A Manual of Orchestration, Designed Especially to Enable Amateurs to Follow Intelligently the Performance of Orchestral Music

A Manual of Orchestration, Designed Especially to Enable Amateurs to Follow Intelligently the Performance of Orchestral Music

Author: Hamilton Clarke

Publisher: Forgotten Books

Published: 2015-06-13

Total Pages: 132

ISBN-13: 9781330056417

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Excerpt from A Manual of Orchestration, Designed Especially to Enable Amateurs to Follow Intelligently the Performance of Orchestral Music "Orchestration" is a word which is now in the mouth of every boy and girl who is taken to hear a concert or an opera. It is a coined and most unsatisfactory word; so is its companion "instrumentation." But modern usage is much addicted to coining words, especially when a long word saves the trouble of saying several short ones. "Orchestration" is shorter than "scoring for the orchestra," and "instrumentation" than "arranging for the different instruments." It is only in quite latter times that the word "orchestration" has been so much heard amongst the talk of the people; this is probably attributable to the advent amongst us of certain operas of the modem German school, wherein the use of the orchestra is the chief and only point of interest in the performance. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


A Manual of Orchestration, Designed Especially to Enable Amateurs to Follow Intelligently the Performance of Orchestral Music - Primary Source Editi

A Manual of Orchestration, Designed Especially to Enable Amateurs to Follow Intelligently the Performance of Orchestral Music - Primary Source Editi

Author: George Oakey

Publisher: Nabu Press

Published: 2014-02-25

Total Pages: 132

ISBN-13: 9781294742364

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.


Henry Irving

Henry Irving

Author: Richard Foulkes

Publisher: Routledge

Published: 2017-11-30

Total Pages: 230

ISBN-13: 1351156462

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Henry Irving (1838-1905), the first actor to be knighted, dominated the theatre in Britain and beyond for over a quarter of a century. As an actor, he was strikingly different with his idiosyncratic pronunciation, his somewhat ungainly physique, and his brilliant psychological portrayals of virtue and villainy. As a director of spectacular, and commercially driven, entertainments, Irving anticipated Hollywood directors from D.W. Griffith to Stephen Spielberg. And as manager of the Lyceum Theatre, where audiences included the leading public figures of the day, he controlled every aspect of the performance. This collection of essays by leading theatre scholars explores each element of Irving's art: his acting, his contribution to the plays he commissioned, his flair for the stage picture, and his ear for incidental music. Like Wagner, Irving was a proponent of a holistic approach to the stage, that is, blending together acting, painting, music, and architecture to create harmonious, balanced, and artistic theatre. Irving emerges not only as the peer of such eminent contemporaries as Tennyson, Sullivan, Shaw, and Burne-Jones, but also as a powerful influence on the twentieth-century theatre.