The Negro in the United States

The Negro in the United States

Author: Dorothy Porter Wesley

Publisher:

Published: 1999

Total Pages: 336

ISBN-13:

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Identifies some 1,700 works about African Americans. Entries include full bibliographic information as well as Library of Congress call numbers and location in 11 major university libraries. Entries are arranged by subjects such as art, civil rights, folk tales, history, legal status, medicine, music, race relations, and regional studies. First published in 1970 by the Library of Congress.


The College-bred Negro

The College-bred Negro

Author: W.E. Bois

Publisher: Рипол Классик

Published: 1900

Total Pages: 121

ISBN-13: 5875611472

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Study of the Negro Problems. Atlanta University Publications, No 5: The College-bred Negro: Report of social study made under the direction of Atlanta university; together with the proceedings of the fifth Conference for the study of the negro problems, held at Atlanta university, May 29-30, 1900


To Make Negro Literature

To Make Negro Literature

Author: Elizabeth McHenry

Publisher: Duke University Press

Published: 2021-08-09

Total Pages: 199

ISBN-13: 1478021810

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In To Make Negro Literature Elizabeth McHenry traces African American authorship in the decade following the 1896 legalization of segregation. She shifts critical focus from the published texts of acclaimed writers to unfamiliar practitioners whose works reflect the unsettledness of African American letters in this period. Analyzing literary projects that were unpublished, unsuccessful, or only partially achieved, McHenry recovers a hidden genealogy of Black literature as having emerged tentatively, laboriously, and unevenly. She locates this history in books sold by subscription, in lists and bibliographies of African American authors and books assembled at the turn of the century, in the act of ghostwriting, and in manuscripts submitted to publishers for consideration and the letters of introduction that accompanied them. By attending to these sites and prioritizing overlooked archives, McHenry reveals a radically different literary landscape, revising concepts of Black authorship and offering a fresh account of the development of “Negro literature” focused on the never published, the barely read, and the unconventional.