A Sourcebook on Naturalist Theatre

A Sourcebook on Naturalist Theatre

Author: Christopher Innes

Publisher: Routledge

Published: 2002-01-04

Total Pages: 276

ISBN-13: 1134744277

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A Sourcebook on Naturalist Theatre provides essential primary sources which document one of the key movements in modern theatre. Christopher Innes has selected three writers to exemplify the movement, and six plays in particular: * Henrik Ibsen - A Dolls House and Hedda Gabler * Anton Chekhov - The Seagull and The Cherry Orchard * George Bernard Shaw - Mrs Warren's Profession and Heartbreak House. Innes' introduction provides an overview of naturalist theatre. Key themes include: the representation of women, significant contemporary issues and the links between theory, play writing and stage practice. The primary sources explore many aspects of naturalism, giving information on: * the playwrights' intentions when writing plays * contemporary reviews * literary criticism * political and social background * production notes from early performances of the plays.


A Sourcebook on Naturalist Theatre

A Sourcebook on Naturalist Theatre

Author: Christopher Innes

Publisher: Routledge

Published: 2002-01-04

Total Pages: 272

ISBN-13: 1134744285

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A Sourcebook on Naturalist Theatre provides essential primary sources which document one of the key movements in modern theatre. Christopher Innes has selected three writers to exemplify the movement, and six plays in particular: * Henrik Ibsen - A Dolls House and Hedda Gabler * Anton Chekhov - The Seagull and The Cherry Orchard * George Bernard Shaw - Mrs Warren's Profession and Heartbreak House. Innes' introduction provides an overview of naturalist theatre. Key themes include: the representation of women, significant contemporary issues and the links between theory, play writing and stage practice. The primary sources explore many aspects of naturalism, giving information on: * the playwrights' intentions when writing plays * contemporary reviews * literary criticism * political and social background * production notes from early performances of the plays.


Naturalism in Theatre

Naturalism in Theatre

Author: Kenneth Pickering

Publisher: Bloomsbury Publishing

Published: 2018-03-17

Total Pages: 248

ISBN-13: 1137329114

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An accessible survey of the development of naturalism and its effects on modern-day theatre. Taking into account the philosophical, scientific and aesthetic ideas that constituted the movement during the nineteenth and early twentieth centuries, the book examines why naturalism is still a dominant mode of performance in theatre.


The Routledge Companion to Theatre and Performance

The Routledge Companion to Theatre and Performance

Author: Paul Allain

Publisher: Routledge

Published: 2013-05-13

Total Pages: 258

ISBN-13: 1134517963

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Discussing some of the pivotal questions relating to the complementary fields of theatre and performance studies, this engaging, easy-to-use text is undoubtedly a perfect reference guide for the keen student and passionate theatre-goer alike.


The Great European Stage Directors Volume 1

The Great European Stage Directors Volume 1

Author: Peta Tait

Publisher: Bloomsbury Publishing

Published: 2021-10-07

Total Pages: 240

ISBN-13: 147425988X

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This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski's theatre direction proved foundational to the creation of the director's role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.


The Art of Theater

The Art of Theater

Author: James R. Hamilton

Publisher: John Wiley & Sons

Published: 2008-04-15

Total Pages: 248

ISBN-13: 0470766107

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The Art of Theater argues for the recognition of theatrical performance as an art form independent of dramatic writing. Identifies the elements that make a performance a work of art Looks at the competing views of the text-performance relationships An important and original contribution to the aesthetics and philosophy of theater


Dodin and the Maly Drama Theatre

Dodin and the Maly Drama Theatre

Author: Maria Shevstova

Publisher: Routledge

Published: 2004-03

Total Pages: 250

ISBN-13: 1134313225

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Including a foreword by Simon Callow, this is the first ever full-length study of the internationally-acclaimed theatre company, and provides both a methodological model for actor training and a unique insight into the journeys taken from studio to stage.


The Oxford Handbook of American Literary Naturalism

The Oxford Handbook of American Literary Naturalism

Author: Keith Newlin

Publisher: Oxford University Press

Published: 2011-03-01

Total Pages:

ISBN-13: 0199709203

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After its heyday in the late nineteenth and early twentieth century, naturalism, a genre that typically depicts human beings as the product of biological and environmental forces over which they have little control, was supplanted by modernism, a genre in which writers experimented with innovations in form and content. In the last decade, the movement is again attracting spirited scholarly debate. The Oxford Handbook of American Literary Naturalism takes stock of the best new research in the field through collecting twenty-eight original essays drawing upon recent scholarship in literary and cultural studies. The contributors offer an authoritative and in-depth reassessment of writers from Stephen Crane, Frank Norris, Theodore Dreiser, and Jack London to Kate Chopin, Edith Wharton, Ernest Hemingway, Richard Wright, John Steinbeck, Joyce Carol Oates, and Cormac McCarthy. One set of essays focus on the genre itself, exploring the historical contexts that gave birth to it, the problem of definition, its interconnections with other genres, the scientific and philosophical ideas that motivate naturalist authors, and the continuing presence of naturalism in twenty-first century fiction. Others examine the tensions within the genre-the role of women and African-American writers, depictions of sexuality, the problem of race, and the critique of commodity culture and class. A final set of essays looks beyond the works to consider the role of the marketplace in the development of naturalism, the popular and critical response to the works, and the influence of naturalism in the other arts.


The Cambridge Introduction to Theatre Directing

The Cambridge Introduction to Theatre Directing

Author: Christopher Innes

Publisher: Cambridge University Press

Published: 2013-05-02

Total Pages: 299

ISBN-13: 0521844495

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The director was fundamental to the development of modern theatre. This Introduction explores the emergence of the director's artistic force.


An Illustrated History of British Theatre and Performance

An Illustrated History of British Theatre and Performance

Author: Robert Leach

Publisher: Routledge

Published: 2018-12-21

Total Pages: 1004

ISBN-13: 0429873336

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An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. Continuing on from the Enlightenment, Volume Two of An Illustrated History of British Theatre and Performance leads its readers from the drama and performances of the Industrial Revolution to the latest digital theatre. Moving from Punch and Judy, castle spectres and penny showmen to Modernism and Postdramatic Theatre, Leach’s second volume triumphantly completes a collated account of all the British Theatre History knowledge anyone could ever need.