“The fascinating and little-known tale of the Lower East Side squatters of the Eighties . . . a radical, European-inspired housing movement” (The Village Voice). Though New York’s Lower East Side today is home to high-end condos and hip restaurants, it was for decades an infamous site of blight, open-air drug dealing, and class conflict—an emblematic example of the tattered state of 1970s and ’80s Manhattan. Those decades of strife, however, also gave the Lower East Side something unusual: a radical movement that blended urban homesteading and European-style squatting in a way never before seen in the United States. Ours to Lose tells the oral history of that movement through a close look at a diverse group of Lower East Side squatters who occupied abandoned city-owned buildings in the 1980s, fought to keep them for decades, and eventually began a long, complicated process to turn their illegal occupancy into legal cooperative ownership. Amy Starecheski here not only tells a little-known New York story, she also shows how property shapes our sense of ourselves as social beings and explores the ethics of homeownership and debt in post-recession America. “There are many books about the Lower East Side and its recent transformation, yet none has included engagement or oral history with primary organizers in the way Starecheski has. Ours to Lose is a unique and substantive contribution to our understanding of a most distinct practice in the shaping of urban space.” —Metropolitiques “What is significant is that the author demonstrates how some New Yorkers addressed the housing crisis in an unconventional manner. Recommended.” —Choice
"This Study of the Early American conservation movement reveals the hidden history of three of the nation's first parks: the Adirondacks, Yellowstone, and the Grand Canyon. Karl Jacoby traces the effects that the criminalization of such traditional rural practices as hunting, fishing, and foraging had on country people in these areas. Despite the presence of new environmental regulations, poaching arson, and timber stealing became widespread among the Native Americans, poor whites, and others who had long relied on the natural resources now contained within conservation areas. Jacoby reassesses the nature of these "crimes," providing a rich and multifaceted portrayal of rural people and their relationship with the natural world in the late nineteenth and early twentieth centuries." "Crimes against Nature includes previously unpublished historical photographs depicting such subjects as poachers in Yellowstone and a Native American "squatters' camp" at the Grand Canyon. This study demonstrates the importance of considering class for understanding environmental history and opens a new perspective on the social history of rural and poor people a century age."--Jacket of 2001 edition
Mark Twain and the Art of the Tall Tale is a study of a peculiar American comic strategy and its role in Mark Twain's fiction. Focusing on the writer's experiments with narrative structure, Wonham describes how Twain manipulated conventional approaches to reading and writing by engaging his audience in a series of rhetorical games--the rules of which he adapted from the conventions of tall tale in American oral and written traditions. Wonham goes on to show how Twain's appropriation of the genre developed through the course of his career, from The Innocents Abroad to Tom Sawyer, Huck Finn, and Pudd'nhead Wilson. This eminently readable study will interest Twain enthusiasts and students of nineteenth-century American literature, as well as anyone interested in American humor and oral narrative traditions.
Howard Phillips Lovecraft (1890–1937) was an American writer of supernatural horror fiction. Though his works remained largely unknown and did not furnish him with a decent living, Lovecraft is today considered to be among the most significant writers of supernatural horror fiction of the twentieth century. This book contains a collection of Lovecraft's best and most chilling horror short stories, including the seminal “The Call of Cthulhu”. A fantastic collection of terrifying tales not to be missed by lovers of classic horror fiction. Contents: “Dagon”, “The Outsider”, “The Dunwich Horror”, “The Colour out of Space”, “The Lurking Fear”, “At The Mountain of Madness”, “The Shadow out of Time”, “The Shadow Over Innsmouth”, “The Whisperer in Darkness”, and more. The perfect collection for horror lovers and fans of Lovecraft's terrifying fiction. Read & Co. is publishing this classic collection of short stories as part of our “Fantasy and Horror Classics” imprint in a new edition complete with a dedication by George Henry Weiss.
H.P. Lovecraft is a master of horror – and in this compilation of stories the reader gets a chance to meet some of Lovecraft's most memorable characters. In ‘The Alchemist’ we meet Count Antoine de C who tells about the curse of his family – due to the curse everyone is expected to die before the age of 32. In ‘Dagon’ the protagonist is addicted to morphine because of the terrible things that happened to him on a ghost island. In ‘Facts Concerning the Late Arthur Jermyn and His Family’ Arthur Jermyn tells about his strange family – and the madness that was in all Jermyns. The collection includes 100 horrific short stories. H.P. Lovecraft (1890–1937) was an American horror writer. His best known works include ‘The Call of Cthulhu’ and ‘the Mountains of Madness’. Most of his work was originally published in pulp magazines, and Lovecraft rose into fame only after his death at the age of 46. He has had a great influence in both horror and science fiction genres.
An extensive collection of H.P. Lovecraft’s greatest works of horror and dread, from his early stories to his major classics like “The Call of Cthulhu,” “The Shadow Over Innsmouth,” and At the Mountains of Madness In this Library of America volume, the best-selling novelist Peter Straub brings together the very best of H. P. Lovecraft's fiction in a treasury guaranteed to bring fright and delight both to longtime fans and to readers new to his work. Early stories such as “The Outsider,” “The Music of Erich Zann,” “Herbert West–Reanimator,” and “The Lurking Fear” demonstrate Lovecraft's uncanny ability to blur the distinction between reality and nightmare, sanity and madness, the human and non-human. “The Horror at Red Hook” and “He” reveal the fascination and revulsion Lovecraft felt for New York City; “Pickman's Model” uncovers the frightening secret behind an artist's work; “The Rats in the Walls” is a terrifying descent into atavistic horror; and “The Colour Out of Space” explores the eerie impact of a meteorite on a remote Massachusetts valley. In such later works as “The Call of Cthulhu,” “The Whisperer in Darkness,” “At the Mountains of Madness,” “The Shadow Over Innsmouth,” and “The Shadow Out of Time,” Lovecraft developed his own nightmarish mythology in which encounters with ancient, pitiless extraterrestrial intelligences wreak havoc on hapless humans who only gradually begin to glimpse “terrifying vistas of reality, and our frightful position therein.” Moving from old New England towns haunted by occult pasts to Antarctic wastes that disclose appalling secrets, Lovecraft's tales continue to exert a dread fascination. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
WIKIPEDIA says: 'H.P. Lovecraft's reputation has grown tremendously over the decades, and he is now commonly regarded as one of the most important horror writers of the 20th century, exerting an influence that is widespread, though often indirect.' H.P. Lovecraft's tales of the tentacled Elder God Cthulhu and his pantheon of alien deities were initially written for the pulp magazines of the 1920s and '30s. These astonishing tales blend elements of horror, science fiction and cosmic terror that are as powerful today as they were when they were first published. This electronic tome collects together Lovecraft's tales of terror, including the complete Cthulhu Mythos cycle, just the way they were originally published. It will introduce a whole new generation of readers to Lovecraft's fiction, as well as being a must-buy for those fans who want all his work in a single, definitive volume.
DigiCat presents to you this unique Halloween collection with carefully picked out horror classics, gothic novels, ghost stories and supernatural tales. H. P. Lovecraft: The Dunwich Horror From Beyond The Tomb Bram Stoker: Dracula The Jewel of Seven Stars Dracula's Guest The Chain of Destiny Edgar Allan Poe: The Cask of Amontillado The Pit and the Pendulum The Masque of the Red Death The Black Cat Mary Shelley: Frankenstein The Mortal Immortal Arthur Machen: The Great God Pan The Hill of Dreams William Hope Hodgson: The Ghost Pirates The Night Land Algernon Blackwood: The Willows The Wendigo The Damned Sheridan Le Fanu: Carmilla Uncle Silas The Dead Sexton M. R. James: Ghost Stories of an Antiquary A Thin Ghost Washington Irving: The Legend of Sleepy Hollow Rip Van Winkle E. F. Benson: The Thing in the Hall The Terror by Night Wilkie Collins: The Haunted Hotel The Dead Secret Arthur Conan Doyle: The Hound of the Baskervilles The Silver Hatchet The Beetle Hunter The Japanned Box Charles Dickens: The Hanged Man's Bride The Ghosts of the Mail The Haunted House The Mortals in the House To Be Read At Dusk Henry James: The Turn of the Screw Owen Wingrave The Ghostly Rental Rudyard Kipling: The Phantom Rickshaw My Own True Ghost Story At The End of the Passage Robert Louis Stevenson: Jekyll and Hyde The Body-Snatcher Robert E. Howard: Beyond the Black River Devil in Iron People of the Dark Nathaniel Hawthorne: Rappaccini's Daughter The Birth Mark Dr. Heidegger's Experiment Ambrose Bierce: Can Such Things Be? Present at a Hanging Some Haunted Houses Grant Allen: The Reverend John Creedy My New Year's Eve among the Mummies James Rymer: Sweeney Todd Frederick Marryat: The Phantom Ship The Were-Wolf Fred M. White: Powers of Darkness The Doom of London John Polidori: The Vampyre Richard Marsh: The Beetle Tom Ossington's Ghost F. Marion Crawford: The Screaming Skull The Doll's Ghost Eleanor M. Ingram: The Thing from the Lake Marie Corelli: The Sorrows of Satan J. Meade Falkner: Moonfleet Thomas Reid: The Headless Horseman George Viereck: The House of the Vampire
James Fenimore Cooper's WESTERN CLASSICS Ultimate Collection is a literary treasure that consists of 11 novels in one volume, showcasing the author's mastery in the historical romance genre. Known for his vivid descriptions of the American wilderness and complex characters, Cooper's Leatherstocking Tales transport readers to the frontier of early America, exploring themes of nature, culture clash, and morality. The omnibus also includes lesser-known works like The Littlepage Manuscripts Series and The Wept Of Wish-Ton-Wish, providing a comprehensive view of Cooper's contribution to American literature. With his rich prose and engaging storytelling, Cooper crafts an immersive reading experience that stands the test of time. Fans of classic American literature and historical fiction will be captivated by the depth and authenticity of Cooper's narratives.