Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
This hilariously readable collection of classic nonsense poetry, delightfully illustrated throughout, is a showcase of comic talent and sheer silliness. The Everyman Book of Nonsense Verse features an eclectic spectrum of contributors ranging wildly from Edward Lear and Lewis Carroll to Hilaire Belloc, Ted Hughes, Ogden Nash, and Shakespeare, with illustrations by Mervyn Peake, Quentin Blake, Emma Chichester Clark, Spike Milligan, and the deliciously sinister Edward Gorey. Such old favorites as “The Owl and the Pussycat” are accompanied by “Macavity: The Mystery Cat” and “Jabberwocky,” while Ted Hughes’s “Wodwo” sits alone by the bank of a stream in a state of innocence and curiosity that mirrors a child’s sense of wonder at the universe. Whether sweetly funny or deliciously naughty, these masterpieces of the art of the absurd will charm readers both young and old.
Welcome to the carnival of nonsense where hankies turn into mischievous cats, a messiah is born with her feet in her mouth, you can fave hun by socking on the ree-raw and your favourite corn cakes are made of . . . are you sure you want to know? For the last eighteen hundred years Indian arts have been seen in terms of strictly classified emotional effects known as the nine rasas. The Tenth Rasa: An Anthology of Indian Nonsense celebrates, for the very first time, what Sukumar Ray called the spirit of whimsy, or the tenth rasa, through the topsy-turvy, irreverent, melodic genre of nonsense literature. This fabulous selection of poetry and prose, brilliantly translated from seventeen Indian languages across India, includes works by Rabindranath Tagore, Sukumar Ray, Vinda Karandikar, Gulzar, Dash Benhur, Manoj Das, Navakanta Barua, Mangesh Padgavkar, Sri Sri, Vaikom Mohammad Basheer, Kunjunni and other known, lesser-known and previously unpublished authors. In forms as varied as stories and songs for children and adults, lullabies, folk tales, Bollywood song lyrics and medieval court verse, the writers open doors to wildly imaginative worlds populated by peculiar characters and fantastical creatures, where only nonsense makes perfect sense. Crackling with wit, wordplay and riotous rhymes, and frequently revelling in pure gibberish, this immensely entertaining collection will delight you from start to finish.
The instant New York Times bestseller featured on NPR's Weekend Edition with Scott Simon! B. J. Novak (bestselling author of The Book With No Pictures) described this groundbreaking poetry collection as "Smart and sweet, wild and wicked, brilliantly funny--it's everything a book for kids should be." Lauded by critics as a worthy heir to such greats as Silverstein, Seuss, Nash and Lear, Harris's hilarious debut molds wit and wordplay, nonsense and oxymoron, and visual and verbal sleight-of-hand in masterful ways that make you look at the world in a whole new wonderfully upside-down way. With enthusiastic endorsements from bestselling luminaries such as Lemony Snicket, Judith Viorst, Andrea Beaty, and many others, this entirely unique collection offers a surprise around every corner. Adding to the fun: Lane Smith, bestselling creator of beloved hits like It's a Book and The Stinky Cheese Man and Other Fairly Stupid Tales, has spectacularly illustrated this extraordinary collection with nearly one hundred pieces of appropriately absurd art. It's a mischievous match made in heaven! "Ridiculous, nonsensical, peculiar, outrageous, possibly deranged--and utterly, totally, absolutely delicious. Read it! Immediately!" --Judith Viorst, bestselling author of Alexander and the Terrible, Horrible, No Good, Very Bad Day
Featuring a foreword by Will Self We’ll all experience recovery at some point in our lives, whether from addiction, physical illness, mental health issues or loss. Many of us heal, and we may discover ways to live with our changed selves, to reclaim a life. We may find a new voice, or unearth a voice that has been submerged. Vitally, recovery can mean community. This anthology – which grew out of a small creative writing class run by Lily Dunn at Hackney Recovery Service, and was later broadened into a nationwide call for submissions by Dunn and her teaching partner, Zoe Gilbert – represents a community of writers: new, unheard voices alongside emerging and established authors. Theirs are stories from the dark back alleys, the deep crevices of the mind, and from the wild, ecstatic heights of life before, during and after recovery. These are voices that urgently need to be heard, in all their variety.
Edward Lear began his career as an ornithological illustrator, becoming one of the first major artists to draw birds from living models. During this period he was employed to paint the birds from the private menagerie owned by Edward Stanley, the 13th Earl of Derby and one of Lear’s closest friends. In 1837, Lear’s health started to decline. His deteriorating eyesight and failing lungs forced him to abandon the detailed painting required for depicting birds, and, with the help of the earl, he moved to Rome where he established himself as a poet of literary nonsense. While Lear was visiting the Earl of Derby, he wrote poems and drew silly sketches to entertain the earl’s children. In 1846, he collected together his pile of limericks and illustrations and published his first poetical book, titled A Book of Nonsense and dedicated to the Earl of Derby and his children. He decided to publish under the pseudonym Derry down Derry, but after he started making plans for more books, he republished under his real name. His next book, Nonsense Songs, Stories, Botany, and Alphabets wasn’t published until 24 years later, in 1870. Lear then released More Nonsense, which contains more limericks, in 1872, and Laughable Lyrics in 1877. This final book in the series contains many of Lear’s most famous fantastical creatures, such as the Quangle Wangle. The influence of Lear’s poetry in the twentieth-century can be seen in styles like the surrealism movement and the theater of the absurd.
Humor buffs and poetry lovers will laugh out loud with this captivating collection of more than 350 limericks featuring limerick legends plus renowned political figures, poets, and writers.