Morgan Stark Hanlon is introduced to love in the ticket office at the University of Tulsa. Addison Paine, her lover, leaves for law school in the Northeast and life becomes very difficult for Morgan but she handles it as best she can. Eight years later Addison Paine appears outside the doorway of a classroom at TU where Morgan is teaching. After some discussion, Morgan and Addison can't seem to help themselves. Before long, they are back in that very same room behind the ticket office doing what they used to do. A STADIUM KING OF LOVE is a gripping story of how two confused, misinformed people find each other and finally learn to trust their love for each other once again. And no...it's not about football at all. Sex and romance are the only things that go on in the TU stadium with these two folks.
Triumphant wins, gut-wrenching losses, last-second shots, underdogs, competition, and loyalty—it’s fun to be a fan. But when a football player takes a hit to the head after yet another study has warned of the dangers of CTE, or when a team whose mascot was born in an era of racism and bigotry takes the field, or when a relief pitcher accused of domestic violence saves the game, how is one to cheer? Welcome to the club for sports fans who care too much. In Loving Sports When They Don’t Love You Back, acclaimed sports writers Jessica Luther and Kavitha A. Davidson tackle the most pressing issues in sports, why they matter, and how we can do better. For the authors, “sticking to sports” is not an option—not when our taxes are paying for the stadiums, and college athletes aren’t getting paid at all. But simply quitting a favorite team won’t change corrupt and deplorable practices, and the root causes of many of these problems are endemic in our wider society. An essential read for modern fans, Loving Sports When They Don’t Love You Back challenges the status quo and explores how we might begin to reconcile our conscience with our fandom.
When Ruby Mullen took the job as the public relations director of the Valley Falls Strikers, her only concern was working with professional athletes. She despised them. Turns out, the guys on the team were amazing. Well, except one guy. Dallas Ramos. He irritated her. Drove her crazy. His partying ways and womanizing were exactly why she hated athletes. Never mind that it seemed like he’d made a change in his life. Tigers didn’t change their stripes. As the star midfielder for the Strikers, Dallas was used to hard work. He had no problem knocking a guy out of the way, or sliding to take the ball away. His life off the field was different. He could walk into a bar and he’d have women flocking to his side. He didn’t have to work for them. Or at least he used to have them flocking to his side. That was before. Before he decided he wanted more out of life than one-night stands and women who didn’t understand him. Enter. Ruby Mullen. She was constantly on him about something, yelling and arguing with him whenever they were in the same room. Somehow, that turned him on. He wanted her and it was time to do something about it.
American cities have experienced a remarkable surge in convention center development over the last two decades, with exhibit hall space growing from 40 million square feet in 1990 to 70 million in 2011—an increase of almost 75 percent. Proponents of these projects promised new jobs, new private development, and new tax revenues. Yet even as cities from Boston and Orlando to Phoenix and Seattle have invested in more convention center space, the return on that investment has proven limited and elusive. Why, then, do cities keep building them? Written by one of the nation's foremost urban development experts, Convention Center Follies exposes the forces behind convention center development and the revolution in local government finance that has privileged convention centers over alternative public investments. Through wide-ranging examples from cities across the country as well as in-depth case studies of Chicago, Atlanta, and St. Louis, Heywood T. Sanders examines the genesis of center projects, the dealmaking, and the circular logic of convention center development. Using a robust set of archival resources—including internal minutes of business consultants and the personal papers of big city mayors—Sanders offers a systematic analysis of the consultant forecasts and promises that have sustained center development and the ways those forecasts have been manipulated and proven false. This record reveals that business leaders sought not community-wide economic benefit or growth but, rather, to reshape land values and development opportunities in the downtown core. A probing look at a so-called economic panacea, Convention Center Follies dissects the inner workings of America's convention center boom and provides valuable lessons in urban government, local business growth, and civic redevelopment.
This book is an introduction to three questions on love according to St. Thomas Aquinas (Summa Theologiae I?II, qq. 26?28). These three questions reflect on the nature of love (q. 26), the causes of love (q. 27), and the effects of love (q. 28). It is thus an introduction to the entire phenomenon of love, both as a bodily passion and an act of the will. The purpose is to present the Thomistic and broadly scholastic account of human and divine love from a philosophical and theological perspective. It aims to be a theological and philosophical study of the topic, useful both for a graduate/professional audience, as part of an undergraduate or graduate course, and perhaps for the educated reader. The thesis of the book is that, contrary to contemporary conceptions, not all loves are created equal. Some loves perfect us and some loves corrupt us. The worth of a love depends on its object and end. St. Thomas thus presents an objective and teleological account of human and divine love that is of philosophical and theological interest. The method is broadly exegetical, presenting a careful reading of the text and supplying the philosophical and theological background which the text of Aquinas assumes. The scope of the work is limited to three questions (ST I?II, qq. 26?28). References to interpretative disputes of Aquinas and references to further resources in the secondary literature will be mostly limited to the footnotes, making the body of the text accessible to more readers.
In the half-century since its birth, as Sports Illustrated grew from a struggling start-up to America's preeminent sports magazine, one thing has remained constant: the commitment to great storytelling. That part of the magazine's mission has always been easy to define: Identify the most compelling sports stories of our time and get the best writers in the business to tell them. This book brings together a lineup of writing talent worthy of the Hall of Fame and the classic stories they produced for Sports Illustrated over the past 50 years. Many of the writers whose work is collected here are longtime favorites of SI readers (Frank Deford, Rick Reilly, Steve Rushin, Gary Smith). Others are former SI staffers or contributors who left the fold, but not before making an indelible mark on SI's history (Dan Jenkins, Rick Telander, Mark Kram, Roy Blount Jr., William Nack). There are celebrated journalists (A.J. Liebling, Jimmy Breslin, George Plimpton), screenwriters (Budd Schulberg and Kenny Moore), renowned novelists (Thomas McGuane, Pete Dexter, Wallace Stegner, Don DeLillo) and even a couple of Nobel Prize winners in literature (William Faulkner and John Steinbeck). The stories themselves are a mirror of our times. Included in this volume are accounts of some of the most memorable athletic feats of our era (Secretariat's Belmont victory, the Thrilla in Manila, and Bobby Thomson's shot heard round the world). Profiles of the towering athletic figures of our time (Bill Russell and Wilt Chamberlain, Ted Williams and Johnny Unitas). Good guys (Yogi Berra and Harry Caray) and bad guys (Sonny Liston and Mike Tyson). The fast (Roger Bannister) and the furious (Dick Butkus). The ridiculous (Howard Cosell) and the sublime (Josh Gibson). And the stories that simply touch our hearts and inspire us (Frank Deford's masterpiece on light heavyweight champ Billy Conn). This is the very best of the world's best sports magazine ¾ and it just doesn't get any better than that.
A poem is often read as a set of formal, technical, and conventional devices that generate meaning or affect. However, Lucy Alford suggests that poetic language might be better understood as an instrument for tuning and refining the attention. Identifying a crucial link between poetic form and the forming of attention, Alford offers a new terminology for how poetic attention works and how attention becomes a subject and object of poetry. Forms of Poetic Attention combines close readings of a wide variety of poems with research in the philosophy, aesthetics, and psychology of attention. Drawing on the work of a wide variety of poets such as T. S. Eliot, Wallace Stevens, Frank O’Hara, Anne Carson, Theresa Hak Kyung Cha, Harryette Mullen, Al-Khansā’, Rainer Maria Rilke, Arthur Rimbaud, and Claudia Rankine, Alford defines and locates the particular forms of attention poems both require and produce. She theorizes the process of attention-making—its objects, its coordinates, its variables—while introducing a broad set of interpretive tools into the field of literary studies. Forms of Poetic Attention makes the original claim that attention is poetry’s primary medium, and that the forms of attention demanded by a poem can train, hone, and refine our capacities for perception and judgment, on and off the page.
REVISED & EXPANDED 2ND EDITION The Queen Chronology is a comprehensive account of the studio and live recording and release history of Freddie Mercury, Brian May, John Deacon and Roger Taylor, who joined forces in 1971 as the classic line-up of the rock band Queen. Years of extensive research have gone into the creation of the Chronology, which covers the very beginnings of band members' careers, their earliest songwriting efforts and recording sessions, through the recording and releasing of Queen's 15 original studio albums with their classic line-up, to the present-day solo careers of Brian May and Roger Taylor. All of this information is presented date by date in chronological order, with detailed descriptions of each song version, including those both released and known to be unreleased. Every Queen and solo album, single, non-album track, edit, remix and extended version is examined, as are known demos or outtakes, pre-Queen recordings and guest appearances.
