Ever since its first publication in 1992, The End of History and the Last Man has provoked controversy and debate. Francis Fukuyama's prescient analysis of religious fundamentalism, politics, scientific progress, ethical codes, and war is as essential for a world fighting fundamentalist terrorists as it was for the end of the Cold War. Now updated with a new afterword, The End of History and the Last Man is a modern classic.
"Dark, haunting but beautiful." "One of the best books I've ever read." "Not your average apocalypse survival story." Armageddon has never been so colourful. Watch it unfold through the jaded yet childlike eyes of Silas Stanley, a recently escaped psychiatric patient who must travel hundreds of miles across a devastated Britain to find his dying daughter before the world ends. Less grim survival and more a one-way journey toward redemption, The Man Who Lived at the End of the World is a story for those who prefer their apocalypse to be more personal. "Quite simply one of the most beautiful books I've ever read." "More depth and dimensions than other post-apocalypse books." "An amazing book." "Couldn't stop reading it."
A candid and deeply personal memoir of growing up in the seemingly idyllic world of a small Southern college town reflects on the devastating secrets behind the genteel faade and the effects of a family history of alcoholism on his life.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
Brilliant, dark stories of women’s lives by “a very major talent” (Joseph O’Connor, Irish Times) In these visceral, stunningly crafted stories by the author of the much-acclaimed Trespasses, women’s lives are etched by poverty—material, emotional, sexual—but also splashed by beauty, sometimes even joy, as they search for the good in the cards they’ve been dealt. A wife is abandoned by her new husband in a derelict housing estate, with blood on her hands. An expectant mother’s worst fears about her husband’s entanglement with a teenage girl are confirmed. A sister is tormented by visions of the man her brother murdered during the Troubles. A woman struggles to forgive herself after an abortion threatens to destroy her marriage. Plumbing the depths of intimacy, violence, and redemption, these stories are “dazzling, heartbreaking . . . keen to share the lessons of a lifetime” (Guardian).
This is a collection of letters that document the catastrophe visited uponne family during the destruction of Hiroshima. The author - a youngrofessor of history at Hiroshima University - spent several days after theropping of the atomic bomb searching for his wife and son. His joy on beinge-united with them was short-lived as radiation sickness took his wife tenays later. The author spent the following year writing a series of letterso his wife, outlining the things he saw and experienced over the two weeksefore the bombing and her death.;The book also contains family documents,etters from the children to their parents and a diary in which the eldestaughter described the events of the 18th-19th August 1945, when she returnedo Hiroshima on the final day of her mother's life.
This is no ordinary novel. An encyclopedia of memory—from A to Z—The End of the World Book deftly intertwines fiction, memoir, and cultural history, reimagining the story of the world and one man’s life as they both hurtle toward a frightening future. Alistair McCartney’s alphabetical guide to the apocalypse layers images like a prose poem, building from Aristotle to da Vinci, hip-hop to lederhosen, plagues to zippers, while barreling from antiquity to the present. In this profound book about mortality, McCartney composes an irreverent archive of philosophical obsessions and homoerotic fixations, demonstrating the difficulty of separating what is real from what is imagined. Finalist, Edmund White Award for Debut Fiction, The Publishing Triangle Finalist, PEN USA Literary Award for Fiction
WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
