Marvelous Images

Marvelous Images

Author: Kendall Walton

Publisher: Oxford University Press

Published: 2008-04-23

Total Pages: 265

ISBN-13: 0199720908

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The twelve essays by Kendall Walton in this volume address a broad range of theoretical issues concerning the arts. Many of them apply to the arts generally-to literature, theater, film, music, and the visual arts-but several focus primarily on pictorial representation or photography. In "'How Marvelous!': Toward a Theory of Aesthetic Value" Walton introduces an innovative account of aesthetic value, and in this and other essays he explores relations between aesthetic value and values of other kinds, especially moral values. Two of the essays take on what has come to be called imaginative resistance-a cluster of puzzles that arise when works of fiction ask us to imagine or to accept as true in a fiction moral propositions that we find reprehensible in real life. "Transparent Pictures", Walton's classic and controversial account of what is special about photographic pictures, is included, along with a new essay on a curious but rarely noticed feature of photographs and other still pictures-the fact that a depiction of a momentary state of an object in motion allows viewers to observe that state, in imagination, for an extended period of time. Two older essays round out the collection-another classic, "Categories of Art", and a less well known essay, "Style and the Products and Processes of Art", which examines the role of appreciators' impressions of how a work of art came about, in understanding and appreciation. None of the reprinted essays is abridged, and new postscripts have been added to several of them.


How to Study Art Worlds

How to Study Art Worlds

Author: Hans van Maanen

Publisher: Amsterdam University Press

Published: 2009

Total Pages: 314

ISBN-13: 9089641521

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Hans van Maanen is professor of art and society at the Department of Arts, Culture & Media Studies of the University of Groningen, the Netherlands.


Investigations Into the Phenomenology and the Ontology of the Work of Art

Investigations Into the Phenomenology and the Ontology of the Work of Art

Author: Peer F. Bundgaard

Publisher: Springer

Published: 2015-06-22

Total Pages: 261

ISBN-13: 3319140906

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​This book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.


Aesthetic Experiences and Classical Antiquity

Aesthetic Experiences and Classical Antiquity

Author: Jonas Grethlein

Publisher: Cambridge University Press

Published: 2017-11-02

Total Pages: 317

ISBN-13: 110719265X

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This book investigates the nature of aesthetic experience with the help of ancient material, exploring our responses to both narratives and images.


The Palgrave Handbook of the Philosophy of Film and Motion Pictures

The Palgrave Handbook of the Philosophy of Film and Motion Pictures

Author: Noël Carroll

Publisher: Springer Nature

Published: 2019-10-30

Total Pages: 1047

ISBN-13: 3030196011

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This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.


Aesthetics as Philosophy of Perception

Aesthetics as Philosophy of Perception

Author: Bence Nanay

Publisher: Oxford University Press

Published: 2016

Total Pages: 227

ISBN-13: 0199658447

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Bence Nanay explores how many influential debates in aesthetics look very different, and may be easier to tackle, if we clarify the assumptions they make about perception and experience. He focuses on the ways in which the distinction between distributed and focused attention can help us re-evaluate various key concepts and debates in aesthetics.