An after-dinner walk in the moonlight leads to a series of confessions of first loves. That is until Jessop takes his turn and decries the notion of love itself. He speaks of a tragic affair between an old schoolfriend of his and an innocent Sinhalese girl, and so introduces the motif of these three stories - the incompatibility of East and West.
When sixteen-year-old Cynda goes to stay with her father and his second wife, Susan, at their remote bed-and-breakfast inn in Maine, everything starts off well despite legends about ghosts and a murder at the inn. But Cynda feels like a visitor in Dad's new life, an outsider. Then intense, handsome stranger Vincent Morthanos arrives at the inn and seems to return Cynda's interest. At first she is blind to the subtle, insistent signs that Vincent is not what he seems-that he is, in fact, a vampire. Can Cynda free herself-and her family-from Vincent's power before it's too late? Full-bodied characterizations and page-turning suspense ensure that this eerie, riveting novel will appeal to middle school fans of mystery and horror.
GOD (AND ELFLAND) SAVE THE QUEEN Peace reigns in Elfland. Incredibly, King Oberon and his exquisite but willful queen, Titania, are at peace with one another. But still the FarSeers of the Selieghe Court are uneasy. They fear trouble is coming to the mortal world of England, which is close to Elfhame Avalon. King Henry VIII is ageing but the futures shown when the FarSeers lift the great crystal lens are unchanged. The rule of the son Great Harry finally succeeded in begetting will bring gray lives and a misery of dull oppression to England. Worse will come if his eldest daughter comes to the throne--a queen warped by fanaticism who might easily summon the Inquisition to rule by torture and fire, burning out heresy ... and every bright aspect of life. The prize at the end of the rainbow is the possibility of a red-haired queen with lion-gold eyes, brilliant with interest and curiosity, welcoming the blossoming of art, music, and literature. But now the last image is flickering, edged in a dark menace. Years before, Prince Vidal had tried to seize the child Elizabeth and replace her with a simulacrum who would soon die. Vidal had been wounded almost to death in the attempt--but so also had Denoriel, Elizabeth's principal protector. Denoriel is now healing--but so, unbeknownst to those of the Bright Court, is Vidal. And when Vidal wakes to himself, his determination to hurl England into a new dark age is fiercer than ever, fueled by his fury over his defeat and injury. Also, his Dark Court feeds on human suffering and dark emotions. To ensure his own power, he must at all costs prevent Elizabeth from coming to the throne. To gain this goal, Vidal has set in motion a plan of which Denoriel and his comrades are dangerously unaware. . . . At the publisher's request, this title is sold without DRM (Digital Rights Management).
Rabbit waits for the moon. But the moon takes its time, so Rabbit hops back to his burrow and goes to sleep. What happens in the world when Rabbit isn’t looking? Well . . . magic. And moonlight. . . . The goats on the mountainside see it. The deer, birds, and raccoons see it. Even the fish see it. And finally, happily, Rabbit does, too. Do you?
Award-winning and USA Today bestselling author Lynn Kurland “consistently delivers the kind of stories readers dream about.”* Now, she pens a wonderfully romantic tale about an eight-hundred-year-old ghost and the modern woman who turns his plans for a peaceful afterlife upside down… When Victoria McKinnon’s brother offers to finance her production of Hamlet, she leaps at the chance. She can’t imagine anything better than staging Shakespeare’s masterpiece in an honest-to-goodness English castle. There’s just one problem: the place is haunted by a grumpy, gorgeous Highland warrior who’s furious that anyone dares to invade his home. Connor MacDougal has no intention of relinquishing his authority over Thorpewold castle to anyone, let alone a McKinnon. But when he catches a glimpse of the beautiful intruder, suddenly he can’t help but wonder why it’s taken eight hundred years into his afterlife to find the love of a lifetime… *The Oakland Press
Katherine Mansfield has been widely recognised as one of the key authors of her generation, continuing to influence literary modernism and the short story genre through her nomadic existence, colonial perspective, eclectic interests and impressive range of literary acquaintances. This volume utilises these seemingly endless avenues for critical exploration, analysing Mansfield’s influences, including the familial, historical and geographical as well as literary and artistic approaches. Some connections are well established and acknowledged, some controversial, many still undiscovered. This volume brings a fresh collection of original viewpoints on Katherine Mansfield’s life and work, both of which, in her own case, are frequently indistinguishable. It investigates her fascinating connection with Poland which is explored in a complex and detailed way for the first time; suggests new or revised views on her connections to other English and American writers; and finally examines some of the aspects of her writing process, her engagement with the arts, imagination, memories and her constructions of different kinds of space.
In this book the eminent psychoanalyst Leonard Shengold looks at why some people are resistant to change, even when it seems to promise a change for the better. Drawing on a lifetime of clinical experience as well as wide readings of world literature, Shengold shows how early childhood relationships with parents can lead to a powerful conviction that change means loss. Dr. Shengold, who is well known for his work on the lasting effects of childhood trauma and child abuse in such seminal books as Soul Murder and Soul Murder Revisited, continues his exploration into the consequences of early psychological injury and loss. In the examples of his patients and in the lives and work of such figures as Edna St. Vincent Millay, William Wordsworth, and Henrik Ibsen, Shengold looks at the different ways in which unconscious impressions connected with early experiences and fantasies about parents are integrated into individual lives. He shows the difficulties he’s encountered with his patients in raising these memories to the conscious level where they can be known and owned; and he also shows, in his survey of literary figures, how these memories can become part of the creative process. Haunted by Parents offers a deeply humane reflection on the values and limitations of therapy, on memory and the lingering effects of the past, and on the possibility of recognizing the promise of the future.
Maggie Holloway is unsatisfied with the explanation for her former stepmother's death, and when the residents of a nursing home begin dying suddenly and inexplicably she becomes suspicious. It is only later that she realizes she herself is a target for a twisted killer.