For as long as the idea of "miracles" has been in the public sphere, the conversation about them has been shaped exclusively by religious apologists and Christian leaders. The definitions for what a miracles are have been forged by the same men who fought hard to promote their own beliefs as fitting under that umbrella. It's time for a change. Enter John W. Loftus, an atheist author who has earned three master's degrees from Lincoln Christian Seminary and Trinity Evangelical Divinity School. Loftus, a former student of noted Christian apologist William Lane Craig, got some of the biggest names in the field to contribute to this book, which represents a critical analysis of the very idea of miracles. Incorporating his own thoughts along with those of noted academics, philosophers, and theologians, Loftus is able to properly define "miracle" and then show why there's no reason to believe such a thing even exists. Addressing every single issue that touches on miracles in a thorough and academic manner, this compilation represents the most extensive look at the phenomenon ever displayed through the lens of an ardent nonbeliever. If you've ever wondered exactly what a miracle is, or doubted whether they exist, then this book is for you.
International Book Awards 2016 finalist for literary fiction The End of Miracles is a twisting, haunting story about the drastic consequences of a frustrated obsession. A woman with a complex past wants nothing more than to become a mother, but struggles with infertility and miscarriage. She is temporarily comforted by a wish-fulfilling false pregnancy, but when reality inevitably dashes that fantasy, she falls into a depression so deep she must be hospitalized. The sometimes-turbulent environment of the psychiatry unit rattles her and makes her fear for her sanity, and she flees. Outside, she impulsively commits a startling act with harrowing consequences for herself and others. This emotionally gripping novel is a suspenseful journey across the blurred boundaries between sanity and madness, depression and healing.
This vivid study, richly illustrated with forty color photographs, offers a multilayered analysis of retablos—folk images painted on tin that are offered as votives of thanks for a miracle granted or a favor bestowed—created by Mexican migrants to the United States. Durand and Massey analyze 124 contemporary retablo texts, scrutinizing the shifting subjects and themes that constitute a running record of the migrant's unique experience. The result is a vivid work of synthesis that connects the history of an art form and a people, links two very different cultures, and allows a deeper understanding of a major twentieth-century theme—the drama of transnational migration.
Jonas of Bobbio's life mirrored many of the transformations of the seventh century, while his three saints' Lives provide a window into the early medieval Age of Saints and the monastic and political worlds of Merovingian Gaul and Lombard Italy.
"This is an exciting exploration of the world of Buddhist attitudes towards religious texts, from Indian scriptures to Japanese medieval tales. Its emphasis on discursive strategies—how Buddhist texts function and what they expect of their readers/users (especially, the connection between books, their content, and their readers' bodies)—is a welcome new perspective."—Fabio Rambelli, author of Buddhist Materiality "Miracles of Book and Body is fluidly written and engaging. This book brings the reader to an awareness of the range and foci of medieval 'popular' readings of sutra literature, and Eubanks provides an important perspective to interpreting these narratives that is original and stimulating."—Thomas W. Hare, author of Zeami: Performance Notes "Charlotte Eubanks' sophisticated, insightful and readable study of the physicalities of sutra texts and sutra recitation makes sense of some of the strangest phenomena in medieval Japan. By disentangling the literal and metaphorical meanings in Buddhist setsuwa, Eubanks explains such things as how memorizing a text is an embodiment thereof, how texts can become sentient beings, and why the scroll is an appropriate format for recording dharma. Her work is both important and engaging."—Margaret H. Childs, University of Kansas "Drawing on an impressive range of Mahayana scriptures and medieval Japanese didactic tales, Eubanks unpacks recurrent tropes correlating text and flesh to reveal surprising connections among the literary, material, and ritual dimensions of Buddhist textual culture. Elegantly written and theoretically astute, this volume will be welcomed not only by specialists in Buddhist literature but also by readers interested in broader issues of text-based religious practice."—Jacqueline Stone, author of Original Enlightenment and the Transformation of Medieval Japanese Buddhism
The willingness of people to believe in magical icons, mystical relics, and miraculous pictures (like the Image of Guadalupe) is almost as curious as these phenomena themselves. Though they cry out for scientific investigation, millions of people blindly accept them as fact. Historical and paranormal investigator Joe Nickell confronts such strange events, powers, and objects as the Shroud of Turin, bleeding or weeping statues, burning handprints, liquefying blood, ecstatic visions, miraculous cures, and people speaking in tongues in Looking for a Miracle. Departing from standard critiques of religion, Nickell carefully investigates the evidence relating to specific claims. Religious believers and rationalists alike have much to learn from this revealing examination of the evidence for the miraculous.
This book is the first comprehensive treatment of the Huayan school of East Asian Buddhism in a Western language. This school, which received its name from the Chinese translation of the important Mahayana scripture, the Buddhavatam sakasutra, flourished in China during the Tang dynasty (618-907) and spread to Korea and Japan as well. The reader gains an insight into the development of Huayan Buddhism: The compilation of its base text, the Buddhavatam sakasutra, the establishment of Huayan tradition as a special form of East Asian Buddhism and its visual representations. The book consists of five chapters: 1. State of Field, 2. The Buddhavatam. sakasutra, 3. Huayan in China, 4. Hwaom/Kegon in Korea and Japan, and 5. Huayan/Hwaom/Kegon Art. The following scholars contributed to this volume: Aramaki Noritoshi, Jana Benicka, Choe Yeonshik, Bernard Faure, Frederic Girard, Imre Hamar, Huang Yi-hsun, Ishii Kosei, Kimura Kiyotaka, Charles Muller, Jan Nattier, Otake Susumu, Joerg Plassen, Wei Daoru, Dorothy Wong, Zhu Qingzhi. Included are bibliographies of secondary sources on Huayan Buddhism in Western languages, Japanese, Chinese and Korean.