A counter-intuitive profile of the Gulf of Mexico traces a century's worth of everyday abuses that nearly destroyed its ecological uniqueness while revealing how the Deepwater Horizon oil disaster may actually enable the region's restoration, in a report that explains the gulf's environmental and economic importance. 35,000 first printing.
The car accident that killed Abby Patterson's husband and daughter has left her with a limp and chronic pain. Still, Abby strikes out, determined to build a new life for herself away from her overbearing parents. Her perfect cottage home on the beach has one tiny irritant: Marsh Winslow, her landlord. But when Abby witnesses a hit-and-run accident and events make it clear that Abby is now a target, she and Marsh join forces to uncover a dangerous secret. Together they discover that God is in the business of putting broken lives back together so that they are more beautiful than ever.
Family continues to be a wellspring of inspiration and learning for Blanco. His third book of poetry, Looking for The Gulf Motel is a genealogy of the heart, exploring how his family's emotional legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother's life shaped by exile, his father's death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.
NANCY GIDEON RETURNS TO HER STEAMY NEW ORLEANS PRETERNATURAL WORLD WITH AN IRRESISTIBLE NEW SHAPE-SHIFTER ROMANCE. The secrets he knows about her could get him killed. Transferring to the New Orleans Police Department, Detective Silas MacCreedy has a hidden agenda: to secure his clan’s place once again in the Shifter hierarchy. What he didn’t count on was stumbling upon a sexy assassin who could shred his best intentions and lead him into a dangerous dance that threatens to engage his heart. But the ones he doesn’t know . . . Monica Fraser knows just how to make a man beg—for his life. But she has no clue how to fight her attraction to the fiercely intense detective who seems determined to get in her way, both professionally and intimately. . . . could kill them both. When emotional attachments to the past and an unexpected glimpse of a different future have her questioning her deadly purpose, Nica must discover the truth about her secret abilities in order to free herself from the forces that control her. But that freedom comes with a price—trusting those she’s been ordered to eliminate.
USA Today bestselling author Thea Harrison begins an all-new, darkly romantic paranormal saga, in which the fate of existence itself lies in the balance—and the key to victory may rest in the hands of two eternal lovers… In the hospital ER where she works, Mary is used to chaos. But lately, every aspect of her life seems adrift. She’s feeling disconnected from herself. Voices appear in her head. And the vivid, disturbing dreams she’s had all her life are becoming more intense. Then she meets Michael. He’s handsome, enigmatic and knows more than he can say. In his company, she slowly remembers the truth about herself… Thousands of years ago, there were eight of them. The one called the Deceiver came to destroy the world, and the other seven followed to stop him. Reincarnated over and over, they carry on—and Mary finds herself drawn into the battle once again. And the more she learns, the more she realizes that Michael will go to any lengths to destroy the Deceiver. Then she remembers who killed her during her last life, nine hundred years ago…Michael.
Winner • Pulitzer Prize for History Winner • Kirkus Prize for Nonfiction Finalist • National Book Critics Circle Award (Nonfiction) A New York Times Notable Book of the Year Named one of the Best Books of the Year by the Washington Post, NPR, Library Journal, and gCaptain Booklist Editors’ Choice (History) Longlisted for the Andrew Carnegie Medal for Excellence In this “cri de coeur about the Gulf’s environmental ruin” (New York Times), “Davis has written a beautiful homage to a neglected sea” (front page, New York Times Book Review). Hailed as a “nonfiction epic . . . in the tradition of Jared Diamond’s best-seller Collapse, and Simon Winchester’s Atlantic” (Dallas Morning News), Jack E. Davis’s The Gulf is “by turns informative, lyrical, inspiring and chilling for anyone who cares about the future of ‘America’s Sea’ ” (Wall Street Journal). Illuminating America’s political and economic relationship with the environment from the age of the conquistadors to the present, Davis demonstrates how the Gulf’s fruitful ecosystems and exceptional beauty empowered a growing nation. Filled with vivid, untold stories from the sportfish that launched Gulfside vacationing to Hollywood’s role in the country’s first offshore oil wells, this “vast and welltold story shows how we made the Gulf . . . [into] a ‘national sacrifice zone’ ” (Bill McKibben). The first and only study of its kind, The Gulf offers “a unique and illuminating history of the American Southern coast and sea as it should be written” (Edward O. Wilson).
Art and its Shadow is an extraordinary analysis of the state and meaning of contemporary art and film. Ranging across the work of Andy Warhol, cyberpunk, Wim Wenders, Derek Jarman, thinking on difference and the possibility of a philosophical cinema, Mario Perniola examines the latest and most disturbing tendencies in art.Perniola explores how art - notably in posthumanism, psychotic realism and extreme art - continues to survive despite the hype of the art market and the world of mass communication and reproduction. He argues that the meaning of art in the modern world no longer lies in aesthetic value (above the art work), nor in popular taste (below the art work), but beside the artwork, in the shadow created by both the art establishment and the world of mass communications. In this shadow is what is left out of account by both market and mass media: the difficulty of art, a knowledge that can never be fully revealed, and a new aesthetic future.
NATIONAL BOOK AWARD WINNER • “Altogether gripping, shocking, and brilliantly told, not just a tour de force in its stylistic range, but a great American novel, as powerful a reading experience as nearly any in our literature.”—Michael Dirda, The New York Review of Books Killing Mister Watson, Lost Man’s River, and Bone by Bone—Peter Matthiessen’s great American epic about Everglades sugar planter and notorious outlaw E. J. Watson on the wild Florida frontier at the turn of the twentieth century—were originally conceived as one vast, mysterious novel. Now, in this bold new rendering, Matthiessen has marvelously distilled a monumental work while deepening the insights and motivations of his characters with brilliant rewriting throughout. Praise for Shadow Country “Magnificent . . . breathtaking . . . Finally now we have [this three-part saga] welded like a bell, and with Watson’s song the last sound, all the elements fuse and resonate.”—Los Angeles Times “Peter Matthiessen has done great things with the Watson trilogy. It’s the story of our continent, both land and people, and his writing does every justice to the blood fury of his themes.”—Don DeLillo “The fiction of Peter Matthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it. Shadow Country lives up to anyone’s highest expectations for great writing.” —Richard Ford “Shadow Country, Matthiessen’s distillation of the earlier Watson saga, represents his original vision. It is the quintessence of his lifelong concerns, and a great legacy.”—W. S. Merwin “[An] epic masterpiece . . . a great American novel.”—The Miami Herald
With the war between the Mexican state and the drug traffickers operating within its borders having claimed over 70,000 lives since 2006, noted journalist and author Michael Deibert zeroes in on the story of the notorious Gulf Cartel, their deadly war with their former allies Los Zetas, the cartel's connections in Mexican politics and what its trajectory means for Mexico’s--and America’s--future. Punctuated by the disappearance of busloads of full of people from Mexican highways, heavy-weapon firefights in once-picturesque colonial towns and the discovery of mass graves, nowhere has the violence of Mexico’s drug war been more intense than directly across the border from East Texas, the scene of a scorched-earth war between two of Mexico’s largest drug trafficking organizations: The Gulf Cartel, a criminal body with roots stretching back to Prohibition, and Los Zetas, a group famous for their savagery and largely made up of deserters form Mexico's armed forces. From the valleys and sierras of rural Tamaulipas and Nuevo León to the economic hub of Monterrey, the violence rivals anything seen in the more well-known narco war in Ciudad Juárez, 830 miles to the west. Combining dozens of interviews that the author has conducted over the last six years in Mexico and other countries in the region along with a vast reserve of secondary source material, In the Shadow of Saint Death gives U.S. readers the story of the war being waged along our border in the voices of the cartel hitmen, law enforcement officials, politicians, shopkeepers, migrants and children living inside of it year-round. Through their stories, the book will pose provocative questions about the direction and consequence of U.S. drug policy and the militarized approach to combating the narcotics trade on both sides of the border.