The folksongs of Texas's Mexican population pulsate with the lives of folk heroes, gringos, smugglers, generals, jailbirds, and beautiful women. In his cancionero, or songbook, Américo Paredes presents sixty-six of these songs in bilingual text—along with their music, notes on tempo and performance, and discography. Manuel Peña's new foreword situates these songs within the main currents of Mexican American music.
A Singing Ambivalence undertakes a comprehensive examination of the ways in which nine immigrant groups - Irish, Germans, Scandinavians, Eastern European Jews, Italians, Poles, Hungarians, Chinese, and Mexicans - responded to their new lives in the United States through music. Each group's songs reveal an abiding concern over leaving their loved ones and homeland and an anxiety about adjusting to the new society. But accompanying these feelings was an excitement about the possibilities of becoming wealthy and about looking forward to a democratic and free society. known and unknown origins that comment on the problems immigrants faced and reveals the wide range of responses they made to the radical changes in their new lives in America. His selection of lyrics provides useful capsules of expression that clarify the ways in which immigrants defined themselves and staked out their claims for acceptance in American society. But whatever their common and specific themes, they reveal an ambivalence over their coming to America and a pessimism about achieving their goals. the United States, while at the same time conveying from an aesthetic viewpoint how immigrants expressed their hopes and difficulties through a unique medium - song. This is an important volume that will be welcomed by scholars of music and U.S. immigration history.
In River of Hope, Omar S. Valerio-Jiménez examines state formation, cultural change, and the construction of identity in the lower Rio Grande region during the eighteenth and nineteenth centuries. He chronicles a history of violence resulting from multiple conquests, of resistance and accommodation to state power, and of changing ethnic and political identities. The redrawing of borders neither began nor ended the region's long history of unequal power relations. Nor did it lead residents to adopt singular colonial or national identities. Instead, their regionalism, transnational cultural practices, and kinship ties subverted state attempts to control and divide the population. Diverse influences transformed the borderlands as Spain, Mexico, and the United States competed for control of the region. Indian slaves joined Spanish society; Mexicans allied with Indians to defend river communities; Anglo Americans and Mexicans intermarried and collaborated; and women sued to confront spousal abuse and to secure divorces. Drawn into multiple conflicts along the border, Mexican nationals and Mexican Texans (tejanos) took advantage of their transnational social relations and ambiguous citizenship to escape criminal prosecution, secure political refuge, and obtain economic opportunities. To confront the racialization of their cultural practices and their increasing criminalization, tejanos claimed citizenship rights within the United States and, in the process, created a new identity. Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.
In this volume the borders of North America serve as central locations for examining the consequences of globalization as it intersects with hegemonic spaces and ideas, national territorialism, and opportunities for—or restrictions on—mobility. The authors of the essays in this collection warn against falling victim to the myth of nation-states engaging in a valiant struggle against transnational flows of crime and vice. They take a long historical perspective, from Mesoamerican counterfeits of cacao beans used as currency to cattle rustling to human trafficking; from Canada’s and Mexico’s different approaches to the illegality of liquor in the United States during Prohibition to contemporary case studies of the transnational movement of people, crime, narcotics, vice, and even ideas. By studying the historical flows of contraband and vice across North American borders, the contributors seek to bring a greater understanding of borderlanders, the actual agents of historical change who often remain on the periphery of most historical analyses that focus on the state or on policy. To examine the political, economic, and social shifts resulting from the transnational movement of goods, people, and ideas, these contributions employ the analytical categories of race, class, modernity, and gender that underlie this evolution. Chapters focus on the ways power relations created opportunities for engaging in “deviance,” thus questioning the constructs of economic reality versus concepts of criminal behavior. Looking through the lens of transnational flows of contraband and vice, the authors develop a new understanding of nation, immigration, modernization, globalization, consumer society, and border culture.
The matriarch of one of the most important families in Texas history, Petra Vela Kenedy has remained a shadowy presence in the annals of South Texas. In this biography of Petra Vela Kenedy, the authors not only tell her story but also relate the history of South Texas through a woman’s perspective. Utilizing previously unpublished letters, journals, photographs, and other primary materials, the authors reveal the intimate stories of the families who for years dominated governments, land acquisition, commerce, and border politics along the Rio Grande and across the Wild Horse Desert. From Petra’s early life in the landed ranchero society of northern Mexico, through her alliance with Luis Vidal—an officer in the Mexican army to whom she bore eight children—until her move to Brownsville after Vidal’s death, Petra lived in Mexico. When she moved to Texas, having taken Vidal’s name, she represented a link to the landed families of the region. Mifflin Kenedy, a steamboat captain who had first come to Texas during the Mexican War, married into her world, acquiring local respectability and stature when he took Petra as his wife. The story of their life together encompasses war, the taming of a frontier, the blending of cultures, the origin of a ranching empire, and the establishment of a foundation and trust that still endure today, giving millions to Texas through charitable gifts. An attractive woman of business acumen, strong religious convictions, and intense family loyalty, Petra Vela Kenedy’s influence through her husband and her children left a legacy whose exploration is long overdue.
This book focuses on the themes of border violence; racial criminalization; competing hermeneutics of the sacred; and State-sponsored modes of desacralizing black and brown-bodied people, all in the context of the US-Mexico borderlands. It provides a much-needed substantive response to the State’s use of sacrilization to justify its acts of violence and offers new ways of theologizing the acceptance of the "other" in its place. As a counter-hermeneutic of the sacred, the ultimate objective of the book is to offer an alternative epistemological, theoretical and practical framework that resacralizes the other. Rejecting the State-driven agenda of othering border-crossers, it follows Gloria Anzaldúa’s healing move to the Sacred Other and creates a new hermeneutic of the sacred at the borderlands. One that resacralizes those deemed by the State as the non-sacred human other anywhere in the world. This is an important and topical book that addresses one of the key issues of our time. As such, it will be of keen interest to any scholar of Religious Studies and Liberation Theology as well as religion’s interaction with migration, race and contemporary politics.
Mexican Waves is the fascinating history of how borderlands radio stations shaped the identity of an entire region as they addressed the needs of the local population and fluidly reached across borders to the United States. In so doing, radio stations created a new market of borderlands consumers and worked both within and outside the constraints of Mexican and U.S. laws. Historian Sonia Robles examines the transnational business practices of Mexican radio entrepreneurs between the Golden Age of radio and the early years of television history. Intersecting Mexican history and diaspora studies with communications studies, this book explains how Mexican radio entrepreneurs targeted the Mexican population in the United States decades before U.S. advertising agencies realized the value of the Spanish-language market. Robles’s robust transnational research weaves together histories of technology, performance, entrepreneurship, and business into a single story. Examining the programming of northern Mexican commercial radio stations, the book shows how radio stations from Tijuana to Matamoros courted Spanish-language listeners in the U.S. Southwest and local Mexican audiences between 1930 and 1950. Robles deftly demonstrates Mexico’s role in creating the borderlands, adding texture and depth to the story. Scholars and students of radio, Spanish-language media in the United States, communication studies, Mexican history, and border studies will see how Mexican radio shaped the region’s development and how transnational listening communities used broadcast media’s unique programming to carve out a place for themselves as consumers and citizens of Mexico and the United States.
The sites from which postcolonial cultural articulations develop and the sites at which they are received have undergone profound transformations within the last decades. This book traces the accelerating emergence of cultural crossovers and overlaps in a global perspective and through a variety of disciplinary approaches. It starts from the premise that after the ‘spatial turn’ human action and cultural representations can no longer be grasped as firmly located in or clearly demarcated by territorial entities. The collection of essays investigates postcolonial articulations of various genres and media in their spatiality and locatedness while envisaging acts of location as dynamic cultural processes. It explores the ways in which critical spatial thinking can be made Productive: Testing the uses and limitations of ‘translocation’ as an open exploratory model for a critically spatialized postcolonial studies, it covers a wide range of cultural expressions from the anglophone world and beyond – literature, film, TV, photography and other forms of visual art, philosophy, historical memory, and tourism. The extensive introductory chapter charts various facets of spatial thinking from a variety of disciplines, and critically discusses their implications for postcolonial studies. The Contributors’ essays range from theoretical interventions into the critical routines of postcolonial criticism to case studies of specific cultural texts, objects, and events reflecting temporal and spatial, material and intellectual, physical and spiritual mobility. What emerges is a fascinating survey of the multiple directions postcolonial translocations can take in the future. This book is aimed at students and scholars of postcolonial literary and cultural studies, diaspora studies, migration studies, transnational studies, globalisation studies, critical space studies, urban studies, film studies, media studies, art history, philosophy, history, and anthropology. Contributors: Diana Brydon, Lars Eckstein, Paloma Fresno-Calleja, Lucia Krämer, Gesa Mackenthun, Thomas Martinek, Sandra Meyer, Therese-M. Meyer, Marga Munkelt, Lynda Ng, Claudia Perner, Katharina Rennhak, Gundo Rial y Costas, Markus Schmitz, Mark Stein, Silke Stroh, Kathy-Ann Tan, Petra Tournay-Theodotou, Daria Tunca, Jessica Voges, Roland Walter, Dirk Wiemann.
