Christians within evangelicalism have always had a high regard for the Bible. How has the eternal Word of God been received across various races, age groups, genders, nations, and eras? This collection of historical studies focuses on evangelicals' defining uses—and abuses—of Scripture, from Great Britain to the Global South, from the high pulpit to private devotions and public causes.
Winner of the 1981 Bancroft Prize. Focusing primarily on the middle class, this study delineates the social, intellectual and psychological transformation of the American family from 1780-1865. Examines the emergence of the privatized middle-class family with its sharp division of male and female roles.
From 1889 to 1918 the reports consist of the Report of the director and appendixes, which from 1893 include various bulletins issued by the library (Additions; Bibliography; History; Legislation; Library school; Public libraries) These, including the Report of the director, were each issued also separately.
Thomas Hastings (1784-1872) is generally remembered as a compiler and composer of hymn tunes and anthems, but rarely is he spoken of as a prolific writer of hymn texts. Nor do many people refer to Hastings as an author, even though he penned several books and contributed numerous articles for newspapers and journals that were primarily, but not exclusively, related to his lifelong quest to reform the music used for Protestant services of worship. All of these various aspects of Hastings career are addressed in this, the first published study of Hastings life and career. The book is designed to awaken interest in this musician's contributions and to serve as a foundation upon which future studies of nineteenth-century American sacred music can build. Of particular interest is the fact that much of the material for this biographical profile has been drawn from sources not previously investigated by scholars in the field.