These separate novellas, with a few minor characters appearing in all three, are set in the life of their times1948, 1953, 1969involved in a national meat-packing strike, a Korea War POWs mysterious homecoming, and the student takeover of a university. The trilogy lays out the problems of criminal abortion, criminal impersonation, and social and personal separation, and it poses a trio of love dimensionsphysical, spiritual, and intellectual. Note the cinematic form.
The second book of the Sullivan Brothers "Nice Girl Trilogy" that began the New York Times, USA Today, and international bestselling CAN'T RESIST series. Her best friend since college. The polar opposite of his brother Connor. The 'good guy' everyone's hell-bent on believing is her perfect match. Anything beyond friendship for them had just never been a possibility. But it is now. For over a decade, through his high school sweetheart's illness and eventual passing, Abby had been his pal, his rock. All but a second mother to his young daughter. His heart had simply never been free to love her then. But it is now. Now that his brother Connor has left her with a shattered heart he could kill him for causing, Brian's got one chance. ...To prove to Abby that everyone's right. "A stellar trilogy with unforgettable characters and a truly unique plot...will leave you wrecked one moment and elated the next." -- Guilty Pleasures Book Reviews "What. A. Love Triangle. Witty, raw, and at times, heart-wrenching." -- Ebook Escapes NOTE TO READERS: This is Book #2 in a three-part 600-pg SERIAL (also available as a bundled box set). Each book in the trilogy has a separate story arc in the greater love triangle, and need to be read in order. Book #4 (the other brother's happily ever after) is a standalone novel that can be read on its own. THE CAN'T RESIST SERIES BOOK 1: RESISTING the Bad Boy* BOOK 2: FALLING for the Good Guy* BOOK 3: CHOOSING the Right Man* BOOK 4: FINDING the Right Girl *Also available as a three-book bundle -- the Nice Girl trilogy boxed set Keywords: medical romance, love triangle, brother's best friend, best friend's brother, sexy romcom, romantic comedy, sweet and steamy, feel good romance, all the feels, rom-com, opposites attract, age gap romance, college heroine, sweet heroine, bad boy, good girl, love triangle, single dad, off limits, small town romance, emotional romance, angsty romance, new adult, romance with banter, contemporary romance, swoony romance, gruff hero, smart heroine, bestselling romance, New York Times bestseller, USA Today bestseller, choosing between two guys, two heroes, second chance romance
In this irresistible three-book box set, Abby finds herself falling for both charming Seth and his twin, bad boy Sam, making for a roller coaster of a romance! In Taking Chances, Abby is a divorcée who discovers true physical satisfaction for the first time. But just when she thinks she's found her happily-ever-after, a big surprise shakes up her world. Abby is in a difficult position in Making Choices. She must choose between the Davis twin brothers. Will her decision ruin her relationship with one of the brothers, or cause the twins’ sibling rivalry to spiral out of control? In Faking Changes, Abby's best friend, Courtney, finds love with one of the Davis twins. But her dark past threatens to ruin everything. This contemporary romance 3-book set is filled to the brim with family drama and steamy romance. Grab it now. Spend the day (or night) getting to know the sexy Davis twins. Will you choose Team Seth or Team Sam?
Suzanne Collins' dystopian trilogy envisions a world where survival and violence quite literally take the center stage. To maintain order, suppress independence, and punish past rebellions, the Capitol selects two participants, or tributes, from each of the twelve districts to fight in an annual televised death match called the Hunger Games. This compelling edition explores Suzanne Collins' The Hunger Games through the lens of violence. The book provides biographical information about the author and offers a perspective on her influences. A series of essays, which discuss aspects of the novel, focusing on Katniss, her struggles, and the meaning and impact of violence, allow readers to gain a greater insight into the intersection between social issues and literature.
This illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The Son of a Sheik (1926) to Toy Story 3 (2010), this book provides a comprehensive history of this critically-neglected yet commercially-dominant art form.
The first editon was called "the most valuable film reference in several years" by Library Journal. The new edition published in hardcover in 2001 includes more than 670 entries. The current work is a paperback reprint of that edition. Each entry contains a mini-essay that defines the topic, followed by a chronological list of representative films. From the Abominable Snowman to Zorro, this encyclopedia provides film scholars and fans with an easy-to-use reference for researching film themes or tracking down obscure movies on subjects such as suspended animation, viral epidemics, robots, submarines, reincarnation, ventriloquists and the Olympics ("Excellent" said Cult Movies). The volume also contains an extensive list of film characters and series, including B-movie detectives, Western heroes, made-for-television film series, and foreign film heroes and villains.
Emotional Ethics of The Hunger Games expands the ‘ethical turn’ in Film Studies by analysing emotions as a source of ethical knowledge in The Hunger Games films. It argues that emotions, incorporated in the thematic and aesthetic organization of these films, reflect a crisis in moral standards. As such they cultivate ethical attitudes towards such phenomena as totalitarianism, the culture of reality television, and the society of spectacle. The focus of the argument is on cinematic aesthetics, which expresses emotions in a way that highlights their ethical significance, running the gamut from fear through guilt and shame, to love, anger and contempt. The central claim of the book is that these emotions are symptomatic of some moral conflict, which renders The Hunger Games franchise a meaningful commentary on the affective practice of cinematic ethics. ‘’The Hunger Games movies have become iconic symbols for resistance across the globe. Tarja Laine proposes that this is not caused by their status as exciting cinematic spectacles, but by their engaging our emotions. Laine uses The Hunger Games as key texts for understanding our world, demonstrating that ethics do not originate from rational considerations, far removed from those mucky things called emotions. But rather that emotions are at the core of cinematic ethics.” —William Brown, Author of Supercinema: Film-Philosophy for the Digital Age ‘’In this elegantly written exploration of the relationship between aesthetics and emotion in The Hunger Gamestrilogy, Tarja Laine illuminates the power of film to embody ethical conflict. Deftly interweaving film-philosophy and close analysis, Laine traces how these films mobilise complex emotions, nuancing our thinking about cinema and the spectator. Laine’s book takes The Hunger Games films seriously, demonstrating with verve why they matter.” —Catherine Wheatley, Senior Lecturer in Film Studies, King’s College London, UK ''In this fresh, engaging, and insightful study of The Hunger Games film trilogy, Tarja Laine explores the crucial role that emotions play in appreciation of the ethical qualities of the movies. She forges productive dialogues between a range of film theory, scholarship on moral philosophy, and debates on ethics, as she performs a multi-layered investigation of the aesthetic qualities of the trilogy, the multiple emotions embodied in these qualities, and the philosophical-ethical insights that are in turn embedded in these emotions. The cinematic connection between emotions and ethics that emerges through Laine’s detailed textual analyses confronts us with complex moral dilemmas while enriching our aesthetic experience.'' —Sarah Cooper, Professor, Film Studies Department, King's College London, UK
This book explores how the next generation of teen and young adult heroines in popular culture are creating a new feminist ideal for the 21st century. Representations of a teenage girl who is unique or special occur again and again in coming-of-age stories. It's an irresistible concept: the heroine who seems just like every other, but under the surface, she has the potential to change the world. This book examines the cultural significance of teen and young adult female characters—the New Heroines—in popular culture. The book addresses a wide range of examples primarily from the past two decades, with several chapters focusing on a specific heroic figure in popular culture. In addition, the author offers a comparative analysis between the "New Woman" figure from the late 19th and early 20th century and the New Heroine in the 21st century. Readers will understand how representations of teenage girls in fiction and nonfiction are positioned as heroic because of their ability to find out about themselves by connecting with other people, their environment, and technology.
The New Routledge Companion to Science Fiction provides an overview of the study of science fiction across multiple academic fields. It offers a new conceptualisation of the field today, marking the significant changes that have taken place in sf studies over the past 15 years. Building on the pioneering research in the first edition, the collection reorganises historical coverage of the genre to emphasise new geographical areas of cultural production and the growing importance of media beyond print. It also updates and expands the range of frameworks that are relevant to the study of science fiction. The periodisation has been reframed to include new chapters focusing on science fiction produced outside the Anglophone context, including South Asian, Latin American, Chinese and African diasporic science fiction. The contributors use both well- established critical and theoretical approaches and embrace a range of new ones, including biopolitics, climate crisis, critical ethnic studies, disability studies, energy humanities, game studies, medical humanities, new materialisms and sonic studies. This book is an invaluable resource for students and established scholars seeking to understand the vast range of engagements with science fiction in scholarship today.
