2020 Locus Recommended Reading List, Best Anthology Contains “The Twice-Drowned Saint” by C.S.E. Cooney, 2020 Locus Recommended Reading List, Best First Novel “With fiction from C.S.E Cooney, Jessica P. Wick, Amanda J. McGee, and Mike Allen, Mythic Delirium’s excellent new anthology, A Sinister Quartet, provides further evidence that long-form genre fiction is not just alive and well but thriving.” —Locus, Ian Mond “Mythic Delirium is one of the smaller presses which sustains our field . . . This is lovely and fascinating . . . Really fine work.” —Locus, Rich Horton "Easily one of the best things I've read this year . . . 'The Twice Drowned Saint' alone is worth five times the cost of the collection." —The Little Red Reviewer INCLUDES BONUS STORIES AND EXCERPTS AND NEW FULL COLOR ILLUSTRATIONS Behind the walls of an invulnerable city ruled by angels, old movies provide balm for the soul and a plan to escape risks grisly retribution. A princess discovers a passage to a nightmarish world of deception and blood-sealed enchantment. A woman who has lost everything meets a man of great wealth and ominous secrets. In a town haunted by tragedy, malevolent supernatural entities converge, and the conflict that ensues unleashes chaos. A Sinister Quartet gathers original long-form wonders and horrors composed in unusual keys, with a short novel by World Fantasy Award winner C. S. E. Cooney and a new novella from two-time World Fantasy Award finalist Mike Allen joined by debut novellas from rising talents Amanda J. McGee and Jessica P. Wick. All four offer immersions into strange, beautiful and frightening milieus.
Have you ever thought about how you as a human being are part of a species that makes the fate of all other living things entirely subservient to its own needs and uses its fellow inhabitants purely to meet those needs? What would happen if that were to change? What would happen if people chose to exchange that which makes them human for something else? That's what seems to be happening in "The String Quartet". A string of seemingly inexplicable events gradually reveals how our anthropocentric way of life is about to be fundamentally and irrevocably changed. Classical string quartet music plays a central role in these events. How do these situations arise, and what is the driving force behind the sometimes irrational choices people make – or seem to make – of their own free will? The events described in The String Quartet and the resulting choices people make invite you as a reader to reflect on your own situation and how you lead your life. What choices have you made, and what choices will you make in the future? And how sure are you that those choices are yours?
From Ellen Datlow (“the venerable queen of horror anthologies” (New York Times) comes a new entry in the series that has brought you stories from Stephen King and Neil Gaiman comes thrilling stories, the best horror stories available. For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.
“Nerve-racking anticipation and dread ... An assemblage of horror tales and somber verses that frighten and fascinate.” —Kirkus Reviews “Will appeal to horror fans seeking something fresh.” —Publishers Weekly "Mythical, chilling, and visceral . . . Truly a slow burn readers will crave to simmer in." —Ai Jiang, Hugo Award-nominated author of Linghun and I Am AI "Slow Burn is a multifaceted, multifarious feast for the horror-hungry." —Matthew M. Bartlett, author of Gateways to Abomination and Where Night Cowers "By turns gorgeous, horrifying, gruesome, furious, darkly erotic, wickedly funny, and frequently all of those things at once, this extraordinary collection never shies away from pushing the reader's boundaries. Allen masterfully succeeds in being transgressive in all the best and most beautiful ways. I adore this book." —Sunny Moraine, author of Your Shadow Half Remains The search for a missing grandson unearths a pit of unholy hunger. A war between flesh-stealing supernatural entities will subject an entire city to devastating mayhem. In a harrowing future world, a slave is charged by his terrifying master with building a creature in its likeness. The voyage of a plague ship won't end at mere death. Parasites are partners and lovers, and the immortal soul is but a single stage in the complex life cycle of a symbiote. Slow Burn gathers fourteen stories of horror and thirteen macabre poems by two-time World Fantasy Award finalist Mike Allen, author of the Shirley Jackson Award-nominated collections Unseaming and Aftermath of an Industrial Accident. Allen's works are "exquisite and vivid, his worlds rich with brilliant detail," says three-time Bram Stoker Award® winner Christina Sng in her introduction. "The images he paints with words are terrifying and mesmerizing, keeping you enthralled, unable to look away." These tales and verses, set in worlds of fantasy and sorcery, in twisted, surreal futures, and in hard-boiled modern milieus . . . all find ways to explore the abyssal darkness of the human heart. Cover art and design by Lasse Paldanius; interior illustrations by Paula Arwen Owen PRAISE FOR SLOW BURN "An astonishing range of ideas and themes that never quail from their subjects. They'll remain with you long after reading, like ash residue from a long-burning fire." —Preston Grassmann, co-editor of The Mad Butterfly's Ball "Don't let the title fool you, Slow Burn is an artistic flame that blazes like an inferno from start to finish!" —Vaughn A. Jackson, author of Touched by Shadows "Diabolically inventive and varied . . . You'll laugh, shudder, cry, and throw up a little in your mouth. Mike Allen's range can outstretch any fleshy hell-tendril, darting from experimental poetry to cheeky Clive Barker satire to whip-sharp supernatural thrillers . . . achingly human characters and heaping, writhing helpings of body horror." —Rich Larson, author of Ymir and Tomorrow Factory "Unsettling, perceptive, always surprising, always absorbing—Slow Burn is a collection of gems." —Premee Mohamed, Nebula Award-winning author of Beneath the Rising "Consuming horror that is not for the squeamish!" —Lee Murray, five-time Bram Stoker Award®-winning author of Grotesque: Monster Stories "At turns dripping with Cronenberg body horror, infused with Barker misanthropy, and crawling with the darkest fantasy, the stories and poems in Slow Burn are beautifully crafted to lure you in, but their beauty won't let you go easily. There are too many strange limbs for that." —Michael Wehunt, author of The Inconsolables "Like one of the extra-dimensional creatures lurking within Slow Burn's collected stories and novella, author Mike Allen must also have a thousand eyes, a hundred mouths, and far too many fingers. How else could he find so many strange and hidden worlds—not to mention the strangeness hidden in our own world—and translate it all so beautifully? A mind-bending delight from a horrifically unique imagination, Slow Burn will twist, turn, and transform readers." —Gordon B. White, finalist for the Shirley Jackson and Bram Stoker Awards PRAISE FOR MIKE ALLEN "These stories are fun. Not 'good' fun, and certainly not 'good clean' fun. They are too unnerving for those modifiers, too serious, like laughter in the dark—unnerving, serious laughter that leads you through Mr. Allen's funhouse." —Thomas Ligotti "Mike Allen habitually upends Lovecraftian tropes with his own brand of cosmic horror." —Laird Barron "Mike Allen is a master of horror and dark fantasy." —Cemetery Dance
“It doesn't seem too hasty to exclaim, ‘Classic!’” —Booklist, starred review “An original voice, and an original vision: crystalline, precise, mordant and devastating.” —Ellen Kushner. A Mythopoeic Award finalist Mythic Delirim Books is proud to make World Fantasy Award and Locus Award winner Theodora Goss’s 2006 story collection In the Forest of Forgetting available in electronic format. With an introduction by Terri Windling, this book gathers seventeen tales from an author that Locus at the time dubbed “one of the more distinctive, graceful, and haunting new voices in fantasy.” Cover art by Virginia Lee.
Elaborate cinematic universes and sophisticated marketing tie-ins are commonplace in entertainment today. It's easy to forget that the transmedia trend began in 1982 with a barbarian action figure. He-Man and the other characters in Mattel's popular Masters of the Universe toy line quickly found their way into comic books, video games, multiple television series and a Hollywood film. The original animated series (1983-1985) was the first based on an action figure, and the cult classic Masters of the Universe (1987) was the first toy-inspired live-action feature film. But it wasn't easy. He-Man faced adversaries more dangerous than Skeletor: entertainment lawyers, Hollywood executives, even the Reagan administration. The heroes and villains of Eternia did more than shape the childhoods of the toy-buying public--they formed the modern entertainment landscape.
DigiCat Publishing presents to you this special edition of "The Cheyne Mystery" by Freeman Wills Crofts. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Within his broad historical narrative Professor Smallman provides descriptive analyses of key works, many with music examples, and also comments perceptively on local trends and developments.
