Believing Diad finally dead, Guina is free to marry the man she truly loves and makes him Lord Chamberlain in the process. But Konrud quickly discovers that being the Queen’s husband matters little, and all the plotting and intrigue he experienced back in the Temple was mere child’s play compared to the scheming, assassinations, and double-dealing at the Court. At the top of the list is Pavia. Though she is under house arrest with Alric, that she was once Queen of Gambria, no matter how brief the days, only deepens her resentment and passion to reclaim what she believes is rightfully hers. Next is Dade who has claimed the right to rule Glanon because he is the oldest son, though his father made his younger brother Bradach his heir… a mere technicality that Dade will soon correct. Amidst the turmoil, Guina sends Duncan to talk some sense into Alexis who is still in Drunedun with the nation’s tarracs. The meeting ought to be a surprise as Alexis believes Duncan is dead. And has Raefgot, former wastrel and king’s illegitimate son, finally found true love?
Pavia finally met her match when Guina returned at the head of a combined army and reclaimed the throne. With Bradwr dead, her son and daughter-in-law under house arrest, and Duncan returned as High Priest, Guina can now restore order to the kingdom. All she needs is a new Lord Chamberlain, loyal commanderie lords, and perhaps a new husband who actually loves her. At least that’s the plan. Unfortunately, affairs in the south aren’t looking so good. Alexis is still in Drunedun with all the kingdom’s tarrac looking to establish her own mini-kingdom, while Prince Dade of Glanon has decided his father has lived long enough and needs to step aside – dead or alive... preferably dead. And then there are the mountain tribes of Cinoc Mar who are plotting to wrest part of Gambria away from the kingdom. Then there’s that one little problem of a former king who just won’t die. Oh, by the way, not everyone is thrilled to have Duncan back as High Priest. Already plans are in motion to permanently eliminate him.
It’s 1976 in South Africa. In the black township of Soweto, Zanele works as a nightclub singer and is plotting against the apartheid government. Her best friend Thabo, schoolboy turned gang member, has troubles of his own--a deal gone wrong and some powerful enemies. Across the bridge, in the wealthy white suburbs, Jack plans to spend his last days in Johannesburg burning miles on his beat-up Mustang--until he meets Zanele. Working in her father's shop, Meena finds a packet of banned pamphlets. A series of chance meetings sets off a chain of events--a failed plot, a murdered teacher, a forbidden love and a growing student movement that sweeps across the country like a blazing fire. When Morning Comes is a part of the Duckbill Not Our War series. The NOW series deals with children growing up in times of conflict--powerless, vulnerable, and yet, against all odds, brave and hopeful of a better future.
Discovering a way to tip the scales in favor of the Allied forces when World War II reaches a stalemate, time travelers Dak, Sera and Riq contemplate an audacious spy mission while worrying that their success is rendering them more subject to the control of SQ. By the author of The False Prince.
Greil Marcus, author of Mystery Train, widely acclaimed as the best book ever written about America as seen through its music, began work on this new book out of a fascination with the Sex Pistols: that scandalous antimusical group, invented in London in 1975 and dead within two years, which sparked the emergence of the culture called punk. âeoeI am an antichrist!âe shouted singer Johnny Rottenâe"where in the world of pop music did that come from? Looking for an answer, with a high sense of the drama of the journey, Marcus takes us down the dark paths of counterhistory, a route of blasphemy, adventure, and surprise.This is no mere search for cultural antecedents. Instead, what Marcus so brilliantly shows is that various kinds of angry, absolute demandsâe"demands on society, art, and all the governing structures of everyday lifeâe"seem to be coded in phrases, images, and actions passed on invisibly, but inevitably, by people quite unaware of each other. Marcus lets us hear strange yet familiar voices: of such heretics as the Brethren of the Free Spirit in medieval Europe and the Ranters in seventeenth-century England; the dadaists in Zurich in 1916 and Berlin in 1918, wearing death masks, chanting glossolalia; one Michel Mourre, who in 1950 took over Easter Mass at Notre-Dame to proclaim the death of God; the Lettrist International and the Situationist International, small groups of Parisâe"based artists and writers surrounding Guy Debord, who produced blank-screen films, prophetic graffiti, and perhaps the most provocative social criticism of the 1950s and âe(tm)60s; the rioting students and workers of May âe(tm)68, scrawling cryptic slogans on city walls and bringing France to a halt; the Sex Pistols in London, recording the savage âeoeAnarchy in the U.K.âe and âeoeGod Save the Queen.âe Although the Sex Pistols shape the beginning and the end of the story, Lipstick Traces is not a book about music; it is about a common voice, discovered and transmitted in many forms. Working from scores of previously unexamined and untranslated essays, manifestos, and filmscripts, from old photographs, dada sound poetry, punk songs, collages, and classic texts from Marx to Henri Lefebvre, Marcus takes us deep behind the acknowledged events of our era, into a hidden tradition of moments that would seem imaginary except for the fact that they are real: a tradition of shared utopias, solitary refusals, impossible demands, and unexplained disappearances. Written with grace and force, humor and an insistent sense of tragedy and danger, Lipstick Traces tells a story as disruptive and compelling as the century itself.
It was a battle that would change the course of World War II... New York Times bestselling author Lauren Tarshis commemorates the Normandy landings in this pulse-pounding story of the largest seaborne invasion in history. Eleven-year-old Paul’s French village has been under Nazi control for years. His Jewish best friend has disappeared. Food is scarce. And there doesn’t seem to be anything Paul can do to make things better. Then Paul finds an American paratrooper in a tree near his home. The soldier says the Allies have a plan to crush the Nazis once and for all. But the soldier needs Paul’s help. This is Paul’s chance to make a difference. Soon he finds himself in the midst of the largest invasion in history. Can he do his part to turn horror into hope? New York Times bestselling author Lauren Tarshis tells the story of the battle that became the foundation for the Allied victory in World War II. Includes a section of nonfiction backmatter with more facts about the real-life event.
Formations of Modernity is a major introductory textbook offering an account of the important historical processes, institutions and ideas that have shaped the development of modern societies. This challenging and innovative book 'maps' the evolution of those distinctive forms of political, economic, social and cultural life which characterize modern societies, from their origins in early modern Europe to the nineteenth century. It examines the roots of modern knowledge and the birth of the social sciences in the Enlightenment, and analyses the impact on the emerging identity of 'the West' of its encounters through exploration, trade, conquest and colonization, with 'other civilizations'. Designed as an introduction to modern societies and modern sociological analyses, this book is of value to students on a wide variety of social science courses in universities and colleges and also to readers with no prior knowledge of sociology. Selected readings from a broad range of classical writers (Weber, Durkheim, Marx, Freud, Adam Smith, Montesquieu, Hobbes, Locke, Rousseau) and contemporary thinkers (Michael Mann, E.P. Thompson, Edward Said) are integrated in each chapter, together with student questions and exercises.
From six bestselling authors, including New York Times bestseller Kate Quinn, comes a vividly imagined novel following the lives of those in ancient Pompeii on the fateful day Mount Vesuvius erupts. Pompeii was a lively resort flourishing in the shadow of Mount Vesuvius at the height of the Roman Empire. When Vesuvius erupted in an explosion of flame and ash, the entire town would be destroyed. Some of its citizens died in the chaos, some escaped the mountain’s wrath . . . and these are their stories: A boy loses his innocence in Pompeii’s flourishing streets. An heiress dreads her wedding day, not knowing it will be swallowed by fire. An ex-legionary stakes his entire future on a gladiator bout destined never to be finished. A crippled senator welcomes death, until a tomboy on horseback comes to his rescue. A young mother faces an impossible choice for her unborn child as the ash falls. A priestess and a prostitute seek redemption and resurrection as the town is buried. Six authors bring to life overlapping stories of patricians and slaves, warriors and politicians, villains and heroes who cross each other’s paths during Pompeii’s fiery end. But who will escape, and who will be buried for eternity?
Walter Dean Myers brilliantly renders the realities of World War II. Josiah Wedgewood and Marcus Perry are on their way to an uncertain future. Their whole lives are ahead of them, yet at the same time, death's whisper is everywhere. One white, one black, these young men have nothing in common and everything in common as they approach an experience that will change them forever. It's May 1944. World War II is ramping up, and so are these young recruits, ready and eager. In small towns and big cities all over the globe, people are filled with fear. When Josiah and Marcus come together in what will be the greatest test of their lives, they learn hard lessons about race, friendship, and what it really means to fight. Set on the front lines of the Normandy invasion, this novel, rendered with heart-in-the-throat precision, is a cinematic masterpiece. Here we see the bold terror of war, and also the nuanced havoc that affects a young person's psyche while living in a barrack, not knowing if today he will end up dead or alive.
In 1988, a retired schoolteacher named Pius Fernandes receives an old diary found in the back room of an East African shop. Written in 1913 by a British colonial administrator, the diary captivates Fernandes, who begins to research the coded history he encounters in its terse, laconic entries. What he uncovers is a story of forbidden liaisons and simmering vengeances, family secrets and cultural exiles--a story that leads him on an investigative journey through his own past and Africa's.
