A phenomenal account, newly updated, of how twelve innovative television dramas transformed the medium and the culture at large, featuring Sepinwall’s take on the finales of Mad Men and Breaking Bad. In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes. Drawing on interviews with writers David Chase, David Simon, David Milch, Joel Surnow and Howard Gordon, Damon Lindelof and Carlton Cuse, and Vince Gilligan, among others, along with the network executives responsible for green-lighting these groundbreaking shows, The Revolution Was Televised is the story of a new golden age in TV, one that’s as rich with drama and thrills as the very shows themselves.
In our modern, urbanized societies, our engagement with the natural world often seems distant and superficial. Human life is now far removed from its prehistoric origins, when humans dwelt deep within the forests and depended on them for their survival. In this important book, Vladimir Bibikhin, one of Russia’s most influential twentieth-century philosophers, argues that, although most humans now live far from woods and forests, our existence remains profoundly linked to them. It was Aristotle who first appreciated their primal role, even deriving his notion of ‘matter’w from the Greek words for wood and forest. As timber, the woods may be seen as inanimate material, but at the same time they also constitute a living ecosystem and the source of energy and life. By opening up this duality, the woods are transformed from simple matter to a living environment, serving as a reminder that we belong to the world of biological life to a far greater extent than we usually think. The Woods will be of interest to students and scholars in philosophy and the humanities generally and to anyone concerned with the environment and our relationship to the natural world.
How the West’s obsession with Vladimir Putin prevents it from understanding Russia It is impossible to think of Russia today without thinking of Vladimir Putin. More than any other major national leader, he personifies his country in the eyes of the world, and dominates Western media coverage. In Russia itself, he is likewise the centre of attention both for his supporters and his detractors. But, as Tony Wood argues, this focus on Russia’s president gets in the way of any real understanding of the country. The West needs to shake off its obsession with Putin and look beyond the Kremlin walls. In this timely and provocative analysis, Wood explores the profound changes Russia has undergone since 1991. In the process, he challenges several common assumptions made about contemporary Russia. Against the idea that Putin represents a return to Soviet authoritarianism, Wood argues that his rule should be seen as a continuation of Yeltsin’s in the 1990s. The core features of Putinism—a predatory elite presiding over a vastly unequal society—are in fact integral to the system set in place after the fall of Communism. Wood also overturns the standard view of Russia’s foreign policy, identifying the fundamental loss of power and influence that has underpinned recent clashes with the West. Russia without Putin concludes by assessing the current regime’s prospects, and looks ahead to what the future may hold for the country.
On July 16, 1918, Nicholas Romanov, the last Tsar of Russia, and his entire family were supposedly murdered by Russian Bolsheviks in the basement of a house in Yekaterinburg, Siberia. One year later, Alexander Kolchak, the Supreme Commander of the White Army, appointed a legal investigator to prove, beyond any doubt, that all members of the Romanov family had indeed been executed. The investigator's name was Nicholas Sokolov. The Russian Galatea is a story based on Sokolov's investigation. It takes place in Siberia, 1919 - with the Russian Revolution as its background. The major thesis is fiction but woven around true historical facts. It is a detective story about one courageous investigator's obsession with finding out what really happened to Russian Tsar Nicholas II and his family. It is also a story about Sokolov's deep relationship with the girl in a faded photograph. Is she alive or dead?
The debut novel of an astonishing voice in psychological suspense As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children gripping a tree trunk in terror, wearing blood-filled sneakers, and unable to recall a single detail of the previous hours. Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret. But when a twelve-year-old girl is found murdered in the same woods, he and Detective Cassie Maddox—his partner and closest friend—find themselves investigating a case chillingly similar to the previous unsolved mystery. Now, with only snippets of long-buried memories to guide him, Ryan has the chance to uncover both the mystery of the case before him and that of his own shadowy past. Richly atmospheric, stunning in its complexity, and utterly convincing and surprising to the end, In the Woods is sure to enthrall fans of Mystic River and The Lovely Bones.