A Resource Guide to Standard Handel Opera Roles for the Countertenor
Author: Daniel Bubeck
Publisher:
Published: 2012
Total Pages: 108
ISBN-13:
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Author: Daniel Bubeck
Publisher:
Published: 2012
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOKAuthor: Brad Morris
Publisher:
Published: 2019
Total Pages: 39
ISBN-13:
DOWNLOAD EBOOKThere are few resources available for countertenors to find operatic repertoire. The purpose of the thesis is to provide an operatic repertoire guide for countertenors, and teachers with countertenors as students. Arias were selected based on the premise that the original singer was a castrato, the original singer was a countertenor, or the role is commonly performed by countertenors of today. Information about the composer, information about the opera, and the pedagogical significance of each aria is listed within each section. Study sheets are provided after each aria to list additional resources for countertenors and teachers with countertenors as students. It is the goal that any countertenor or male soprano can find usable repertoire in this guide.
Author: Richard Boldrey
Publisher: Pst Records
Published: 1994
Total Pages: 574
ISBN-13:
DOWNLOAD EBOOKThis text features works from 350 composers in 16 different languages and 30 voice categories - all sorted and cross-referenced. This one-of-a- kind reference allows you to search by: Roles, voice categories, aria titles, singers, composers, operas
Author:
Publisher:
Published: 1979-07
Total Pages: 1164
ISBN-13:
DOWNLOAD EBOOKContains "Records in review."
Author: Chris Woodstra
Publisher: Hal Leonard Corporation
Published: 2005
Total Pages: 1620
ISBN-13: 9780879308650
DOWNLOAD EBOOKOffering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Author: Jacqueline Warwick
Publisher: Taylor & Francis
Published: 2022-07-14
Total Pages: 108
ISBN-13: 100064846X
DOWNLOAD EBOOKMusic, Gender, and Sexuality Studies: A Teacher’s Guide serves as a guide to the professor tasked with teaching music to undergraduates, with a focus on gender. Although the notion of feminist approaches in musicology was once greeted with scorn, the last 40 years have seen a seismic shift across music studies, to the point that classes on women and music are now commonplace in most undergraduate music program. The goal of this book is to give the instructor some tools and strategies that will build confidence in approaching music as it relates to gender and sexuality, and to offer some advice on how to make the class rewarding for all. The book is organized into four broad sections, plus an introduction outlining how to use the book and how the teaching of music, gender, and sexuality can be rewarding. Each section – Composition, Support, Performance, and Audience – includes possible themes for study and examples of music that can illuminate those themes, allowing the instructor to shape the course according to their own preference for classical, jazz, or popular styles. The author offers a practical guide to building syllabi that can fit the instructor’s interests and the priorities of the institution, crafting assignments that will engage and inspire students, choosing repertoire from a range of styles and genres, and maintaining a focus on how music shapes gender, and how gender shapes music.
Author:
Publisher:
Published: 1979
Total Pages: 1158
ISBN-13:
DOWNLOAD EBOOKContains "Records in review."
Author: Ralph P. Locke
Publisher: Cambridge University Press
Published: 2015-05-07
Total Pages: 473
ISBN-13: 1316298205
DOWNLOAD EBOOKDuring the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.
Author:
Publisher:
Published: 1979
Total Pages: 1146
ISBN-13:
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