A Patriot After All, 1940-1941

A Patriot After All, 1940-1941

Author: George Orwell

Publisher: Harvill Secker

Published: 1998

Total Pages: 624

ISBN-13:

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For the twenty-month period of this volume, there are reproduced 123 book, 38 theatre, and 43 film reviews. INSIDE THE WHALE, Orwell's first collection of essays, and THE LION AND THE UNICORN: SOCIALISM AND THE ENGLISH GENIUS are reprinted here. Later in that year he gave a series of broadcasts on literary criticism, the texts of which are reproduced. Throughout this period Orwell kept a wartime diary; its entries are here printed chronologically with his reviews, essays, and letters and it is here that Orwell makes the first reference to his wish to live on a Hebridean island. It was in 1941 that Orwell began his series of 'London Letters' for PARTISAN REVIEW. The volume also includes Orwell's lecture notes for instructing members of his Home Guard platoon.


The Politics of 1930s British Literature

The Politics of 1930s British Literature

Author: Natasha Periyan

Publisher: Bloomsbury Publishing

Published: 2018-06-14

Total Pages: 296

ISBN-13: 1350019860

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Drawing on a rich array of archival sources and historical detail, The Politics of 1930s British Literature tells the story of a school-minded decade and illuminates new readings of the politics and aesthetics of 1930s literature. In a period of shifting political claims, educational policy shaped writers' social and gender ideals. This book explores how a wide array of writers including Virginia Woolf, W.H. Auden, George Orwell, Winifred Holtby and Graham Greene were informed by their pedagogic work. It considers the ways in which education influenced writers' analysis of literary style and their conception of future literary forms. The Politics of 1930s British Literature argues that to those perennial symbols of the 1930s, the loudspeaker and the gramophone, should be added the textbook and the blackboard.


A Patriot After All, 1940-1941

A Patriot After All, 1940-1941

Author: George Orwell

Publisher: Random House

Published: 2000

Total Pages: 610

ISBN-13: 0436205408

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Spanning a period of 20 months, this volume is part of The Complete Works of George Orwell, available as a separate book. It includes essays, film, book and theatre reviews and the transcripts of a series of broadcasts on literary criticism.


Understanding Richard Hoggart

Understanding Richard Hoggart

Author: Michael Bailey

Publisher: John Wiley & Sons

Published: 2011-11-28

Total Pages: 231

ISBN-13: 1444346555

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Awarded 2013 PROSE Honorable Mention in Media & Cultural Studies With the resurgent interest in his work today, this is a timely reevaluation of this foundational figure in Cultural Studies, a critical but friendly review of both Hoggart's work and reputation. Re-examines the reputation of one of the ‘inventors’ of Cultural Studies Uses new archival sources to critically evaluate Hoggart's contribution and influence, set his work in context, and determine its current relevance Addresses detractors and their positions of Hoggart, delineating long-term ideological battles within academia Brings cultural studies, literary criticism, and social history to bear on this figure whose interests spread across disciplines, to create a text which blends many threads into a coherent whole


Utopianism, Modernism, and Literature in the Twentieth Century

Utopianism, Modernism, and Literature in the Twentieth Century

Author: A. Reeve-Tucker

Publisher: Springer

Published: 2013-05-07

Total Pages: 213

ISBN-13: 1137336625

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Utopianism, Modernism, and Literature in the Twentieth Century considers the links between utopianism and modernism in two ways: as an under-theorized nexus of aesthetic and political interactions; and as a sphere of confluences that challenges accepted critical models of modernist and twentieth-century literary history. An international group of scholars considers works by E. M. Forster, Ford Madox Ford, Wyndham Lewis, Naomi Mitchison, Katharine Burdekin, Rex Warner, Yevgeny Zamyatin, Thomas Pynchon, Elizabeth Bowen, James Baldwin, Toni Morrison, and Ernst Bloch. In doing so, this volume's contributors prompt new reflections on key aspects of utopianism in experimental twentieth-century literature and non-fictional writing; deepen literary-historical understandings of modernism's socio-political implications; and bear out the on-going relevance of modernism's explorations of utopian thought. Utopianism, Modernism, and Literature in the Twentieth Century will appeal to anyone with an interest in how deeply and how differently modernist writers, as well as writers influenced by or resistant to modernist styles, engaged with issues of utopianism, perfectibility, and social betterment.


Recharting Media Studies

Recharting Media Studies

Author: Philip Bounds

Publisher: Peter Lang

Published: 2008

Total Pages: 326

ISBN-13: 9783039110155

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Scholars in Media Studies increasingly take the view that our understanding of the history of the discipline is deeply inadequate. It is now widely recognised that a large number of important media analysts have simply been omitted from the standard histories. This book aims to fill in some of the gaps by examining the work of eleven neglected writers, each of whom has made a seminal contribution to the analysis of the media but whose work rarely appears in student textbooks, anthologies and readers. In keeping with the interdisciplinary ambitions of contemporary Media Studies, the selected thinkers are drawn from a wide range of historical periods and intellectual backgrounds. There are chapters on sociologists, creative writers, cultural theorists, art critics, journalists and even ancient Greek philosophers. The aims of the book are by no means purely antiquarian. The contributors believe that a revival of interest in the work of their chosen writers can go a long way towards revitalising Media Studies, especially by (1) drawing attention to a variety of theoretical and methodological approaches which have yet to be adequately exploited, (2) suggesting new areas of research, and (3) transforming our understanding of the historical development of Media Studies.


Burke and Hare

Burke and Hare

Author: Owen Dudley-Edwards

Publisher: Birlinn

Published: 2014-10-01

Total Pages: 460

ISBN-13: 0857907530

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In a boarding house in West Port, an old army pensioner dies of natural causes. He owes the landlord rent. Instead of burying the body, the landlord, William Hare, and his friend, William Burke, fill the coffin with bark and sell the corpse to Dr. Robert Knox, an ambitious Edinburgh anatomist. They make a profit of GBP3 and 10 shillings. After this encouraging outcome, Burke and Hare decide to suffocate another sickly tenant. So begins the criminal career of the most notorious double act in serial killing. Here is the unvarnished, human story behind the infamous Burke and Hare murders. We delve into their past, their personalities and the circumstances that made them resort to murder as a money-making scheme. It's a tale of desperation and greed, of outsiders, ambition, corruption and betrayal. And it's all true!


Committed Styles

Committed Styles

Author: Benjamin Kohlmann

Publisher: Oxford English Monographs

Published: 2014

Total Pages: 235

ISBN-13: 0198715463

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Committed Styles offers a new understanding of the politicized literature of the 1930s and its relationship to modernism. It reclaims a central body of literary and critical works for modernist studies, offering in-depth readings of texts by T.S. Eliot and I.A. Richards, as well as by key left-wing authors including William Empson, David Gascoyne, Charles Madge, Humphrey Jennings, and Edward Upward. Building on substantial new archival research, Benjamin Kohlmann explores the deep tensions between modernist experimentation and political vision that lie at the heart of these works. Taking as its focus the work of these writers, the book argues that the close interactions between literary production, critical reflection, and political activism in the decade shaped the influential view of modernism as fundamentally apolitical. Intervening in debates about the long life of modernism, it contends that we need to take seriously the anti-modernist impulse of 1930s left-wing literature even when attention is paid to the formal complexity of these 'committed' works. The tonal ambiguities which run through the politicised literature of the 1930s thus effect not a disengagement from but a more thorough immersion in the profoundly conflicted political commitments of the decade. At the same time, the study shows that debates about the politics of writing in the 1930s continue to inform current debates about the relationship between literature and political commitment.