A Monograph of the Cretaceous Lamellibranchia of England:
A Monograph of the Cretaceous Lamellibranchia of England:

Author: Henry Woods

Publisher: Palala Press

Published: 2018-03-03

Total Pages: 474

ISBN-13: 9781379117681

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Monograph of the Cretaceous Lamellibranchia of England, Vol. 2
A Monograph of the Cretaceous Lamellibranchia of England, Vol. 2

Author: Henry Woods

Publisher: Forgotten Books

Published: 2018-02-10

Total Pages: 80

ISBN-13: 9780656223374

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Excerpt from A Monograph of the Cretaceous Lamellibranchia of England, Vol. 2: Part I., Limidæ; Pages 1-56, Plates I-VII Description. - Shell moderately convex, oval or subtriangular; height a little greater than length; outline rounded, except the antero-dorsal margin, which is nearly straight and rather long. Apical angle from 105° to Umbones rather small, close together. Anterior area slightly depressed, with small radial ribs. Anterior ears small; posterior larger, with growth-lines and faint radial ribs. Ornamentation consists usually of 18, but sometimes of as few as 14 or as many as 21 very strong, rounded, straight ribs, which are separated by broader furrows. In well-preserved specimens numerous concentric linear ridges occur on both ribs and furrows, and projecting growth-ridges are seen at regular intervals on the ribs. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A Monograph of the Cretaceous Lamellibranchia of England, Vol. 1 (Classic Reprint)
A Monograph of the Cretaceous Lamellibranchia of England, Vol. 1 (Classic Reprint)

Author: Henry Woods

Publisher:

Published: 2015-08-05

Total Pages: 468

ISBN-13: 9781332304370

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Excerpt from A Monograph of the Cretaceous Lamellibranchia of England, Vol. 1 A Monograph of the Cretaceous Lamellibranchia of England was written by Henry Woods in 1903. This is a 463 page book, containing 112655 words and 410 pictures. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.