Originally published in London, 1922. The aim of this fascinating book is to enable the reader to analyse character from handwriting. Contents Include: Psychology of Handwriting. Physiology of Handwriting. Connections between Physical condition and Handwriting. Recognition of Activity in Handwriting. Imagination. Tendencies. Autographs. Handwriting as an Art. Diagrams. Why we write as we do. Scheme for systematic observation of handwriting traits. etc. The book is well illustrated with writing examples etc. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Founder of the National Society for Graphology, Felix Klein began his study of graphology in his birthplace, Vienna, Austria, at the age of thirteen. He was a practicing graphologist all of his life and lectured and gave seminars throughout the United States and in Canada, England, Germany, Israel and Mexico. Mr. Klein came to the United States in 1940 after spending six months each in the concentration camps at Dachau and Buchenwald. While in those camps he formulated his theory of directional pressure as a result of studying changes in the handwriting of his fellow inmates. Mr. Klein did extensive work in personnel selection for major companies and banks, vocational guidance, and individual analyses, as well as forensic document examination for such entities as the U.N., AT&T, and a major political figure in Ghana, Africa. It was probably as a teacher that Felix was most known and loved. He held classes and offered correspondence courses in all levels of graphology: elementary, intermediate, advanced, Master Research, and Psychology for Graphologists. Wherever Felix spoke, his warm, caring personality and his naturalness and keen sense of humor generated enthusiastic responses from young and old alike.
Learn to interpret the messages in your handwriting and open to a new dimension in self-understanding, with "The Truth About Graphology" by Ruth Gardner. Your handwriting consists of unusual configurations that can be decoded. "The Truth About Graphology "explains how to translate these tell-tale signs for accurate information about anyone's personality. You can determine the physical condition of your Uncle Bill by examining his baseline slants. Or measure your child's vitality by the pressure she uses. Will you work well with that new employee? Look at her letter spacing. Distinguish a moody person from one with an even temper--from their handwriting alone. With "The Truth About Graphology" you'll: -Learn instant handwriting analysis in less than two hours -Recognize the personal traits revealed in your handwriting -Awaken to personality characteristics you previously ignored -Recognize areas of budding potential -Gain keen insight into others' actions -Design a signature that reflects your self-image -Practice your handwriting analysis skill at work and social events -Uncover hidden personality traits -Use the tell-tale signs in anyone's handwriting for an accurate assessment of their character -Learn to use graphology for professional gain and entertainment "The Truth About Graphology" is filled with illustrations that will finally make handwriting analysis easy for you to learn and practice. You'll learn, through examples and clear explanations, the meanings of the different letter slants, zones, spacing, loops and more. Once you learn handwriting analysis, people will be asking you to tell them about themselves: what are their hidden potentials, abilities, and even fears? Here is a system that requires nothing more than a piece of paper and a pen, a technique that can be done anywhere. To find out more you must get "The Truth About Graphology.
Learn the many ways handwriting can reveal personality traits in this comprehensive introduction to graphology. In Handwriting Analysis, graphology expert Karen Kristin Amend offers a fresh approach to the principles of graphology. Covering all aspects of handwriting, from size and spacing to pace and form quality, this book is designed to help readers learn the skills of whole-person profiling. Amend demonstrates how to determine various personality traits ranging from mood to moral character, self-confidence, and emotional needs. She also shows how to detect emotional disturbance or mental illness. With new material for understanding the significance of the writing rhythm, this volume also provides handwriting samples of famous people.
In "Cultural Graphology" Juliet Fleming explains the consequences of Jacques Derrida s thoughts about writing to those interested in the history of the book. She is especially interested in Derrida s writing in tandem with bibliography, to open new ways of thinking about the print culture of early modern England and the literary writing that got caught up in it. Fleming uses a deep reading of Derrida to analyze ignored forms of writing, of parts of books that are not writing, and of uses of books that she challenges us to think of as alternative and overlooked forms of reading. In particular, she thinks through printers errors and Shakespeare s blots; the printers flowers that ornamented early modern books; semantic elements that form "not" words, but parts of words (letters, syllables, and spaces); and early modern decoupage, or the cutting up of books. Fleming uses these examples drawn from early modern print culture to demonstrate how some of the governing assumptions of bibliography might be loosened and re-configured in the wake of Derrida s thought, and she demonstrates in a new way the consequence in Derrida s oeuvre of his career-long commitment to the topic of writing."
Faced with challenging economic times, contemporary clinicians require assessment tools which can accelerate the therapeutic process and facilitate brief psychotherapy. This text introduces graphology, or handwriting analysis, which has been used clinically in Europe for decades alongside other projective techniques. In Clinical Graphology: An Interpretive Manual for Mental Health Practitioners, this clinical application becomes accessible. The text provides a compelling rationale for the clinical evaluation of handwriting and demonstrates how therapists can access rich personal data by examining clients’ graphic behaviors. The text is designed to systematically present clinical graphology in theory and practice. A review of the literature demonstrates that the clinical use of graphology is consistent with the tenets of clinical practice. Graphological interpretive theory is presented in detail, providing a theoretical understanding of those graphic features which are meaningful indices of psychological phenomena. In this context, the inherent congruity between graphological and psychological theory is explored. Diverse handwriting samples, including many of contemporary public figures, illustrate graphic phenomena while demonstrating and encouraging the graphologist’s unique type of visual acuity. To facilitate the reader’s ability to synthesize graphic traits into a holistic personality profile, an interpretive schedule is provided which summarizes graphic indices and their interpretations. A method of assessing handwritings is provided which permits a degree of standardization and so facilitates research. Using this text, readers can integrate graphological theory and cultivate interpretive skills. Providing a comprehensive treatment of the psychology of handwriting, this volume includes a discussion of caveats which guide the clinical use of graphology as well as research considerations and guidelines for sharing graphological findings with clients. To date, clinicians in North America remain unaware of the merits of graphology usage although they continue to seek out methods of assessment which will facilitate their clinical efforts. This volume will demonstrate graphology as a tool which can be applied by those with virtually any theoretical orientation or practice model, speaking to the interests of psychiatrists, psychologists, social workers, art therapists, vocational counselors, pastoral counselors, and naturopaths, and paraprofessionals.
"Persuasively argues that our fixation with writing by hand is driven more by emotion than evidence, as it is perceived to be inextricably linked to our history, core values and individual identities."--Los Angeles Times The future of handwriting is anything but certain. Its history, however, shows how much it has affected culture and civilization for millennia. In the digital age of instant communication, handwriting is less necessary than ever before, and indeed fewer and fewer schoolchildren are being taught how to write in cursive. Signatures--far from John Hancock's elegant model--have become scrawls. In her recent and widely discussed and debated essays, Anne Trubek argues that the decline and even elimination of handwriting from daily life does not signal a decline in civilization, but rather the next stage in the evolution of communication. Now, in The History and Uncertain Future of Handwriting, Trubek uncovers the long and significant impact handwriting has had on culture and humanity--from the first recorded handwriting on the clay tablets of the Sumerians some four thousand years ago and the invention of the alphabet as we know it, to the rising value of handwritten manuscripts today. Each innovation over the millennia has threatened existing standards and entrenched interests: Indeed, in ancient Athens, Socrates and his followers decried the very use of handwriting, claiming memory would be destroyed; while Gutenberg's printing press ultimately overturned the livelihood of the monks who created books in the pre-printing era. And yet new methods of writing and communication have always appeared. Establishing a novel link between our deep past and emerging future, Anne Trubek offers a colorful lens through which to view our shared social experience.
