Remember that classic holiday film about what the world would've been like if someone had never been alive? Well, this isn't quite the same... This winter, the weather outside isn't the only thing that's frightful! The wrong sort of holidays spirits are on the loose as zombies roam the streets, spreading their own gift that keeps on giving. You'd better watch out...
Come along and enjoy a collection of holiday short stories with a serious twist... zombies. A hilarious romp in the zombie apocalypse from authors Eric A Shelman, Michelle Kilmer, K Michael Gibson, Michael Robertson, Ian McClellan, and many others. Another installment of zombie flavored awesome sauce from the fine folks at All Things Zombie (ATZ). See what happens when Santa gets bit or a Christmas party goes soooo wrong. Shopping, decorating, and mistletoe... nothing is off limits. A Very Zombie Christmas is the perfect gift for any horror fan. With over twenty-five stories to keep you laughing and cringing, you may never see the holidays the same way again. See for yourself. (whispers in a Wham! voice) ...happy Christmas.
Zombies for Zombies leads readers by their cootie-covered hands and encourages each one to take the steps necessary to preserve his or her quality of life.
There will be no singing this Christmas - only screaming! Marvel presents Charles Dickens' classic A Christmas Carol - with a ghoulish twist! As London is overrun by a plague known as the "Hungry Death" - a disease spreading rapidly among the surplus population - the poor turn into the undead and hunger unendingly. When the disease spreads from the workhouses to the public, only one person can turn the zombie tide and save Christmas for all: that humbug, Ebenezer Scrooge. God help us, everyone... COLLECTING: ZOMBIES CHRISTMAS CAROL 1-5
Collects Marvel Zombies 2 #1-5, Marvel Zombies 3 #1-4, Marvel Zombies 4 #1-4, Marvel Zombies Return #1-5 and material from Marvel Spotlight: Marvel Zombies Return. The Marvel Zombies have left Earth, turning their ravenous attentions to outer space! But when the zombies finally return home and find a tiny pocket of mankind still alive, will they feast on flesh once more — or can they learn how to overcome their all-consuming hunger? Then, dimension-traveling zombies have found their way into the Marvel Universe, and no one is safe! Machine Man, Jocasta, Morbius, Werewolf by Night and the Son of Satan must repel the undead epidemic — but will they uncover the traitor lurking within their own headquarters? And when the Marvel Zombies are unleashed on yet another unsuspecting dimension, can the guilt-ridden undead Spider-Man stop a gruesome history from repeating itself?
When Flight 303 en route to Epsilon-6 orbital space station crash-lands on the lethal deathworld of Chronos, all is not looking good for the surviving passengers. Enter Zombo: a top-secret government experiment - part zombie, part human ghoul, with a taste for living flesh. Will our friendly hero be able to save the day?
Now in a special holiday edition, the hilariously deranged tale of Santa, fruitcakes, angels, and Kung fu. . . . “Christopher Moore writes novels that are not only hilarious, but fun to read as well. He is an author at the top of his craft.—Nicholas Sparks ’Twas the night before Christmas . . . and all through Pine Cove, Florida, the creatures were stirring in this wonderfully funny tale that gives the spirit of Christmas a whole new meaning.
The zombie has cropped up in many forms—in film, in television, and as a cultural phenomenon in zombie walks and zombie awareness months—but few books have looked at what the zombie means in fiction. Tim Lanzendörfer fills this gap by looking at a number of zombie novels, short stories, and comics, and probing what the zombie represents in contemporary literature. Lanzendörfer brings together the most recent critical discussion of zombies and applies it to a selection of key texts including Max Brooks’s World War Z, Colson Whitehead’s Zone One, Junot Díaz’s short story “Monstro,” Robert Kirkman’s comic series The Walking Dead, and Seth Grahame-Smith’s Pride and Prejudice and Zombies. Within the context of broader literary culture, Lanzendörfer makes the case for reading these texts with care and openness in their own right. Lanzendörfer contends that what zombies do is less important than what becomes possible when they are around. Indeed, they seem less interesting as metaphors for the various ways the world could end than they do as vehicles for how the world might exist in a different and often better form.
Award nominated SF author Adam Roberts takes on Dickens in this festive zombie gorefest. Marley was dead. To begin with. The legendary Ebenezeer Scrooge sits in his house counting money. The boards that he has nailed up over the doors and the windows shudder and shake under the blows from the endless zombie hordes that crowd the streets hungering for his flesh and his miserly braaaaiiiiiinns! Just how did the happiest day of the year slip into a welter of blood, innards and shambling, ravenous undead on the snowy streets of old London town? Will the ghosts of Christmas Past, Present and Future be able to stop the world from drowning under a top-hatted and crinolined zombie horde? It's the Dickensian Zombie Apocalypse - God Bless us, one and all!
Film plays a vital role in the celebration of Christmas. For decades, it has taught audiences about what the celebration of the season looks like – from the decorations to the costumes and to the expected snowy weather – as well as mirrors our own festivities back to us. Films like It’s a Wonderful Life and Home Alone have come to play key roles in real-life domestic celebrations: watching such titles has become, for many families, every bit as important as tree-trimming and leaving cookies out for Santa. These films have exported the American take on the holiday far and wide and helped us conjure an image of the perfect holiday. Rather than settling the ‘what is a Christmas film?’ debate – indeed, Die Hard and Lethal Weapon are discussed within – Analyzing Christmas in Film: Santa to the Supernatural focuses on the how Christmas is presented on the deluge of occasions when it appears. While most Christmas films are secular, religion makes many cameos, appearing through Nativity references, storylines involving spiritual rebirth, the framing of Santa as a Christ-like figure and the all-importance of family, be it the Holy family or just those gathered around the dining table. Also explored are popular narratives involving battles with stress and melancholy, single parents and Christmas martyrs, visits from ghosts and angels, big cities and small towns, break-ups and make-ups and the ticking clock of mortality. Nearly 1000 films are analyzed in this volume to determine what the portrayal of Christmas reveals about culture, society and faith as well as sex roles, consumerism, aesthetics and aspiration.
