In 2005, everything seemed possible in Afghanistan. The Taliban was gone. A new government had been elected. A cultural renaissance was energizing the country. An actress visiting from Paris casually proposed to some Afghan actors in Kabul: Why not put on a play? The challenges were huge. It had been thirty years since men and women had appeared on stage together in Afghanistan. Was the country ready for it? Few Afghan actors had ever done theater. Did they even know how? They had performed only in films and television dramas. Still, a company of actors gathered—among them a housewife, a policewoman, and a street kid turned film star. With no certainty of its outcome, they set out on a journey that would have life-changing consequences for all of them, and along the way lead to A Night in the Emperor’s Garden.
In 2005, everything seemed possible in Afghanistan. The Taliban was gone. A new government had been elected. A cultural renaissance was energizing the country. An actress visiting from Paris casually proposed to some Afghan actors in Kabul: Why not put on a play? The challenges were huge. It had been thirty years since men and women had appeared on stage together in Afghanistan. Was the country ready for it? Few Afghan actors had ever done theater. Did they even know how? They had performed only in films and television dramas. Still, a company of actors gathered—among them a housewife, a policewoman, and a street kid turned film star. With no certainty of its outcome, they set out on a journey that would have life-changing consequences for all of them, and along the way lead to A Night in the Emperor’s Garden.
Come feel the cool and shadowed breeze, come smell your way among the trees, come touch rough bark and leathered leaves: Welcome to the night. Welcome to the night, where mice stir and furry moths flutter. Where snails spiral into shells as orb spiders circle in silk. Where the roots of oak trees recover and repair from their time in the light. Where the porcupette eats delicacies—raspberry leaves!—and coos and sings. Come out to the cool, night wood, and buzz and hoot and howl—but do beware of the great horned owl—for it’s wild and it’s windy way out in the woods!
NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.
This “elegant and haunting novel of war, art and memory" (The Independent) award-winning novel from the acclaimed author of The Gift of Rain follows the only Malaysian survivor of a Japanese wartime camp as she begins working for an exiled former gardener of the Emporer. Malaya, 1951. Yun Ling Teoh, the scarred lone survivor of a brutal Japanese wartime camp, seeks solace among the jungle-fringed tea plantations of Cameron Highlands. There she discovers Yugiri, the only Japanese garden in Malaya, and its owner and creator, the enigmatic Aritomo, exiled former gardener of the emperor of Japan. Despite her hatred of the Japanese, Yun Ling seeks to engage Aritomo to create a garden in memory of her sister, who died in the camp. Aritomo refuses but agrees to accept Yun Ling as his apprentice "until the monsoon comes." Then she can design a garden for herself. As the months pass, Yun Ling finds herself intimately drawn to the gardener and his art, while all around them a communist guerilla war rages. But the Garden of Evening Mists remains a place of mystery. Who is Aritomo and how did he come to leave Japan? And is the real story of how Yun Ling managed to survive the war perhaps the darkest secret of all?
Prequal to the darkly hypnotic Bargainer series! In the beginning, there was darkness. Before he met Callie, before he became the Bargainer, there was Desmond Flynn, the bastard son of a scribe. A boy born to a weak mother, cursed with little magic, and destined to marry a slave. But fate had something else in mind. Till darkness dies. From the barren caves of Arestys to the palace of Somnia to the streets of earth, this is how Desmond Flynn, a fairy who began with nothing, became the Emperor of Evening Stars.
This collection bundles together all 3 of the thrilling Roman historical novels by Hank Hanegraaff and Sigmund Brouwer into one e-book for a great value! #1: The Last Disciple First-century Rome is a perilous city as Nero stalks the political circles and huddled groups of believers. To be safe, Christians must remain invisible. Gallus Sergius Vitas is the only man within Nero’s trusted circle willing to do what it takes to keep the empire together. He struggles to lessen Nero’s monstrosities against the people of Rome—especially the Christians. But as three Greek letters are scrawled as graffiti throughout the city, Nero’s anger grows. As the early church begins to experience the turbulence Christ prophesied as the beginning of the last days, an enemy seeks to find John’s letter, Revelation, and destroy it. Meanwhile the early Christians must decipher it and cling to the hope it provides as they face the greatest of all persecutions. #2: The Last Sacrifice Helius, Nero’s most trusted adviser, anticipates the death of his sworn enemy, the legendary warrior Gallus Sergius Vitas, scheduled to die a gruesome death in the arena. However, the badly beaten man who appears in the amphitheater is not who he seems. Rescued by a stranger and given a mysterious scroll, Vitas is told he must decipher this letter to find the answers he needs—a letter that Helius is also determined to decipher and to keep hidden from Nero. As Nero’s reign of terror grows, so does his circle of enemies. #3: The Last Temple Set in the turbulent years just before one of the most horrendous events in Jewish history, The Last Temple concludes the trilogy of The Last Disciple and The Last Sacrifice. Vitas is reunited with his wife and retires to Alexandria, determined to live a quiet, domestic life. But he can’t avoid the debts that he owes to the men who saved him, and he becomes a key figure in the plot to rid the empire of Nero. It sweeps him into the “year of four emperors,” when the Roman Empire is nearly destroyed, and takes him back to Jerusalem as Titus lays siege to the great city. Only then, as the prophecy of Jesus begins to unfold, does Vitas discover the true mission set before him and the astounding conspiracy behind it.
