“Like Texas’s founding fathers, Sweatt fearlessly faced evil, and made Texas a better place. His story is our story, and Gary Lavergne tells it well.” –Paul Begala, political contributor, CNN Winner of the Coral Horton Tullis Prize for Best Book of Texas History by the Texas State Historical Association Winner of the Carr P. Collins Award for Best Work of Non-fiction by the Texas Institute of Letters On February 26, 1946, an African American from Houston applied for admission to the University of Texas School of Law. Although he met all of the school’s academic qualifications, Heman Marion Sweatt was denied admission because he was black. He challenged the university’s decision in court, and the resulting case, Sweatt v. Painter, went to the U.S. Supreme Court, which ruled in Sweatt’s favor. In this engrossing, well-researched book, Gary M. Lavergne tells the fascinating story of Heman Sweatt’s struggle for justice and how it became a milestone for the civil rights movement. He reveals that Sweatt was a central player in a master plan conceived by the National Association for the Advancement of Colored People (NAACP) for ending racial segregation in the United States. Lavergne masterfully describes how the NAACP used the Sweatt case to practically invalidate the “separate but equal” doctrine that had undergirded segregated education for decades. He also shows how the Sweatt case advanced the career of Thurgood Marshall, whose advocacy of Sweatt taught him valuable lessons that he used to win the Brown v. Board of Education case in 1954 and ultimately led to his becoming the first black Associate Justice of the Supreme Court.
Rosewood is a historically African American neighborhood on the east side of Austin. It takes its name from Rosewood Avenue, which runs through the heart of the area. Rosewood was first settled by Europeans in the late 19th century, and beginning in the 1910s, the City of Austin adopted as official policy the goal of segregating African Americans in East Austin. Rosewood has been the official home of Austin's Juneteenth, or Emancipation Day, celebration. June 19th was the day that news of the Emancipation Proclamation reached Texas--two years after the fact. The exact location of the celebration has changed over the years, but whether it was Emancipation Park or Rosewood Park, Austin's major Juneteenth event has always been in Rosewood.
This is the first major collection of criticism on Black American cinema. From the pioneering work of Oscar Micheaux and Wallace Thurman to the Hollywood success of Spike Lee, Black American filmmakers have played a remarkable role in the development of the American film, both independent and mainstream. In this volume, the work of early Black filmmakers is given serious attention for the first time. Individual essays consider what a Black film tradition might be, the relation between Black American filmmakers and filmmakers from the diaspora, the nature of Black film aesthetics, the artist's place within the community, and the representation of a Black imaginary. Black American Cinema also uncovers the construction of Black sexuality on screen, the role of Black women in independent cinema, and the specific question of Black female spectatorship. A lively and provocative group of essays debate the place and significance of Spike Lee Of crucial importance are the ways in which the essays analyze those Black directors who worked for Hollywood and whose films are simplistically dismissed as sell-outs, to the Hollywood "master narrative," as well as those "crossover" filmmakers whose achievements entail a surreptitious infiltration of the studios. Black American Cinema demonstrates the wealth of the Black contribution to American film and the complex course that contribution has taken. Contributors: Houston Baker, Jr., Toni Cade Bambara, Amiri Baraka, Jacquie Bobo, Richard Dyer, Jane Gaines, Henry Louis Gates, Jr., Ron Green, Ed Guerrero, bell hooks, Phyllis Klotman, Ntongele Masilela, Clyde Taylor, and Michele Wallace.
State capital and home of the University of Texas, Austin is the one city that belongs to all Texans. This finely written book, illustrated with historic photographs, tells the story of Austin’s transformation from an “Indian haunted” frontier village into a residential mecca and high-tech hot spot. Called by Sam Houston at its founding the “most unfortunate site upon earth for the seat of government,” the infant community struggled for three decades against political enemies and competing towns before winning recognition as the permanent capital. The founding of the University of Texas turned the seat of politics into the seat of education, but Austin’s nineteenth-century dreams of becoming a river port and a factory town came to naught. A slave city in a slave state, Austin cast its lot with the Confederacy. Retaining a frontier flavor into the 1890s, post–Civil War Austin became the headquarters of the Texas gambling fraternity and a magnet for cowmen seeking “booze and women of the night.” Turning the nineteenth-century frontier town into an appealing twentieth-century residential community taxed the energies of civic leaders for several decades. Virtually parkless and with no paved streets in 1900, Austin by the 1940s boasted tree-lined boulevards, a cornucopia of parks and pools, and a leisurely lifestyle. But for African American residents these were years of oppressive segregation. Mexicans encountered similar treatment as Austin became a tri-ethnic community during the 1920s and 1930s. Segregation gradually gave way in a divisive but nonviolent struggle. While adjusting to this, Austin experienced eye-popping expansion. Fearful that Austin would become “another Houston,” residents sought to preserve the lifestyle that had made the capital city such an attractive place to live.
Comparing the private black colleges of Texas with its public institutions and with other black colleges across the nation, Michael R. Heintze convincingly supports the revisionist view of these schools as valuable social institutions instead of the corrupt and inadequate imitations critics have called them. In his comparisons, Heintze discusses historical backgrounds, curricula, and finances. He concludes that despite poor financing, limited facilities, and shortages of teachers and equipment, the independent black colleges in Texas made vital, unique, and lasting contributions.