The Program provides a structural course of instruction for the candidate seeking advancement to the 32nd degree of Scottish Rite Freemasonry. Contained within this course of study are assessment tools for each of the lower houses as well as a short synopsis of each of the high degrees. The course length spans 26 weeks in which numerous sources of Scottish Rite material is referenced from freemasonry's leading scholars! The Scottish Rite is commonly referred to as the College of Freemasonry and upon completion of this gentleman's course, the candidate will be better suited to assume his title, Sublime Prince of the Royal Secret.
An Instructional (Freemasonry) manual for candidates for the masonic 32nd degree of the Ancient & Accepted Scottish Rite, titled Sublime Prince of the Royal Secret. The manual covers a 26-week course of instruction on topics/degrees leading to the advancement to the 32nd degree.
Composed of free and accepted masons who are desirous of receiving and dispersing Masonic knowledge, the Lux e Tenebris Chapter of the Phylaxis Society is a research institute appointed to explore and scrutinize historical information, validate with a reasonable degree of certainty diversified Masonic perspectives, and publish annually scholarly manuscripts as transaction of the organization.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."
The key text of the Scottish Rite of Freemasonry, the belief structure laid out here intricately intertwines faith from all corners of the world as well as involving both science and faith in a bundle for adherents to carefully study and understand.
Discover everything you ever wanted to know about secret societies like the Freemasons, the historical mystery of Atlantis, why King Arthur, Leonardo da Vinci and Hitler are key figures, plus conspiracy theories, forgotten sciences and ancient wisdom.
