Witold Lutoslawski is widely regarded as one of the foremost composers of the post-war era and one of the truly great musicians of the 20th century. Charles Bodman Rae's examination of Lutoslawski's life and work draws on wide-ranging and meticulous research, including hours of recorded conversation with the composer himself. Now expanded for this third edition to include an additional chapter and many more photographs, The Music Of Lutoslawski is an absorbing study of the man and his music.
The writings of twentieth-century Polish composer Witold Lutoslawski reveal many important aspects of his approach to music and his viewpoints as an artist and as a man. In Lutoslawski on Music, the first full collection of writings by this famous composer, Zbigniew Skowron has amassed an exciting assortment of essays, speeches, lectures, and articles, many of which are newly translated in English and previously unpublished. After an introductory autobiography, the writings, grouped in five parts, illustrate various aspects of the composer's creativity, and discuss musical form, compositional technique, and perception. Lutoslawski examines his own works as well as those of other composers, and expresses his views on crucial aspects of twentieth-century music, including the role of Schoenberg and Debussy and the impact of the western avant-garde of the 1950s. The book also contains Lutoslawski's Artistic Diary, his "notebook of ideas" written from 1959 to 1984 containing intensely personal reflections that do not appear in his public speeches and writings. Concluding with a select bibliography, this collection will give readers a unique and comprehensive overview of the man and his music, encouraging a full appreciation of Lutoslawski's compositional technique and aesthetic views, as well as his position in the history of twentieth-century music.
A landmark volume which looks at the multifaceted spheres that informed the composer's life and works and represents a new departure in the study of his music. In this volume, for the first time, the world's leading Lutoslawski scholars consider the full range of his musical output and the biographical, cultural and historical contexts in which those musics were created. It contends that all of Lutoslawski's worlds are equally worthy of study, because each represents an opportunity better to understand the life and music of a figure of paramount importance to the critical and cultural history of twentieth-century music.
Lutoslawski Studies presents for the first time an overview of the great twentieth-century composer Witold Lutoslawski's works and his compositional style, focusing on areas such as the composer's aesthetics, the evolution of his style, and the compositional strategies which apply to broader periods of his creativity. The international team of contributors bring to this study the results of recent research, offering a broader approach that links many issues which have been treated selectively in former studies, as well as throwing new light on the essence of the composer's music and the way in which modern and traditional elements co-exist.
Many people will know something about the life of Lutosławski , but few know anything about Lutosławski the man. In this record of a unique series of conversations which took place in March 1973, Balint Andras Varga fills out the picture of the Polish composer - his life and career, his compositional methods, and his views on the contemporary music scene, all combine to present a fascinating portrait of Lutosławski , who holds a unique and individual place in music today.
