By showing that Joseph Heller was heavily influenced by the New Criticism and myth criticism that he studied in graduate school, this book discloses that Catch-22 is a faithful and inclusive retelling of the ancient epic of Gilgamesh, much as Joyce's Ulysses famously recapitulates Homer's Odyssey. This book shows that what previous critics have understood to be characteristics of the absurdist and Black Humor influence are derived from Heller's faithfulness to the Babylonian text itself. The study details Heller's use of a mystical and Jungian framework to portray the individuation of a modern hero through his struggles with the mythic and archetypal forces of irrationalism as they are manifested in modern civilization. Revealing that Heller's conception is religious and mystical, this book explores Heller's use of T. S. Eliot's mythic method and the experimental techniques of Joyce's Finnegans Wake. The themes of race, homosexuality, individuation, sado-masochism, and modernity are dealt with at length.
THROUGHOUT ERICA HELLER’S LIFE, when people learned that Joseph Heller was her father, they often remarked, “How terrific!” But was there a catch? Like his most famous work, her father was a study in contradictions: eccentric, brilliant, and voracious, but also mercurial, competitive, and stubborn, with a love of mischief that sometimes cut too close to the bone. Being raised by such a larger than- life personality could be claustrophobic, even at the sprawling Upper West Side apartments of the Apthorp, which the Hellers called home—in one way or another—for forty-five years. Yossarian Slept Here is Erica Heller’s wickedly funny but also poignant and incisive memoir about growing up in a family—her iconic father; her wry, beautiful mother, Shirley; her younger brother, Ted; her relentlessly inventive grandmother Dottie—that could be by turns caring, infuriating, and exasperating, though anything but dull. From the forbidden pleasures of ordering shrimp cocktail when it was beyond the family’s budget to spending a summer, as her father’s fame grew, at the Beverly Hills Hotel, Erica details the Hellers’ charmed—and charmingly turbulent— trajectory. She offers a rare glimpse of meetings with the Gourmet Club, where her father would dine weekly with Mel Brooks, Zero Mostel, and Mario Puzo, among others (and from which all wives and children were strictly verboten). She introduces us to many extraordinary residents of the Apthorp, some famous—George Balanchine, Sidney Poitier, and Lena Horne, to name a few—and some not famous, but all quite memorable. Yet she also manages to limn the complex bonds of loyalty and guilt, hurt and healing, that define every family. Erica was among those present at her father’s bedside as he struggled to recover from Guillain-Barré syndrome and then cared for her mother when Shirley was diagnosed with terminal cancer after the thirty-eight-year marriage and intensely passionate partnership with Joe had ended. Witty and perceptive, and displaying the descriptive gifts of a born storyteller, this authentic and colorful portrait of life in the Heller household unfolds alongside the saga of the family’s moves into four distinctive apartments within the Apthorp, each representing a different phase of their lives together—and apart. It is a story about achieving a dream; about fame and its aftermath; about lasting love, squandered opportunities, and how to have the best meal in Chinatown.
A Study Guide for Joseph Heller's "Catch-22," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
The real-life companion to the literary classic—written and illustrated by the daughter of the 340th Bomb Group’s commander, Catch-22’s Col. Cathcart. After the publication of his bestselling novel Catch-22, Joseph Heller usually chose to deny that any of his richly drawn characters were based on his actual war mates. However, to those who served with Heller in the 340th Bomb Group, the novel’s characters were indeed recognizable—the hard-drinking, vengeful, and disillusioned Chief White Halfoat; young, sliced-in-half Kid Sampson; shrieking, frenzied Hungry Joe; Col. Cathcart; Gen. Dreedle; Yossarian; and that capitalist supreme, Milo Minderbinder. In this book, written and colorfully illustrated by the daughter of the 340th Bomb Group’s commander, Col. Willis Chapman, we finally encounter the real men and combat missions on which the novel was based. While Heller’s fully developed characters stand solely, solidly, and uniquely on their own merits, The True Story of Catch-22 proves that any resemblance to persons living or dead is, in fact, actual. This three-part book blends fact, fancy, and history with full-blown original illustrations and rare, previously unpublished photos of these daring USAAF flyers and their Corsica-based B-25 Mitchell. Along with descriptions of the 340th’s real wartime experiences, the work includes twelve men of the Bomb Group relating richly told tales of their own. “In these pages it is a great pleasure to finally see the real story behind the fictionalized account, and to be even more impressed.” —Scott Carpenter, NASA astronaut “Heller’s satiric caricatures are here shown to have stemmed from patriotic, courageous, highly decorated airmen who daily performed heroic wartime feats against overwhelming obstacles.” —Library Journal
Bob Slocum was living the American dream. He had a beautiful wife, three lovely children, a nice house...and all the mistresses he desired. He had it all -- all, that is, but happiness. Slocum was discontent. Inevitably, inexorably, his discontent deteriorated into desolation until...something happened. Something Happened is Joseph Heller's wonderfully inventive and controversial second novel satirizing business life and American culture. The story is told as if the reader was overhearing the patter of Bob Slocum's brain -- recording what is going on at the office, as well as his fantasies and memories that complete the story of his life. The result is a novel as original and memorable as his Catch-22.
A darkly comic and ambitious sequel to the American classic Catch-22. In Closing Time, Joseph Heller returns to the characters of Catch-22, now coming to the end of their lives and the century, as is the entire generation that fought in World War II: Yossarian and Milo Minderbinder, the chaplain, and such newcomers as little Sammy Singer and giant Lew, all linked, in an uneasy peace and old age, fighting not the Germans this time, but The End. Closing Time deftly satirizes the realities and the myths of America in the half century since WWII: the absurdity of our politics, the decline of our society and our great cities, the greed and hypocrisy of our business and culture -- with the same ferocious humor as Catch-22. Closing Time is outrageously funny and totally serious, and as brilliant and successful as Catch-22 itself, a fun-house mirror that captures, at once grotesquely and accurately, the truth about ourselves.
The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. CliffsNotes on Catch-22 takes you into this unforgettable novel that is full of satire, exaggeration, grotesque and comic caricatures, and telling allusions. Heller’s main characters are two Jewish boys from Brooklyn at the end of World War II – one from an orthodox family, one from a secular background. The growing friendship between the boys reflects the tensions within American society. With this study guide, you’ll be able to follow the unique structure of the novel and supplement your reading with insights into the life and background of author Joseph Heller. Other features that help you study include Life and background of the author Character analyses of major players A character map that graphically illustrates the relationships among the characters Critical essays Review questions Classic literature or modern modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.
The long-awaited second novel by the author of “arguably the most exciting debut novel of the decade: The Last Samurai.” (Sam Anderson, New York). “All I want is to be a success. That’s all I ask.” Joe fails to sell a single set of the Encyclopedia Britannica in six months. Then fails to sell a single Electrolux and must eat 126 pieces of homemade pie, served up by his would-be customers who feel sorry for him. Holed up in his trailer, Joe finds an outlet for his frustrations in a series of ingenious sexual fantasies, and at last strikes gold. His brainstorm, Lightning Rods, Inc., will take Joe to the very top — and to the very heart of corporate insanity — with an outrageous solution to the spectre of sexual harassment in the modern office. An uproarious, hard-boiled modern fable of corporate life, sex, and race in America, Helen DeWitt’s Lightning Rods brims with the satiric energy of Nathanael West and the philosophic import of an Aristophanic comedy of ideas. Her wild yarn is second cousin to the spirit of Mel Brooks and the hilarious reality-blurring of Being John Malkovich. Dewitt continues to take the novel into new realms of storytelling — as the timeliness of Lightning Rods crosses over into timelessness.
Seminar paper from the year 2003 in the subject American Studies - Literature, grade: 1,3, University of Freiburg (Englisches Seminar), course: Hauptseminar "American War Novel", language: English, abstract: The topic of this research paper is the absurd in Joseph Heller’s Catch-22. In the course of this paper I will show that Catch-22 belongs to the Literature of the Absurd, that Heller writes in the tradition of the absurd and that he uses absurdist techniques to describe his novel’s absurd and disjointed world. Yet the novel’s absurd vision differs radically from other literature of the absurd because instead of accepting the universe as absurd, Heller protests against the absurdity he describes. To support my thesis I will examine definitions and features of the Theatre of the Absurd and of the Literature of the Absurd and compare them to Catch-22. I will analyze the novel’s absurdist vision by looking at the absurdity of war, the absurdity of bureaucracy, absurdity of capitalism and at the famous catch-22. Further I will examine the failure of communication and the novel’s structure. To come to a valid conclusion I will then analyze the significance of absurdity in Catch-22. The Literature of the Absurd has its roots in the Theatre of the Absurd and the absurdist movement that emerged after World War II as a rebellion against traditional values and literature. Before the war it was commonly thought that man was a fairly rational creature who lives in an at least partly intelligible universe. It was believed that man was able to show heroism and dignity even in defeat. After the war then there was the tendency to view man as isolated and the universe as possessing no inherent truth, value or meaning. Jean Paul Sartre and Albert Camus, for example viewed the human being as an isolated existent who is cast into an alien universe, to conceive the universe as possessing no inherent truth, value or meaning, and to represent human life – in its fruitless search for purpose and meaning, as it moves in the nothingness whence it came toward the nothingness where it must end – as an existence which is both anguished and absurd.1 1 M. H. Abrahms. A Glossary of Literary Terms. 7th Edition, 1999. p. 1
