Boston, 1769: Ethan Kaille, a Boston thieftaker who uses his conjuring to catch criminals, has snared villains and defeated magic that would have daunted a lesser man. What starts out as a mysterious phenomenon that has local ministers confused becomes something far more serious. A ruthless, extremely powerful conjurer seeks to wake the souls of the dead to wreak a terrible revenge on all who oppose him. Kaille's minister friends have been helpless to stop crimes against their church. Graves have been desecrated in a bizarre, ritualistic way. Equally disturbing are reports of recently deceased citizens of Boston reappearing as grotesquely disfigured shades, seemingly having been disturbed from their eternal rest, and now frightening those who had been nearest to them in life. But most personally troubling to Kaille is a terrible waning of his ability to conjure. He knows all these are related...but how? When Ethan discovers the source of this trouble, he realizes that his conjure powers and those of his friends will not be enough to stop a madman from becoming all-powerful. But somehow, using his wits, his powers, and every other resource he can muster, Ethan must thwart the monster's terrible plan and restore the restless souls of the dead to the peace of the grave. Let the battle for souls begin in Plunder of Souls, the third, stand-alone novel in Jackson's acclaimed Thieftaker series.
Boston, 1767: Revolution is brewing and intrigue swirls around firebrands. But for a thieftaker who makes his living by conjuring spells that help him solve crimes, politics is for others until he is asked to recover a necklace worn by the murdered daughter of a prominent family.
Let the battle for souls begin in Dead Man's Reach, the fourth, stand-alone novel in D.B. Jackson's acclaimed Thieftaker series. Boston, 1770: The city is a powder keg as tensions between would-be rebels and loyalist torries approach a breaking point and one man is willing to light the match that sets everything off to ensure that he has his revenge. The presence of the British Regulars has made thieftaking a hard business to be in and the jobs that are available are reserved for Sephira Pryce. Ethan Kaille has to resort to taking on jobs that he would otherwise pass up, namely protecting the shops of Torries from Patriot mobs. But, when one British loyalist takes things too far and accidentally kills a young boy, even Ethan reconsiders his line of work. Even more troubling is that instances of violence in the city are increasing, and Ethan often finds himself at the center of the trouble. Once Ethan realizes why he is at the center of all the violence, he finds out that some enemies don't stay buried and will stop at nothing to ruin Ethan's life. Even if that means costing the lives of everyone in Boston, including the people that Ethan loves most.
A New York Times Critics’ Best Nonfiction Book of 2021 Canadian Jewish Literary Award for Biography From a gifted young writer, the story of his quest to reclaim his family’s apartment building in Poland—and of the astonishing entanglement with Nazi treasure hunters that follows Menachem Kaiser’s brilliantly told story, woven from improbable events and profound revelations, is set in motion when the author takes up his Holocaust-survivor grandfather’s former battle to reclaim the family’s apartment building in Sosnowiec, Poland. Soon, he is on a circuitous path to encounters with the long-time residents of the building, and with a Polish lawyer known as “The Killer.” A surprise discovery—that his grandfather’s cousin not only survived the war, but wrote a secret memoir while a slave laborer in a vast, secret Nazi tunnel complex—leads to Kaiser being adopted as a virtual celebrity by a band of Silesian treasure seekers who revere the memoir as the indispensable guidebook to Nazi plunder. Propelled by rich original research, Kaiser immerses readers in profound questions that reach far beyond his personal quest. What does it mean to seize your own legacy? Can reclaimed property repair rifts among the living? Plunder is both a deeply immersive adventure story and an irreverent, daring interrogation of inheritance—material, spiritual, familial, and emotional.
A time traveler trapped in a violent past must protect the orphaned child of a murdered sovereign and find a way home, in this astonishing epic fantasy novel. Fifteen year-old Tobias Doljan, a Walker trained to travel through time, is called to serve at the court of Daerjen. The sovereign, Mearlan IV, wants him to Walk back fourteen years, to prevent a devastating war which will destroy all of Islevale. Even though the journey will double Tobias' age, he agrees. But he arrives to discover Mearlan has already been assassinated, and his court destroyed. The only survivor is the infant princess, Sofya. Still a boy inside his newly adult body, Tobias must find a way to protect the princess from assassins, and build himself a future... in the past. File Under: Fantasy [ Time Demons | They See Me Walkin' | Young Inside | Disturbing Allies ]
It was the largest organized robbery in history: the systematic looting of Europe's Jews by the Nazis, in cooperation with most of the nations in Europe?Axis, Allied, and neutral. Award--winning journalist Richard Z. Chesnoff, one of the first reporters to break the story that Swiss banks had hoarded the assets of Holocaust victims, traveled to fourteen countries to research this heartbreaking, compelling story of human greed. Through exclusive interviews and information from hitherto classified files, Chesnoff tells a tragic tale, the vast scope of which is only beginning to be known. Revealing new details that many would prefer remained secret, Pack of Thieves describes the detective work used to trace Holocaust assets that continue to be hidden inside the financial systems of such Allied nations as France and the Netherlands. Daring, insightful, and necessary, Pack of Thieves is at once a fascinating piece of investigative journalism and an enraging account of one of history's greatest crimes.
"A fascinating account of both the historical and current struggle of Native Americans to recover sacred objects that have been plundered and sold to museums. Museum curator and anthropologist Chip Colwell asks the all-important question: Who owns the past? Museums that care for the objects of history or the communities whose ancestors made them?"--Provided by the publisher
“Saudi Arabia is more and more an irrational state—a place that spawns global terrorism even as it succumbs to an ancient and deeply seated isolationism, a kingdom led by a royal family that can’t get out of the way of its own greed. Is this the fulcrum we want the global economy to balance on?” In his explosive New York Times bestseller, See No Evil, former CIA operative Robert Baer exposed how Washington politics drastically compromised the CIA’s efforts to fight global terrorism. Now in his powerful new book, Sleeping with the Devil, Baer turns his attention to Saudi Arabia, revealing how our government’s cynical relationship with our Middle Eastern ally and America’ s dependence on Saudi oil make us increasingly vulnerable to economic disaster and put us at risk for further acts of terrorism. For decades, the United States and Saudi Arabia have been locked in a “harmony of interests.” America counted on the Saudis for cheap oil, political stability in the Middle East, and lucrative business relationships for the United States, while providing a voracious market for the kingdom’ s vast oil reserves. With money and oil flowing freely between Washington and Riyadh, the United States has felt secure in its relationship with the Saudis and the ruling Al Sa’ud family. But the rot at the core of our “friendship” with the Saudis was dramatically revealed when it became apparent that fifteen of the nineteen September 11 hijackers proved to be Saudi citizens. In Sleeping with the Devil, Baer documents with chilling clarity how our addiction to cheap oil and Saudi petrodollars caused us to turn a blind eye to the Al Sa’ud’s culture of bribery, its abysmal human rights record, and its financial support of fundamentalist Islamic groups that have been directly linked to international acts of terror, including those against the United States. Drawing on his experience as a field operative who was on the ground in the Middle East for much of his twenty years with the agency, as well as the large network of sources he has cultivated in the region and in the U.S. intelligence community, Baer vividly portrays our decades-old relationship with the increasingly dysfunctional and corrupt Al Sa’ud family, the fierce anti-Western sentiment that is sweeping the kingdom, and the desperate link between the two. In hopes of saving its own neck, the royal family has been shoveling money as fast as it can to mosque schools that preach hatred of America and to militant fundamentalist groups—an end game just waiting to play out. Baer not only reveals the outrageous excesses of a Saudi royal family completely out of touch with the people of its kingdom, he also takes readers on a highly personal search for the deeper roots of modern terrorism, a journey that returns time again and again to Saudi Arabia: to the Wahhabis, the powerful Islamic sect that rules the Saudi street; to the Taliban and al Qaeda, both of which Saudi Arabia helped to underwrite; and to the Muslim Brotherhood, one of the most active and effective terrorist groups in existence, which the Al Sa’ud have sheltered and funded. The money and arms that we send to Saudi Arabia are, in effect, being used to cut our own throat, Baer writes, but America might have only itself to blame. So long as we continue to encourage the highly volatile Saudi state to bank our oil under its sand—and so long as we continue to grab at the Al Sa’ud’s money—we are laying the groundwork for a potential global economic catastrophe.
Book #1 in The Case Files of Justis Fearsson, a new contemporary fantasy series from fantasy all-star David B. Coe. A hardboiled, magic-using private detective hunts a serial killer in Phoenix, Arizona. Justis Fearsson is a private investigator on the trail of a serial killer in Phoenix, Arizona. Justis is also a weremyste¾a person with a wizards gifts and the ability to see into the paranormal world. Unfortunately, weremystes also tend to go crazy on the full moon¾which is why Justis is no longer a cop. Hard to explain those absences as anything but mental breakdown. But now an old case from his police detective days has come back to haunt him, literally, as a serial killer known as the Blind Angel strikes again. His signature stroke: burning out the victims eyes with magic. Now the victims are piling up, including the daughter of a senator, and Justis must race to stop the Blind Angel before he, she, or it kills again. Theres only one clue hes got to go on: the Blind Angel is using the most powerful magic Justis has ever encountered, and if he doesnt watch his own magical step, he may end up just as dead as the other vics. At the publisher's request, this title is sold without DRM (Digital Rights Management). About David B. Coe's Rules of Ascension: "War and politics, love and magic, all drawn in detail against a vividly imagined feudal background. A complex and excellent book." ¾David Drake, author of Lord of the Isles ". . . epic . . . a world of rival nobles, sinister mages, and a few men and women of courage and conviction. Well-developed characters and an intriguing political background . . ."¾Library Journal About David B. Coe's Shapers of Darkness: ". . . imaginative world building, superior characterization, and sound prose . . ."¾Booklist
For readers of Roberto Bolaño's Savage Detectives and Muriel Spark's Loitering with Intent, this "sublime" and "delightfully unhinged" metaphysical mystery disguised as a picaresque romp follows one poet's spectacular fall from grace to ask a vital question: Is everyone a plagiarist? (Nicolette Polek, author of Imaginary Museums). A scandal has shaken the literary world. As the unnamed narrator of Dead Souls discovers at a cultural festival in central London, the offender is Solomon Wiese, a poet accused of plagiarism. Later that same evening, at a bar near Waterloo Bridge, our narrator encounters the poet in person, and listens to the story of Wiese's rise and fall, a story that takes the entire night—and the remainder of the novel—to tell. Wiese reveals his unconventional views on poetry, childhood encounters with "nothingness," a conspiracy involving the manipulation of documents in the public domain, an identity crisis, a retreat to the country, a meeting with an ex-serviceman with an unexpected offer, the death of an old poet, a love affair with a woman carrying a signpost, an entanglement with a secretive poetry cult, and plans for a triumphant return to the capital, through the theft of poems, illegal war profits, and faked social media accounts—plans in which our narrator discovers he is obscurely implicated. Dead Souls is a metaphysical mystery brilliantly encased in a picaresque romp, a novel that asks a vital question for anyone who makes or engages with art: Is everyone a plagiarist?
