A picturesque Tour in the Island of Jamaica, from drawings made in the years 1820 and 1821
Author: James Hakewill
Publisher:
Published: 1825
Total Pages: 118
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: James Hakewill
Publisher:
Published: 1825
Total Pages: 118
ISBN-13:
DOWNLOAD EBOOKAuthor: James Hakewill
Publisher: Literary Licensing, LLC
Published: 2014-08-07
Total Pages: 104
ISBN-13: 9781498136532
DOWNLOAD EBOOKThis Is A New Release Of The Original 1825 Edition.
Author: James Hakewill
Publisher: Alpha Edition
Published: 2020-06-16
Total Pages: 102
ISBN-13: 9789354027956
DOWNLOAD EBOOKThis book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author: James Hakewill
Publisher:
Published: 1825
Total Pages: 112
ISBN-13:
DOWNLOAD EBOOKAuthor: James Hakewill
Publisher:
Published: 1824
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: James Hakewill
Publisher:
Published: 1825
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: James Hakewill
Publisher: Palala Press
Published: 2015-09-09
Total Pages: 108
ISBN-13: 9781342043030
DOWNLOAD EBOOKThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: William Thomas Lowndes
Publisher:
Published: 1859
Total Pages: 326
ISBN-13:
DOWNLOAD EBOOKAuthor: Henry Stevens Son & Stiles
Publisher:
Published: 1684
Total Pages: 212
ISBN-13:
DOWNLOAD EBOOKAuthor: CharmaineA. Nelson
Publisher: Routledge
Published: 2017-07-05
Total Pages: 526
ISBN-13: 1351548522
DOWNLOAD EBOOKSlavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily assume that nineteenth-century Montreal and Jamaica were worlds apart, but through her astute examination of marine landscape art, the author re-connects these two significant British island colonies, sites of colonial ports with profound economic and military value. Through an analysis of prints, illustrated travel books, and maps, the author exposes the fallacy of their disconnection, arguing instead that the separation of these colonies was a retroactive fabrication designed in part to rid Canada of its deeply colonial history as an integral part of Britain's global trading network which enriched the motherland through extensive trade in crops produced by enslaved workers on tropical plantations. The first study to explore James Hakewill's Jamaican landscapes and William Clark's Antiguan genre studies in depth, it also examines the Montreal landscapes of artists including Thomas Davies, Robert Sproule, George Heriot and James Duncan. Breaking new ground, Nelson reveals how gender and race mediated the aesthetic and scientific access of such - mainly white, male - artists. She analyzes this moment of deep political crisis for British slave owners (between the end of the slave trade in 1807 and complete abolition in 1833) who employed visual culture to imagine spaces free of conflict and to alleviate their pervasive anxiety about slave resistance. Nelson explores how vision and cartographic knowledge translated into authority, which allowed colonizers to 'civilize' the terrains of the so-called New World, while belying the oppression of slavery and indigenous displacement.