A Mermaid - John William Waterhouse Journal

A Mermaid - John William Waterhouse Journal

Author: Victoria Prosper

Publisher:

Published: 2019-04-17

Total Pages: 123

ISBN-13: 9781094922850

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This elegant journal features a classic painting by John William Waterhouse - A Mermaid. This multipurpose notebook has a beautiful glossy cover, 120 lined pages, and measures 6" X 9"--the perfect size for carrying around. Great for personal use or gifting! The ocean-themed diary can be used for: gratitude journaling creative writing reflections affirmations, goals, and more!


Muriélle

Muriélle

Author: James Kaye

Publisher: Xlibris

Published: 2004-05

Total Pages: 260

ISBN-13: 9781401079444

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The Art Journal

The Art Journal

Author:

Publisher:

Published: 1901

Total Pages: 494

ISBN-13:

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Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.


J.W. Waterhouse

J.W. Waterhouse

Author: Elizabeth Prettejohn

Publisher:

Published: 2008

Total Pages: 248

ISBN-13:

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With his grand scale and richly colored canvases and studies, John William Waterhouse (1849-1917) was one of the most influential painters of the 19th century. In this brilliantly illustrated survey, edited by a leading Waterhouse scholar, the painter's seductive vision of femininity is captured in sumptuous reproductions and illuminated by an engaging and informative text. Published to accompany an important exhibition of the artist's work, the book explores Waterhouse's creative responses to such contemporary concerns as medievalism, the classical tradition, and spiritualism. A comprehensive examination of his life and work, including his well-known painting "The Lady of Shallott, "this volume explores also the artist's connection to the Pre-Raphaelite Brotherhood and his engagement with French art of the period.


Ophelia and Victorian Visual Culture

Ophelia and Victorian Visual Culture

Author: Kimberly Rhodes

Publisher: Routledge

Published: 2017-07-05

Total Pages: 225

ISBN-13: 1351555677

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Kimberly Rhodes's interdisciplinary book is the first to explore fully the complicated representational history of Shakespeare's Ophelia during the Victorian period. In nineteenth-century Britain, the shape, function and representation of women's bodies were typically regulated and interpreted by public and private institutions, while emblematic fictional female figures like Ophelia functioned as idealized templates of Victorian womanhood. Rhodes examines the widely disseminated representations of Ophelia, from works by visual artists and writers, to interpretations of her character in contemporary productions of Hamlet, revealing her as a nexus of the struggle for the female body's subjugation. By considering a broad range of materials, including works by Anna Lea Merritt, Elizabeth Siddal, Dante Gabriel Rossetti, and John Everett Millais, and paying special attention to images women produced, Rhodes illuminates Ophelia as a figure whose importance crossed class and national boundaries. Her analysis yields fascinating insights into 'high' and mass culture and enables transnational comparisons that reveal the compelling associations among Ophelia, gender roles, body image and national identity.