A Publisher and His Friends

A Publisher and His Friends

Author: Samuel Smiles

Publisher: The Minerva Group, Inc.

Published: 2003-06

Total Pages: 470

ISBN-13: 9781410206596

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John Murray was the intimate friend and correspondent of Sir Walter Scott, Lord Byron, Canning, Southey, the Disraelis, Campbell, Crabbe, Hallam, Croker, Milman, Washington Irving, Madame de Stael; as well as of the early editors of the Quarterly, Gifford, Coleridge, and Lockhart; and many original letters from these authors are in this book. The memoirs, and especially the correspondence of John Murray and his friends, are of value as giving a full picture of the literature and principal men of letters of the first half of the 19th century. Indeed, going still farther back - to the life and correspondence of John Murray's father - they include, to a certain extent, the literature of the times of Dr. Johnson, Dr. Langhorne, Dr. Cartwright, and others.


Book-Men, Book Clubs, and the Romantic Literary Sphere

Book-Men, Book Clubs, and the Romantic Literary Sphere

Author: Ina Ferris

Publisher: Springer

Published: 2015-08-29

Total Pages: 192

ISBN-13: 1137367601

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This book re-reads the tangled relations of book culture and literary culture in the early nineteenth century by restoring to view the figure of the bookman and the effaced history of his book clubs. As outliers inserting themselves into the matrix of literary production rather than remaining within that of reception, both provoked debate by producing, writing, and circulating books in ways that expanded fundamental points of literary orientation in lateral directions not coincident with those of the literary sphere. Deploying a wide range of historical, archival and literary materials, the study combines the history and geography of books, cultural theory, and literary history to make visible a bookish array of alterative networks, genres, and locations that were obscured by the literary sphere in establishing its authority as arbiter of the modern book.


The Orient and the Young Romantics

The Orient and the Young Romantics

Author: Andrew Warren

Publisher: Cambridge University Press

Published: 2014-11-06

Total Pages: 295

ISBN-13: 1316123774

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Through close readings of major poems, this book examines why the second-generation Romantic poets - Byron, Shelley, and Keats - stage so much of their poetry in Eastern or Orientalized settings. It argues that they do so not only to interrogate their own imaginations, but also as a way of criticizing Europe's growing imperialism. For them the Orient is a projection of Europe's own fears and desires. It is therefore a charged setting in which to explore and contest the limits of the age's aesthetics, politics and culture. Being nearly always self-conscious and ironic, the poets' treatment of the Orient becomes itself a twinned criticism of 'Romantic' egotism and the Orientalism practised by earlier generations. The book goes further to claim that poems like Shelley's Revolt of Islam, Byron's 'Eastern' Tales, or even Keats's Lamia anticipate key issues at stake in postcolonial studies more generally.


Bookseller

Bookseller

Author:

Publisher:

Published: 1891

Total Pages: 1640

ISBN-13:

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Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.


Worth the Detour

Worth the Detour

Author: Nicholas T Parsons

Publisher: The History Press

Published: 2007-05-24

Total Pages: 563

ISBN-13: 0752496042

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The guidebook has a long and distinguished history, going back to Biblical times and encompassing major cultural and social changes that have witnessed the transformation of travel. This book presents a journey through centuries of travel writing.


British Short Fiction in the Early Nineteenth Century

British Short Fiction in the Early Nineteenth Century

Author: Tim Killick

Publisher: Routledge

Published: 2016-05-23

Total Pages: 200

ISBN-13: 1317171462

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In spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction in book-length volumes as a way of competing with the novel as a legitimate and prestigious genre. Beginning with an overview of the development of short fiction through the late eighteenth century and analysis of the publishing conditions for the genre, including its appearance in magazines and annuals, Killick shows how Washington Irving's hugely popular collections set the stage for British writers. Subsequent chapters consider the stories and sketches of writers as diverse as Mary Russell Mitford and James Hogg, as well as didactic short fiction by authors such as Hannah More, Maria Edgeworth, and Amelia Opie. His book makes a convincing case for the evolution of short fiction into a self-conscious, intentionally modern form, with its own techniques and imperatives, separate from those of the novel.