This collection brings together an unusually distinguished and diverse group of theorists of global politics, political geography, and international political economy who reflect on the concept of political space. Already familiar to political geographers, the concept of political space has lately received increased attention, arising out of the need for new ways of thinking about and describing the actors, structures, and processes that shape politics and patterns of governance in today's complex, post-Cold War world. The essays explore the frontiers of the field of global politics, and each deals imaginatively with some aspect of political space. Although the participants may be loosely classified as realists, neo-realists, constructivists, and postinternationalists, the essays are not fitted to the usual theoretical pigeonholes. What they do share is a continued faith in empirical research, and a collective sense of discovery.
The Internet is a new battleground between governments that censor online content and those who advocate Internet freedom. This report examines the implications of Internet freedom for state-society relations in nondemocratic regimes.
The Space between Us brings the connection between geography, psychology, and politics to life. By going into the neighborhoods of real cities, Enos shows how our perceptions of racial, ethnic, and religious groups are intuitively shaped by where these groups live and interact daily. Through the lens of numerous examples across the globe and drawing on a compelling combination of research techniques including field and laboratory experiments, big data analysis, and small-scale interactions, this timely book provides a new understanding of how geography shapes politics and how members of groups think about each other. Enos' analysis is punctuated with personal accounts from the field. His rigorous research unfolds in accessible writing that will appeal to specialists and non-specialists alike, illuminating the profound effects of social geography on how we relate to, think about, and politically interact across groups in the fabric of our daily lives.
Social and cultural studies are experiencing a 'spatial turn'. Micro-sites, localities, empires as well as virtual or imaginary spaces attract increasing attention. In most of these works, space emerges as a social construct rather than a mere container. This collection examines the potential and limitations of spatial approaches for the political history of pre-industrial Europe. Adopting a broad definition of 'political', the volume concentrates on two key questions: Where did political exchange take place? How did spatial dimensions affect political life in different periods and contexts? Taken together, the essays demonstrate that pre-modern Europeans made use of a much wider range of political sites than is usually assumed - not just palaces, town halls and courtrooms, but common fields as well as back rooms of provincial inns - and that spatial dimensions provided key variables in political life, both in terms of territorial ambitions and practical governance and in the more abstract forms of patronage networks, representations of power and the emerging public sphere. As such, this book offers a timely and critical engagement with the 'spatial turn' from a political perspective. Focusing on the distinct constitutional environments of England and the Holy Roman Empire - one associated with early centralization and strong parliamentary powers, the other with political fragmentation and absolutist tendencies - it bridges the common gaps between late medieval and early modern studies and those between historians and scholars from other disciplines. Preface, commentary and a sketch of research perspectives discuss the wider implications of the essays' findings and reflect upon the value of spatial approaches for political history as a whole.
This book provides answers to the questions of why human-kind should go into space, and on the relative roles of governments and markets in the evolution of the space economy. It adopts an interdisciplinary approach to answer those questions. Science and technology define the boundaries of what is possible. The realization of the possible depends on economic, institutional, and political factors. The book thus draws from many different academic areas such as physical science, astronomy, astronautics, political science, economics, sociology, cultural studies, and history. In the literature, the space economy has been analyzed using different approaches from science and technology to the effects of public expenditures on economic growth and to medium term effects on productivity and growth. This book brings all these aspects together following the evolutionary theory of economic change. It studies processes that transform the economy through the interactions among diverse economic agents, governments, and the extra-systemic environment in which governments operate. Its historical part helps to better understand motivations and constraints - technical, political, and economical - that shaped the growth of the space economy. In the medium term, global issues - such as population changes, critical or limited natural resources, and environmental damages – and technological innovations are the main drivers for the evolution of the space economy beyond Earth orbit. In universities, this book can be used: as a reference by historians of astronautics; for researchers in the field of astronautics, international political economy, and legal issues related to the space economy. In think tanks and public institutions, both national and international, this book provides an input to the ongoing debate on the collaboration among space agencies and the role of private companies in the development of the space economy. Finally, this book will help the educated general public to orient himself in the forest of stimuli, news, and solicitations to which he is daily subjected by the media, television and radio, and to react in less passive ways to those stimuli.
This book studies the tension between arts and politics in four contemporary artists from different countries, working with different media. The film directors Luc and Jean-Pierre Dardenne film parts of their natal city to refer to specific political problems in interpersonal relations. The novelist Arundhati Roy uses her poetic language to make room for people’s desires; her fiction is utterly political and her political essays make place for the role of narratives and poetic language. Ai Weiwei uses references to Chinese history to give consistency to its ‘economic miracle’. Finally, Burial’s electronic music is firmly rooted in a living, breathing London; built to create a sound that is entirely new, and yet hauntingly familiar. These artists create in their own way a space for politics in their works and their oeuvre but their singularity comes together as a desire to reconstruct the political space within art from its ruins. These ruins were brought by the disenchantment of 1970s: the end of art, postmodernism, and the rise of design, marketing and communication. Each artwork bears the mark of the resistance against the depoliticisation of society and the arts, at once rejecting cynicism and idealism, referring to themes and political concepts that are larger than their own domain. This book focuses on these productive tensions.
A volume of 12 essays which together provide a critique of the statecentricity of contemporary political thought and an empirical study of the nature and effects of municipal radicalism. Magnusson (political science, U. of Victoria) argues for a postmodern approach to politics, asserting that the dialectic of sovereignty continues to confuse people's search for an effective political space. Paper edition (unseen), $21.95. Annotation copyrighted by Book News, Inc., Portland, OR
