Never trust a blackmailer. Vermont's promising young governor, Andrew Kane, is at another public meet-and-greet when a stranger from the crowd slips him a cell phone and whispers, "Keep this with you...keep it secret...you're going to need it after the arrest." Hours later, Andrew's brother, Tyler, is taken into custody--framed for the brutal murder of a young woman--and Andrew discovers there is only one way to free him: answer the mysterious phone and agree to a blackmailer's demands. All the governor has to do to make it all go away is compromise everything he stands for and grant a full pardon to a convicted felon. With no better option, he complies. Which is his first mistake...because the stranger isn't through with him. He has another little condition. Then another. And another. And Andrew has no choice but to play along until he can find a way out of this personal and political nightmare. But he isn't prepared for what he will face, or how far he will have to go to save his brother and keep his family together.
While working on a project translating letters from sixteenth-century Prague, high school senior Nora Kane discovers her best friend murdered with her boyfriend the apparent killer and is caught up in a dangerous web of secret societies and shadowy conspirators, all searching for a mysterious ancient device purported to allow direct communication with God.
New York Times bestselling author Jessica Day George brings dark secrets to life in a lush historical fantasy perfect for fans of Libba Bray and Cassandra Clare.
The eagerly anticipated follow-up to the author’s award-winning Bones and Fat, Odd Bits features over 100 recipes devoted to the “rest of the animal,” those under-appreciated but incredibly flavorful and versatile alternative cuts of meat. We’re all familiar with the prime cuts—the beef tenderloin, rack of lamb, and pork chops. But what about kidneys, tripe, liver, belly, cheek, and shank? Odd Bits will not only restore our taste for these cuts, but will also remove the mystery of cooking with offal, so food lovers can approach them as confidently as they would a steak. From the familiar (pork belly), to the novel (cockscomb), to the downright challenging (lamb testicles), Jennifer McLagan provides expert advice and delicious recipes to make these odd bits part of every enthusiastic cook’s repertoire.
The fatally over-confident hero of Good Murder returns to pit his meagre detective skills against military intelligence, belligerent in-laws, a town full of G.I.s, and a creepy conspiracy to bring on an Australian sectarian nightmare. Failed Shakespearean actor and would-be private detective William Power returns to Melbourne in disgrace after his disastrous brush with theatre and murder in Maryborough. Bloodied, broken, but somehow unbowed, he arrives in a town struggling under war rationing and full of cocky American soldiers, and lands squarely in the bosom of his childhood home in Carlton — a home now dominated by his sister-in-law, the odious Darlene. But even Will’s contempt is tempered when, in the early hours of the morning, Darlene is kidnapped, and Will finds his mother’s kitchen splattered with blood and scattered with broken crockery. Needing to escape the maternal home and the growing police investigation, Power rents a room in the spacious, Parkville home of wealthy, charismatic, and obsessively neat Paul Clutterbuck and is introduced to his strange society of bohemians, black marketeers, and neanderthal henchmen. Will Power is fascinated but, before he can begin to enjoy his new home, a savage murder is discovered. Just when modesty and good sense threaten to intervene, Will realises that only he can solve the murder and the mystery of his kidnapped sister-in-law, and save the nation from impending catastrophe. A Thing of Blood is a brilliant, wry sequel which perfectly recreates the tension and fear of wartime Australia. PRAISE FOR ROBERT GOTT ‘Rather than the outlandish though entertaining plot, it's the play of these perspectives, the wit and the dissonance between Power's descriptive ability and his self-delusion, that give A Thing of Blood the backbone that keeps you turning the pages … There is much about A Thing of Blood to like and little to dislike (except perhaps Power himself).’ The Sydney Morning Herald ‘A well-designed conspiracy and a tension-fuelled ending provides a rewarding finale to the story. This is the kind of easy beach read type of story with which it is just a pleasure to stick the brain in neutral, kick back and enjoy.’ Australian Crime Fiction Database
From the author of The Walled City comes a fast-paced and innovative novel that will leave you breathless. Her story begins on a train. The year is 1956, and the Axis powers of the Third Reich and Imperial Japan rule. To commemorate their Great Victory, they host the Axis Tour: an annual motorcycle race across their conjoined continents. The prize? An audience with the highly reclusive Adolf Hitler at the Victor's ball in Tokyo. Yael, a former death camp prisoner, has witnessed too much suffering, and the five wolves tattooed on her arm are a constant reminder of the loved ones she lost. The resistance has given Yael one goal: Win the race and kill Hitler. A survivor of painful human experimentation, Yael has the power to skinshift and must complete her mission by impersonating last year's only female racer, Adele Wolfe. This deception becomes more difficult when Felix, Adele's twin brother, and Luka, her former love interest, enter the race and watch Yael's every move. But as Yael grows closer to the other competitors, can she be as ruthless as she needs to be to avoid discovery and stay true to her mission?
The Grammy- and Academy Award- nominated singer-songwriter's haunting, lyrical memoir, sharing the story of an unthinkable act of violence and ultimate healing through art Mobile, Alabama, 1986. A fourteen-year-old girl is awakened by the unmistakable sound of gunfire. On the front lawn, her father has shot and killed her mother before turning the gun on himself. Allison Moorer would grow up to be an award-winning musician, with her songs likened to "a Southern accent: eight miles an hour, deliberate, and very dangerous to underestimate" (Rolling Stone). But that moment, which forever altered her own life and that of her older sister, Shelby, has never been far from her thoughts. Now, in her journey to understand the unthinkable, to parse the unknowable, Allison uses her lyrical storytelling powers to lay bare the memories and impressions that make a family, and that tear a family apart. Blood delves into the meaning of inheritance and destiny, shame and trauma -- and how it is possible to carve out a safe place in the world despite it all. With a foreword by Allison's sister, Grammy winner Shelby Lynne, Blood reads like an intimate journal: vivid, haunting, and ultimately life-affirming.
One Sunday morning in 1993 a 16-year-old girl named Eliza Claps goes missing from a church in the centre of Potenza, Italy. Shortly before her disappearance, Elisa had met Danilo Restivo, a strange local boy with a fetish for cutting women's hair on the back of buses. Elisa's family are convinced that Resitvo is responsible for their daughter's disappearance, but he is protected by local big-wigs: by his Sicilian father, by a doctor with links to organised crime, by a priest who had vices of his own. Years went by and Elisa's family could find only false leads. 2002, and Restivo is now living in Bournemouth. In November that year, his neighbour is found murdered, with strands of her own hair in her hands. Once again the police are at a loss to pin anything on him. It's not until 2010, when Elisa's decomposed body is found in the church where she went missing, that the two cases are linked and Restivo is finally dealt with. Blood on the Altar combines a gripping true crime case with Jones's deep understanding of Italian culture - the impunity it offers to the powerful - he so expertly demonstrated in his bestseller: The Dark Heart of Italy.
