This rich history of marquetry is presented in cintext by one of its most ardent and taslented proponents - Silas Kopf. A distinguished cabinetmaker for more than thirty years, Kopf identifies the origins and influences of numerous decorative arts and architectural elements taht have and continue to have an impact on his own work. AUTHOR: Forword by Glenn Adamson, Head of Graduate Studies abd Deputy Head of Research, Victoria ALbert Museum, London. 320 colour illustrations
Catalogue published in conjunction with the exhibition "Extravagant Inventions: the Princely Furniture of the Roentgens" on view at The Metropolitan Museum of Art, New York, from October 30, 2102, through January 27, 2013.
The centuries-old craft of marquetry will add richness and beauty to all of your creative woodworking projects—and mastering marquetry is easier than you think! Veneer is easy to work with, doesn’t require a lot of equipment or space, and allows a woodworker or crafter to create or embellish a project with rare woods at an inexpensive price. Basic Marquetry and Beyond is for today’s active hands and creative minds ready to discover just how easy this classic technique can be, no matter what your skill level. With 40 projects, from a simple set of bookmarks to a challenging cone-shaped bowl, Basic Marquetry and Beyond will help any beginner quickly feel like a pro, while experts will learn valuable new marquetry tricks. Every step is clearly explained, while more than 250 images, easy-to-follow patterns, and veneer recommendations take the guesswork out of marquetry technique. Basic Marquetry and Beyond is a must-have guide for everyone who wants to create beautiful original projects or embellish their woodworking with stunning handcrafted style.
Included for the first time under one cover are all Galle's major works of furniture, both those he designed as unique pieces for an exclusive clientele and those he displayed at two World Expositions and at the annual Paris Salons between 1889 and his un
For centuries the art of marquetry has been centered in Paris, where the tradition has been transmitted only within workshops concentrated in the Faubourg Saint-Antoine. The outside world, therefore, has had very limited knowledge of the techniques used by the masters of this art. The publication of this English-language edition of La Marquetrie gives amateurs, art historians, creative woodworkers, and conservators access to an invaluable body of knowledge of the techniques of marquetry, covering the history of the craft as well as explanations of how a marqueter's studio is organized and the materials, instruments, drawing, preparation, and procedures used in the craft. It combines a thorough explanation of the craft techniques with detailed analysis of period examples, thereby giving readers a better understanding of marquetry pieces and new insights into shop practices. The book is an invaluable resource both for the art historian and the practicing craftsperson.
The Dutch history painter Joachim Wtewael is widely admired for his astonishing small paintings on copper. The Getty Museum's Mars and Venus Surprised by Vulcan is one of his finest works in this unusually demanding medium. Though only eight inches high, this Mannerist painting contains eleven figures in three different spaces, captured in a dramatically charged moment from the famous story told by Ovid in his Metamorphoses. The author's detailed analysis of Wtewael's painting also serves as a fine introduction to Dutch art of the Golden Age. Illustrated with seventy reproductions of paintings, drawings, etchings, and decorative objects, Anne W. Lowenthal's study ranges over the broad historical and cultural context in which Mars and Venus was created.
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
