A Countertenor's Reference Guide to Operatic Repertoire

A Countertenor's Reference Guide to Operatic Repertoire

Author: Brad Morris

Publisher:

Published: 2019

Total Pages: 39

ISBN-13:

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There are few resources available for countertenors to find operatic repertoire. The purpose of the thesis is to provide an operatic repertoire guide for countertenors, and teachers with countertenors as students. Arias were selected based on the premise that the original singer was a castrato, the original singer was a countertenor, or the role is commonly performed by countertenors of today. Information about the composer, information about the opera, and the pedagogical significance of each aria is listed within each section. Study sheets are provided after each aria to list additional resources for countertenors and teachers with countertenors as students. It is the goal that any countertenor or male soprano can find usable repertoire in this guide.


Guide to Operatic Roles & Arias

Guide to Operatic Roles & Arias

Author: Richard Boldrey

Publisher: Pst Records

Published: 1994

Total Pages: 574

ISBN-13:

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This text features works from 350 composers in 16 different languages and 30 voice categories - all sorted and cross-referenced. This one-of-a- kind reference allows you to search by: Roles, voice categories, aria titles, singers, composers, operas


All Music Guide to Classical Music

All Music Guide to Classical Music

Author: Chris Woodstra

Publisher: Hal Leonard Corporation

Published: 2005

Total Pages: 1620

ISBN-13: 9780879308650

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Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.


Music, Gender, and Sexuality Studies

Music, Gender, and Sexuality Studies

Author: Jacqueline Warwick

Publisher: Taylor & Francis

Published: 2022-07-14

Total Pages: 108

ISBN-13: 100064846X

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Music, Gender, and Sexuality Studies: A Teacher’s Guide serves as a guide to the professor tasked with teaching music to undergraduates, with a focus on gender. Although the notion of feminist approaches in musicology was once greeted with scorn, the last 40 years have seen a seismic shift across music studies, to the point that classes on women and music are now commonplace in most undergraduate music program. The goal of this book is to give the instructor some tools and strategies that will build confidence in approaching music as it relates to gender and sexuality, and to offer some advice on how to make the class rewarding for all. The book is organized into four broad sections, plus an introduction outlining how to use the book and how the teaching of music, gender, and sexuality can be rewarding. Each section – Composition, Support, Performance, and Audience – includes possible themes for study and examples of music that can illuminate those themes, allowing the instructor to shape the course according to their own preference for classical, jazz, or popular styles. The author offers a practical guide to building syllabi that can fit the instructor’s interests and the priorities of the institution, crafting assignments that will engage and inspire students, choosing repertoire from a range of styles and genres, and maintaining a focus on how music shapes gender, and how gender shapes music.


Music and the Exotic from the Renaissance to Mozart

Music and the Exotic from the Renaissance to Mozart

Author: Ralph P. Locke

Publisher: Cambridge University Press

Published: 2015-05-07

Total Pages: 473

ISBN-13: 1316298205

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During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.