In the immediate aftermath of the Civil War, the North assumed significant power to redefine the South, imagining a region rebuilt and modeled on northern society. The white South actively resisted these efforts, battling the legal strictures of Reconstruction on the ground. Meanwhile, white southern storytellers worked to recast the South's image, romanticizing the Lost Cause and heralding the birth of a New South. Prince argues that this cultural production was as important as political competition and economic striving in turning the South and the nation away from the egalitarian promises of Reconstruction and toward Jim Crow.
From celebrated New York Times bestselling author and winner of the Pulitzer Prize, Rick Bragg, comes a poignant and wryly funny collection of essays on life in the south. Keenly observed and written with his insightful and deadpan sense of humor, he explores enduring Southern truths about home, place, spirit, table, and the regions' varied geographies, including his native Alabama, Cajun country, and the Gulf Coast. Everything is explored, from regional obsessions from college football and fishing, to mayonnaise and spoonbread, to the simple beauty of a fish on the hook. Collected from over a decade of his writing, with many never-before-published essays written specifically for this edition, My Southern Journey is an entertaining and engaging read, especially for Southerners (or feel Southern at heart) and anyone who appreciates great writing.
Edward L. Ayers monumental history, Promise of the New South, was praised by the eminent historian Bertram Wyatt-Brown as "A work of frequently stunning beauty," who added "The elegance and sensitivity that he achieves are typical of few historical works." Winner of the James A. Rawley Prize for Best Book on American Race Relations from the Organization of American Historians, and the Frank Lawrence Owsley and Harriett Chappell Owsley Award from the Southern Historical Association, and finalist for the 1992 National Book Award, the 1992 Pulitzer Prize for History, and the 1993 Southern Book Award, Promise of the New South established Ayers as one of the foremost scholars of the American South. Now, in this newly revised edition, Ayers has distilled this remarkable work to offer an even more readable account of the New South. Ranging from the Georgia coast to the Tennessee mountains, from the power brokers to tenant farmers, Ayers depicts a land of startling contrasts--a time of progress and repression, of new industries and old ways. Ayers takes us from remote Southern towns, revolutionized by the spread of the railroads, to the statehouses where Democratic "Redeemers" swept away the legacy of Reconstruction; from the small farmers, trapped into growing nothing but cotton, to the new industries of Birmingham; from abuse and intimacy in the family to tumultuous public meetings of the prohibitionists. He explores every aspect of society, politics, and the economy, detailing the importance of each in the emerging New South. Here is the local Baptist congregation, the country store, the tobacco-stained second-class railroad car, the rise of Populism: the teeming, nineteenth-century South comes to life in these pages. And central to the entire story is the role of race relations, from alliances and friendships between blacks and whites to the spread of Jim Crow laws and disenfranchisement. Ayers weaves all these details into the contradictory story of the New South, showing how the region developed the patterns it was to follow for the next fifty years. A vivid portrait of a society undergoing the sudden confrontation of the promises, costs, and consequences of modern life, this is an unforgettable account of the New South--a land with one foot in the future and the other in the past.
Our Southern Souls is a collection of 177 interviews of strangers that I approached on streets all across the southern United States. Each story feels like an honest conversation. Readers of Our Southern Souls have told me they've discovered a part of themselves in a story or found comfort and encouragement in reading about shared experiences or emotions. In the six years since starting this project, I have learned that the faces and places might change, but two things remain constant: everyone has a story to tell, and all of us need to know our life matters.
This book is an examination of a southern white family's relations with people of color in the United States from about 1650 to the present. Part autobiography, part social history, we were slaveowners, Confederate soldiers, Klansmen, and responsible for at least one lynching. During the last two generations we befriended Nisei during World War II, and since then have been increasingly active in Civil Rights in the South and Southwest (e.g., the Sanctuary Movement and Humane Borders). The book can therefore be viewed as an account of sin and redemption, especially since the author has moved from a history of alcoholism and violence to membership in the Presbyterian Church, US.
Leelee Satterfield's efforts to run a new restaurant with Peter are challenged by her unpredictable friends, a male dog named Roberta, and the return of Leelee's notorious ex-husband.
One of America's great novelists, William Faulkner was a writer deeply rooted in the American South. In works such as The Sound and the Fury, As I Lay Dying, Light in August, and Absalom, Absalom! Faulkner drew powerfully on Southern themes, attitudes, and atmosphere to create his own world and place--the mythical Yoknapatawpha County--peopled with quintessential Southerners such as the Compsons, Sartorises, Snopes, and McCaslins. Indeed, to a degree perhaps unmatched by any other major twentieth-century novelist, Faulkner remained at home and explored his own region--the history and culture and people of the South. Now, in William Faulkner and Southern History, one of America's most acclaimed historians of the South, Joel Williamson, weaves together a perceptive biography of Faulkner himself, an astute analysis of his works, and a revealing history of Faulkner's ancestors in Mississippi--a family history that becomes, in Williamson's skilled hands, a vivid portrait of Southern culture itself. Williamson provides an insightful look at Faulkner's ancestors, a group sketch so brilliant that the family comes alive almost as vividly as in Faulkner's own fiction. Indeed, his ancestors often outstrip his characters in their colorful and bizarre nature. Williamson has made several discoveries: the Falkners (William was the first to spell it "Faulkner") were not planter, slaveholding "aristocrats"; Confederate Colonel Falkner was not an unalloyed hero, and he probably sired, protected, and educated a mulatto daughter who married into America's mulatto elite; Faulkner's maternal grandfather Charlie Butler stole the town's money and disappeared in the winter of 1887-1888, never to return. Equally important, Williamson uses these stories to underscore themes of race, class, economics, politics, religion, sex and violence, idealism and Romanticism--"the rainbow of elements in human culture"--that reappear in Faulkner's work. He also shows that, while Faulkner's ancestors were no ordinary people, and while he sometimes flashed a curious pride in them, Faulkner came to embrace a pervasive sense of shame concerning both his family and his culture. This he wove into his writing, especially about sex, race, class, and violence, psychic and otherwise. William Faulkner and Southern History represents an unprecedented publishing event--an eminent historian writing on a major literary figure. By revealing the deep history behind the art of the South's most celebrated writer, Williamson evokes new insights and deeper understanding, providing anyone familiar with Faulkner's great novels with a host of connections between his work, his life, and his ancestry.
Witness a young man's battles of mind, heart and soul and follow his coming-of-age journey from selfishness to true sacrifice and from recklessness toward redemption in this contemporary southern fiction novel meant to reside on your heart's bookshelves. Jack Calhoun recovers from one tragedy and its consequential addiction enough to glimpse a shimmer of hope for his future--until the day of the second accident. Instead of heading to college with his childhood sweetheart, Rachael, Jack flees the rural southern town that blames him for every bad thing and leaves his loved ones behind. His journey for purpose, if not peace, brings Jack face-to-face with war in Iraq's desert, with his past's nightmares and with a deeper battle on a mountain peak. Along the way, he both finds and loses parts of himself. Perhaps it was never purpose he required but the ability to discern selfishness from sacrifice. Will he cast off a lifetime of crippling guilt to rest in redemption, or will peace remain as elusive as any good thing for Jack? This book lends itself to a lively book club discussion or shared read between couples and friends. While readers who remember 9-11 will have an instant bond with the story, anyone who enjoys a well-paced tale full of larger-than-life characters--with a dash of southern charm and a whole batch of tasty food--may just discover a new favorite book in Any Good Thing.
23 strange-but-true stories of women flirting with perdition... In the steamy South, temptation is as wild and plentiful as kudzu. Whether the sin in question is skinny-dipping or becoming an unlikely porn star, running rum or renting out a room to a pair of exhibitionistic adulterers, in these true stories women defy tradition and forge their own paths through life—often learning unexpected lessons from the experience. As Dorothy Allison writes in her introduction, “The most dangerous stories are the true ones, the ones we hesitate to tell, the adventures laden with fear or shame or the relentless pull of regret. Some of those are about things that we are secretly deeply proud to have done.” A diverse array of contributors—mothers, daughters, sisters, best friends, fiancées, divorcees, professors, poets, lifeguards-in-training, lapsed Baptists, tipsy debutantes, middle-aged lesbians—lend their voices to this collection. Introspective and abashed, joyous and triumphant (but almost never apologetic), they remind us that sin, like beauty, is in the eye of the beholder.
