A Patriot After All, 1940-1941
Author: George Orwell
Publisher:
Published: 1998
Total Pages: 608
ISBN-13: 9780436203770
DOWNLOAD EBOOKRead and Download eBook Full
Author: George Orwell
Publisher:
Published: 1998
Total Pages: 608
ISBN-13: 9780436203770
DOWNLOAD EBOOKAuthor: Natasha Periyan
Publisher: Bloomsbury Publishing
Published: 2018-06-14
Total Pages: 295
ISBN-13: 1350019852
DOWNLOAD EBOOKWinner of the 2018 International Standing Conference for the History of Education's First Book Award Drawing on a rich array of archival sources and historical detail, The Politics of 1930s British Literature tells the story of a school-minded decade and illuminates new readings of the politics and aesthetics of 1930s literature. In a period of shifting political claims, educational policy shaped writers' social and gender ideals. This book explores how a wide array of writers including Virginia Woolf, W.H. Auden, George Orwell, Winifred Holtby and Graham Greene were informed by their pedagogic work. It considers the ways in which education influenced writers' analysis of literary style and their conception of future literary forms. The Politics of 1930s British Literature argues that to those perennial symbols of the 1930s, the loudspeaker and the gramophone, should be added the textbook and the blackboard.
Author: Michael Bailey
Publisher: John Wiley & Sons
Published: 2011-12-27
Total Pages: 231
ISBN-13: 1405194944
DOWNLOAD EBOOKAwarded 2013 PROSE Honorable Mention in Media & Cultural Studies With the resurgent interest in his work today, this is a timely reevaluation of this foundational figure in Cultural Studies, a critical but friendly review of both Hoggart's work and reputation. Re-examines the reputation of one of the ‘inventors’ of Cultural Studies Uses new archival sources to critically evaluate Hoggart's contribution and influence, set his work in context, and determine its current relevance Addresses detractors and their positions of Hoggart, delineating long-term ideological battles within academia Brings cultural studies, literary criticism, and social history to bear on this figure whose interests spread across disciplines, to create a text which blends many threads into a coherent whole
Author: A. Reeve-Tucker
Publisher: Springer
Published: 2013-05-07
Total Pages: 213
ISBN-13: 1137336625
DOWNLOAD EBOOKUtopianism, Modernism, and Literature in the Twentieth Century considers the links between utopianism and modernism in two ways: as an under-theorized nexus of aesthetic and political interactions; and as a sphere of confluences that challenges accepted critical models of modernist and twentieth-century literary history. An international group of scholars considers works by E. M. Forster, Ford Madox Ford, Wyndham Lewis, Naomi Mitchison, Katharine Burdekin, Rex Warner, Yevgeny Zamyatin, Thomas Pynchon, Elizabeth Bowen, James Baldwin, Toni Morrison, and Ernst Bloch. In doing so, this volume's contributors prompt new reflections on key aspects of utopianism in experimental twentieth-century literature and non-fictional writing; deepen literary-historical understandings of modernism's socio-political implications; and bear out the on-going relevance of modernism's explorations of utopian thought. Utopianism, Modernism, and Literature in the Twentieth Century will appeal to anyone with an interest in how deeply and how differently modernist writers, as well as writers influenced by or resistant to modernist styles, engaged with issues of utopianism, perfectibility, and social betterment.
Author: Philip Bounds
Publisher: Peter Lang
Published: 2008
Total Pages: 326
ISBN-13: 9783039110155
DOWNLOAD EBOOKScholars in Media Studies increasingly take the view that our understanding of the history of the discipline is deeply inadequate. It is now widely recognised that a large number of important media analysts have simply been omitted from the standard histories. This book aims to fill in some of the gaps by examining the work of eleven neglected writers, each of whom has made a seminal contribution to the analysis of the media but whose work rarely appears in student textbooks, anthologies and readers. In keeping with the interdisciplinary ambitions of contemporary Media Studies, the selected thinkers are drawn from a wide range of historical periods and intellectual backgrounds. There are chapters on sociologists, creative writers, cultural theorists, art critics, journalists and even ancient Greek philosophers. The aims of the book are by no means purely antiquarian. The contributors believe that a revival of interest in the work of their chosen writers can go a long way towards revitalising Media Studies, especially by (1) drawing attention to a variety of theoretical and methodological approaches which have yet to be adequately exploited, (2) suggesting new areas of research, and (3) transforming our understanding of the historical development of Media Studies.
Author: Owen Dudley-Edwards
Publisher: Birlinn
Published: 2014-10-01
Total Pages: 460
ISBN-13: 0857907530
DOWNLOAD EBOOKIn a boarding house in West Port, an old army pensioner dies of natural causes. He owes the landlord rent. Instead of burying the body, the landlord, William Hare, and his friend, William Burke, fill the coffin with bark and sell the corpse to Dr. Robert Knox, an ambitious Edinburgh anatomist. They make a profit of GBP3 and 10 shillings. After this encouraging outcome, Burke and Hare decide to suffocate another sickly tenant. So begins the criminal career of the most notorious double act in serial killing. Here is the unvarnished, human story behind the infamous Burke and Hare murders. We delve into their past, their personalities and the circumstances that made them resort to murder as a money-making scheme. It's a tale of desperation and greed, of outsiders, ambition, corruption and betrayal. And it's all true!
Author: Benjamin Kohlmann
Publisher: Oxford English Monographs
Published: 2014
Total Pages: 235
ISBN-13: 0198715463
DOWNLOAD EBOOKCommitted Styles offers a new understanding of the politicized literature of the 1930s and its relationship to modernism. It reclaims a central body of literary and critical works for modernist studies, offering in-depth readings of texts by T.S. Eliot and I.A. Richards, as well as by key left-wing authors including William Empson, David Gascoyne, Charles Madge, Humphrey Jennings, and Edward Upward. Building on substantial new archival research, Benjamin Kohlmann explores the deep tensions between modernist experimentation and political vision that lie at the heart of these works. Taking as its focus the work of these writers, the book argues that the close interactions between literary production, critical reflection, and political activism in the decade shaped the influential view of modernism as fundamentally apolitical. Intervening in debates about the long life of modernism, it contends that we need to take seriously the anti-modernist impulse of 1930s left-wing literature even when attention is paid to the formal complexity of these 'committed' works. The tonal ambiguities which run through the politicised literature of the 1930s thus effect not a disengagement from but a more thorough immersion in the profoundly conflicted political commitments of the decade. At the same time, the study shows that debates about the politics of writing in the 1930s continue to inform current debates about the relationship between literature and political commitment.
Author: Philip Bounds
Publisher: Bloomsbury Publishing
Published: 2009-03-16
Total Pages: 321
ISBN-13: 085773282X
DOWNLOAD EBOOKWhether as a fighter in the Spanish Civil War, an advocate of patriotic Socialism or a left-wing opponent of the Soviet Union, George Orwell was the ultimate outsider in politics - insecure, scornful of orthodoxies, cussedly independent. Best known today as the author of Animal Farm and Nineteen Eighty-Four, Orwell also wrote seven other full-length books and and a vast number of essays, articles and reviews. A pioneering cultural critic, he addressed a range of important issues including art, literature, 'Englishness', mass communication and the spectre of totalitarianism. Famously describing his own background as 'lower-upper-middle class', Orwell had a complex relationship with Marxism and all his work reflects the influence of British communism. In this thoughtful and original study Philip Bounds argues that Orwell's writings effectively took the form of a dialogue with the leading British Marxists of his day. Bounds shows that Orwell often agreed with the Marxists and built on their insights in his writings, while on other occasions he used his disagreements with them as the basis of his own critical position. Through close analysis of Orwell's writings as well as his historical and literary context, Bounds has produced an important study of one of the iconic writers of the 20th century. 'Orwell and Marxism' offers a thorough introduction to Orwell the intellectual, reviving his reputation as a serious cultural thinker and documenting his most important influences, as well as a convincing portrait of British Marxism and society in the 1930s and 40s.
Author: Steve Ellis
Publisher: Cambridge University Press
Published: 2014-10-27
Total Pages: 261
ISBN-13: 1316061566
DOWNLOAD EBOOKThis book considers the literary construction of what E. M. Forster calls 'the 1939 State', namely the anticipation of the Second World War between the Munich crisis of 1938 and the end of the Phoney War in the spring of 1940. Steve Ellis investigates not only myriad responses to the imminent war but also various peace aims and plans for post-war reconstruction outlined by such writers as T. S. Eliot, H. G. Wells, J. B. Priestley, George Orwell, E. M. Forster and Leonard and Virginia Woolf. He argues that the work of these writers is illuminated by the anxious tenor of this period. The result is a novel study of the 'long 1939', which transforms readers' understanding of the literary history of the eve-of-war era.
Author: Beryl Pong
Publisher: Oxford University Press
Published: 2020-05-14
Total Pages: 369
ISBN-13: 0192577654
DOWNLOAD EBOOKBritish Literature and Culture in Second World Wartime excavates British late modernism's relationship to war in terms of chronophobia: a joint fear of the past and future. As a wartime between, but distinct from, those of the First World War and the Cold War, Second World wartime involves an anxiety that is both repetition and imaginary: both a dread of past violence unleashed anew, and that of a future violence still ungraspable. Identifying a constellation of temporalities and affects under three tropes--time capsules, time zones, and ruins--this volume contends that Second World wartime is a pivotal moment when wartime surpassed the boundaries of a specific state of emergency, becoming first routine and then open-ended. It offers a synoptic, wide-ranging look at writers on the home front, including Henry Green, Elizabeth Bowen, Virginia Woolf, and Rose Macaulay, through a variety of genres, such as life-writing, the novel, and the short story. It also considers an array of cultural and archival material from photographers such as Cecil Beaton, filmmakers such as Charles Crichton, and artists such as John Minton. It shows how figures harnessed or exploited their media's temporal properties to formally register the distinctiveness of this wartime through a complex feedback between anticipation and retrospection, oftentimes fashioning the war as a memory, even while it was taking place. While offering a strong foundation for new readers of the mid-century, the book's overall theoretical focus on chronophobia will be an important intervention for those already working in the field.