal. Accused of having a 'decadent' attitude with regard to the new socialist Germany and deliberately misrepresenting the workers who are the foundation of this new state, Wolf survived a wave of political and other attacks after its publication. She went on to create a screenplay from the novel and participate in making the film version. More importantly, she went on to become the best-known East German writer of her generation, a writer who established an international reputation and never stopped working toward improving the socialist reality of the GDR.
Kesia and her older sister Miren have kept secret that Kesia's a talented Fire Singer. When Kesia is kidnapped, she must summon her courage and use her magic in new and dangerous ways. Meanwhile, Miren will do anything to get her sister back, including teaming up with Kesia's seemingly inept beau.
"Todd's astute character studies . . . offer a fascinating cross section of postwar life. . . . A satisfying puzzle-mystery." — The New York Times Book Review Scotland Yard Inspector Ian Rutledge is assigned one of the most baffling investigations of his career: an unsolved murder case with an unidentified victim and a cold trail with few clues to follow A woman has been murdered at the foot of a megalith shaped like a great shrouded figure. Chief Inspector Brian Leslie, one of the Yard’s best men, is sent to investigate the site in Avebury, a village set inside a prehistoric stone circle not far from Stonehenge. In spite of his efforts, Leslie is not able to identify her, much less discover how she got to Avebury—or why she died there. Her killer has simply left no trace. Several weeks later, when Ian Rutledge has returned from successfully concluding a similar case with an unidentified victim, he is asked to take a second look at Leslie’s inquiry. But Rutledge suspects Chief Superintendent Markham simply wants him to fail. Leslie was right—Avebury refuses to yield its secrets. But Rutledge slowly widens his search, until he discovers an unexplained clue that seems to point toward an impossible solution. If he pursues it and he is wrong, he will draw the wrath of the Yard down on his head. But even if he is right, he can’t be certain what he can prove, and that will play right into Markham’s game. The easy answer is to let the first verdict stand: Person or persons unknown. But what about the victim? What does Rutledge owe this tragic young woman? Where must his loyalty lie?
This study provides an understanding of the extent and functioning of community based coastal resource management systems in Maluku province, Indonesia and suggests recommendations for national, provincial and village government to support, maintain and develop effective traditional and indigenous resource management institutions. The study has shown that the Sasi Laut has benefits that can be used as a basis for building local level management institutions.
Anthropologists need history to understand how the past has shaped the present. Historians need anthropology to help them interpret the past. Where anthropologists’ and historians’ needs intersect is ethnohistory. The contributors to this volume have been inspired in large part by the teaching and writing of distinguished ethnohistorian Raymond J. DeMallie, whose exemplary combination of ethnographic and archival research demonstrates the ways anthropology and history can work together to create an understanding of the past and the present. Transforming Ethnohistories comprises ten new avenues of ethnohistorical research ranging in topic from fiddling performances to environmental disturbance and spanning places from North Carolina to the Yukon. The authors seek to understand communities by finding and interpreting their stories in a variety of different texts, some of which lie outside academic understanding and research methodology. It is exactly those stories, conventionally labeled “myths” or “oral tradition,” that ethnohistorians demand we pay attention to. Although historians cannot see or talk to their informants as anthropologists do, both anthropologists and historians can listen to oral histories and written documents for the essential stories they contain. The essays assembled here use DeMallie’s approach to contribute to the history and anthropology of Native North America and address issues of literary criticism and contexts, sociolinguistics, performance theory, identity and historical change, historical and anthropological methods and theory, and the interpretation of histories, cultures, and stories. Debates over the legitimacy of ethnohistory as a specialization have led some scholars to declare its decline. This volume shows ethnohistory to be alive and well and continuing to attract young scholars.
This book explores narratives of nationalism in the Hindi novel (1940s80s), engaging with mainstream, populist, political conceptualisation of a postcolonial nation and local, cultural, often marginalised fictional parallels and alternatives to it. Analysing processes of nation-formation and nationalism(s) via experiments with the novel form and versions of realism in Hindi, conversations between the political and the cultural, rural/borders and the urban/central spaces, individual subjectivity and social structures, and the challenges Hindi novels' internal linguistic diversity poses to formalised Hindi's hegemony, Imagining a Postcolonial Nation: Hindi Novels and Forms of India (1940s80s) traces Hindi fiction's history of postcolonial India. The multiplicity of realisms indicates significant responses to postcolonial nationalism, idealistic, critical, regional, satirical and psychological. Looking at indigenous narrative methods employed by authors to critically evolve Western ideas of the nation and novel, the book explores the simultaneous convergences and divergences between literary and political understandings of ideological, religious and linguistic nationalisms. Surveying the broad sentiments of idealism, enchantment and disenchantment with freedom and postcoloniality, it studies the possibilities of fiction embodying national history without an outright commitment to mainstream nationalism or nationalist literary canon formation. It also briefly tries to understand the repercussions of nationalism as a masculinist project and its gendered nature affecting a section of writing, novels by women authors, to present counter-narratives to both national and literary canons. Choosing a fairly broad historical timeframe, the book reveals the radical potential of narratives that have over the years been critically categorised as canonical. It reopens discussions around nationalism within novels that have been often canonised as apparently uncritically nationalist.
