1664. There is an electric air of foreboding on the streets of London. An atmosphere Thomas Chaloner fears will only take a small spark to ignite into another civil war. . . ---------------------------------- The fifth adventure in the Thomas Chaloner series Thomas Chaloner has forged a living as spy to the Lord Chancellor, the Earl of Clarendon, since the early days of the Restoration. Now, in February 1664, he is aware of an undercurrent of restlessness on the streets of London. The coffee houses are thick with rumours. There is anger at the new laws governing church attendance and a deepening contempt for the loucheness of the court. And there is murder. The infamous church-smasher Dick Culmer is killed among the tottering, ramshackle buildings of London Bridge and Chaloner's investigations into the death link Culmer to a group of puritan conspirators. Further west, in the opulence of Somerset House and in the Palace of White Hall, Chaloner gradually realises that the ring-leaders of a rebellion are planning an explosive climax to achieve their goals. Desperately racing against time, Chaloner is determined to thwart them - as determined as they are to prevent him revealing their true intentions ...
Alex Cross must face the world's most dangerous agents, criminals, and assassins. The fate of the world rests in his hands. In broad desert daylight, a mysterious platoon of soldiers evacuates the entire population of Sunrise Valley, Nevada. Minutes later, a huge bomb detonates a hundred feet above the ground and lays waste to homes, cars, and playgrounds: a town annihilated in an instant. The Russian supercriminal known as the Wolf claims responsibility for the blast. Alex Cross is on vacation in San Francisco with his girlfriend, Jamilla Hughes, when he gets the call. World leaders have just four days to prevent an unimaginable cataclysm. Racing down the hairpin turns of the Riviera in the most unforgettable finale James Patterson has ever written, he confronts the truth of the Wolf's identity, a revelation that even Cross himself may be unable to survive.
“Like Dr. Frankenstein’s invented creature, the larger-than-life, flesh-and-blood characters of London Bridge in Plague and Fireare made from pieces of the dead past that are forged in the consciousness of an historian—himself a creation of history and of David Madden’s literary magic. Struck by the lightning bolt of the co-joined imaginations of Madden and his reader, the fabricated beings rise up and walk on London Bridge, and they have the audacity to speak for themselves in completely convincing and haunting voices.” —Allen Wier, author of Tehano For more than two thousand years, Old London Bridge evolved through many fragile wooden forms until it became the first bridge built of stone since the Roman invaders. With over two hundred houses and shops built directly upon the bridge, it was a wonder of the world until it was dismantled in 1832. In this stunningly original novel, Old London Bridge is as much a living, breathing character as its architect, the priest Peter de Colechurch, who began work on it in 1176, partly to honor Archbishop Thomas à Becket, murdered in Canterbury Cathedral. In 1665, the year of the Great Plague, Peter’s history is unknown, but Daryl Braintree, a young poet living on the bridge, resurrects him through inspired flights of imagination. As Daryl chronicles the history of the bridge and composes poems about it, he reads his work to his witty mistress, who prefers making love. Among other key characters is Lucien Redd, who as a boy was sexually brutalized by both Puritans and Cavaliers during the English Civil War before being kidnapped off London Bridge onto a merchant ship. Thus traumatized, he aspires to become Lucifer’s most evil disciple. Twenty years later, young Morgan Wood is forced into seafaring service to pay off his father’s debts; and, compelled by obsessive nostalgia for his early life on the bridge, he keeps a journal. Joining Morgan aboard ship, Lucien “befriends” him—to devastating effect. The shops and houses on the bridge survive both the Great Plague and Great Fire, believed to be God’s wrath upon sinful London. Fearing that God may next destroy the bridge and its eight hundred denizens, seven of its merchant leaders revert to a pagan appeasement ritual by selecting one of their virgin daughters for sacrifice. To enact their plan, they hire Lucien, who has returned to the bridge to burn it out of pure meanness. But as Lucien discovers, the chosen victim may be more Lucifer’s favorite than he is. Like his creation Daryl Braintree, David Madden employs diverse innovative ways to tell this complex, often shocking, but also lyrical story. The author of ten novels—including The Suicide’s Wife, Bijou, and most recently, Abducted by Circumstance and Sharpshooter—Madden has, with London Bridge in Plague and Fire, given us the most ambitious and imaginative work of his distinguished career.
For fans of Bridgerton looking for a mysterious twist on the glittering ballrooms of the Regency—a masterfully plotted story from a USA Today bestselling author that combines engaging protagonists with rich historical detail and international intrigue, plus a touch of romance that readers of Amanda Quick and Deanna Raybourn will savor. “[Penrose] mixes well thought out mysteries, early forensic science, great details of the era and a slow burning attraction creating a compulsive read.” —The New York Public Library Charlotte, now the Countess of Wrexford, would like nothing more than a summer of peace and quiet with her new husband and their unconventional family and friends. Still, some social obligations must be honored, especially with the grand Peace Celebrations unfolding throughout London to honor victory over Napoleon. But when Wrexford and their two young wards, Raven and Hawk, discover a body floating in Hyde Park’s famous lake, that newfound peace looks to be at risk. The late Jeremiah Willis was the engineering genius behind a new design for a top-secret weapon, and the prototype is missing from the Royal Armory’s laboratory. Wrexford is tasked with retrieving it before it falls into the wrong hands. But there are unsettling complications to the case—including a family connection. Soon, old secrets are tangling with new betrayals, and as Charlotte and Wrexford spin through a web of international intrigue and sumptuous parties, they must race against time to save their loved ones from harm—and keep the weapon from igniting a new war . . . “A charming, action-packed mix of historical mystery and Regency romance.”— Kirkus Reviews “Fascinating and well-researched historic events… a colorful depiction of Regency England.” –Publishers Weekly
A superbly entertaining, high-spirited novel, London Bridges gives a very contemporary spin to the classic English detective thriller. Set in 1990s London, the plot centers on a treasure lost in the Blitz and newly discovered by an unscrupulous lawyer, who is tempted by greed into a series of crimes leading to murder. "The true treasure here is Stevenson's motley chorus of characters" (The New Yorker); the main character is London itself, lovingly depicted in all its rich variousness. With elegant wit, keen social observation, and dazzling intelligence, Stevenson explores the ways that people's lives intertwine in a great city, often with startling results.
In Regency London, an unconventional scientist and a fearless female artist team up to trap a cold-hearted killer: “Thoroughly enjoyable” (Deanna Raybourn, New York Times–bestselling author). The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself the chief suspect. An artist in her own right, Charlotte Sloane has secretly slipped into the persona of her late husband, using his nom de plume, A.J. Quill. When Wrexford discovers her true identity, she fears it will be her undoing. But he has a proposal—use her sources to unveil the clergyman’s clandestine involvement in questionable scientific practices, and unmask the real murderer. Soon Lord Wrexford and the mysterious Mrs. Sloane plunge into a dangerous shadow world hidden among London’s intellectual enclaves to trap a cunning adversary—before they fall victim to the next experiment in villainy . . . “Sharp, engaging characters, rich period detail, and a compellingly twisty plot, Andrea Penrose delivers a winner.” —Deanna Raybourn, New York Times–bestselling author “Fans of C.S. Harris take note! A riveting ride through Regency London, from the slums of St. Giles, to the mansions of Mayfair.” —Lauren Willig, New York Times–bestselling author “Historical chemistry meets alchemy . . . A delight of a book.&rdquo
Nothing is as it seems in Regency London, especially when the Earl of Wrexford and Charlotte Sloane join forces to solve a shocking murder. When Lord Wrexford discovers the body of a gifted inventor in a dark London alley, he promptly alerts the watchman and lets the authorities handle the matter. But Wrexford soon finds himself drawn into the investigation when the inventor’s widow begs for his assistance. It seems her husband’s designs for a revolutionary steam-powered engine went missing the night of his death. The plans could be worth a fortune . . . and very dangerous in the wrong hands. Joining Wrexford in his investigation is Charlotte Sloane, who uses the pseudonym A. J. Quill to publish her scathing political cartoons. She doesn’t mind tapping her extensive network of informants critical to her work to track down an elusive killer. With danger lurking at every turn, the potent combination of Wrexford’s analytical mind and Sloane’s exacting intuition begins to unravel the twisted motivations behind the inventor’s death. But they are up against a killer ready to strike again before they can recover the inventor’s priceless designs . . . “Penrose deftly combines a Regency romance with a tricky mystery that delves into social unrest and the darker side of this storied period.” —Kirkus Reviews “Its complex story line and authentic historical details bring the early days of the Industrial Revolution vividly to life. Bound to fascinate readers of C.S. Harris and even fans of Victorian mysteries.” —Library Journal, Starred Review
Usman Khan was convicted of terrorism-related offences at age 20, and sent to high-security prison. He was released eight years later, and allowed to travel to London for one day, to attend an event marking the fifth anniversary of a prison education programme he participated in. On 29 November 2019, he sat with others at Fishmongers' Hall, some of whom he knew. Then he went to the bathroom to retrieve the things he had hidden there: a fake bomb vest and two knives, which he taped to his wrists. That day, he killed two people: Saskia Jones and Jack Merritt. Preti Taneja taught fiction writing in prison for three years. Merritt oversaw her program; Khan was one of her students. 'It is the immediate aftermath,' Taneja writes. 'I am living at the centre of a wound still fresh. The I is not only mine. It belongs to many.' In this searching lament Taneja interrogates the language of terror, trauma and grief; the fictions we believe and the voices we exclude. Contending with the pain of unspeakable loss set against public tragedy, she draws on history, memory, and powerful poetic predecessors to reckon with the systemic nature of atrocity. Blurring genre and form, Aftermath is a profound attempt to regain trust after violence and to recapture a politics of hope through a determined dream of abolition.
Early on the morning of May 6, 1840, the elderly Lord William Russell was found in his London house with his throat so deeply cut that his head was nearly severed. The crime soon had everyone, including Queen Victoria, feverishly speculating about motives and methods. But when the prime suspect claimed to have been inspired by a sensational crime novel, it sent shock waves through literary London and drew both Dickens and Thackeray into the fray. Could a novel really lead someone to kill? In Murder by the Book, Claire Harman blends a riveting true-crime whodunit with a fascinating account of the rise of the popular novel and the early battle for its soul among the most famous writers of the day.
